Research Literature

Aspects of the Novel is compiled from a series of lectures delivered in 1927 by E. M. Forster at Trinity College, Cambridge, in which he discussed the English language novel. By using examples from classic texts, he explores the seven universal aspects of the novel: story, characters, plot, fantasy, prophecy, pattern, and rhythm.

This novel is the first fruit of L/L Research, written in 1968, refined in 1969, and, because of rejections from many of the major publishers, destined to sit in file drawers until private donations made it possible for us to offer this volume to those for whom it may have some value. That it has some value is of little doubt to me, even though I was the co–author of it. The writing of it was like nothing that I have experienced before or since. Concepts and characters flowed with a clarity and precision onto the paper that I would have thought impossible.

Business Ethics for Better Behavior concisely answers the three most pressing ethical questions business professionals face: What makes business practices right or wrong? Why do normal, decent businesspeople of good will sometimes do the wrong thing? And how can we use the answer to these questions to get ourselves, our coworkers, our bosses, and our employees to behave better?

Part three of the story of Doctor Sheila Bennet and her experimental drug that turned herself and over a hundred college coeds into supremely well endowed phallic women! After losing her professorship at Wentford U., Sheila decides to go public. Going public is only half her problem. If she wants to put her mutagenic drug into production, she'll need the help of an old flame, a big shot in the pharmaceutical industry. She'll have to do some pretty hard convincing with him as well, and she just might discover along the way that she's not quite as purely lesbian as she thought!

Borges in His Own Words is a fascinating work that immerses the listener in the linguistic essence of the celebrated Argentine writer Jorge Luis Borges. Through meticulous analysis, this book presents the 100 most used words by Borges, revealing the keys to his unique literary style and his profound worldview. Each word is explored in its context, intertwining the narratives and recurring themes that defined his work.

Victorian scientist R.W. Greasebeam presents a series of letters – by a ninth-century Viking, thirteenth-century Chinese girl, and a Prussian cartographer, among others – recording the discovery of the world's most fearsome dragons.

¿Por qué y para qué se escribe? ¿De dónde provienen las ideas que estimulan y alimentan a un escritor? ¿Cuál es el motor que impulsa la creatividad? Para Federico Reyes Heroles estas preguntas constituyen una curiosidad esencial, el núcleo de una pasión de vida. Para responderlas, nos propone un recorrido que parte de su experiencia personal y sigue las pistas de otros escritores que sondearon sus propios procesos creadores. Al poco tiempo, el explorador descubre que no puede quedarse en el ámbito de la literatura.

Showcasing the work of literary giants like Langston Hughes, James Baldwin, Audre Lorde, Alice Walker, and authors whom listeners may be surprised to learn were "in the life", Black Like Us is the most comprehensive collection of fiction by African American lesbian, gay, and bisexual writers ever published.

In his book-length essay Spirituality and the Writer, Larson surveys the literary insights of authors old and new who have shaped religious autobiography and spiritual memoir - from Augustine to Thomas Merton, from Peter Matthiessen to Cheryl Strayed. He holds them to an exacting standard: They must render transcendent experience in the writing itself.

In this fast-paced introduction, Ros King sets out to remind us of the sheer beauty and sophistication that can make Shakespeare’s works a joy for any audience. Exploring his invention and wit, along with his uncanny characterisation, King argues archaic language should be no barrier to the modern reader. This guide summarises the Bard’s life and background, detailing his plays and poetry in such a way that they are made accessible enough for everyone to admire.

“I don’t want to be remembered for One Hundred Years of Solitude or for the Nobel Prize, but rather for my journalism,” Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career - years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982.

«Estas conferencias se titulan Confesiones de un joven novelista, y cabría preguntarse por qué, teniendo en cuenta que ya he cumplido más de setenta años. Pero resulta que publiqué mi primera novela, El nombre de la rosa, en 1980, de modo que empecé mi carrera como novelista hace cosa de treinta años. Me considero, por lo tanto, un novelista muy joven y ciertamente prometedor».

Frankie finds that the bonobos she's studying are as complex as the humans she's working alongside. Their personalities are strong and distinct, and reigning over it all is Mama, the commanding, matriarchal leader of the group. Frankie comes to know the bonobos and to further develop her groundbreaking theory with the help of her research partner, a man with a complicated past and perhaps a place in her future. And then something changes everything, and the lines that divide them - between subject and scientist, between colleague and companion - begin to blur.

If your love for someone is greater than your own life, what would you sacrifice to keep her safe? The world and everything you've worked most of your life to procure? That is CEO Carson Bradley's catch-22. Unfortunately for Carson, his rivals have discovered his only weakness - Lillian Ly, the owner of his heart. The power behind his new cancer drug is what they desire, and they will stop at nothing to seize it. If necessary, kidnapping and murder are just the means to an end.

When tragedy strikes it doesn't always signal the end. Sometimes it can mean a new beginning.... Still reeling from the events of the past culminating in her devastating loss, an emotionally scarred Lillian Ly is determined to follow her heart and temporarily forego a bright academic career to keep alive the only thing that matters, being with the man she loves. Guilt pours over Carson Bradley like molten lava, but despite his shame, he cannot let her go. She is the flame to his fire, the soul of his heart. Without Lillian by his side, he is just a body without a warm pulse.

Through a collection of intimate reflections (on art, punctuation, eyeglasses, color, dreams, celebrity, corpses, porn, and translation) and assignments that encourage pleasure, attentiveness, and acts of playful making, poet, artist, critic, novelist, and performer Wayne Koestenbaum enacts 26 ecstatic collisions between his mind and the world. Figure It Out is both a guidebook for, and the embodiment of, the practices of pleasure, attentiveness, art, and play.

Along with Virgil, Horace (Quintus Horatius Flaccus) was the greatest poet produced by Rome, and in many ways his work has had arguably an even greater impact. His brilliant expression and astonishing acumen continue to amaze readers today, either in their original Latin or in innumerable worldwide translations. Shakespeare's debt to Horace is incalculable, and it is difficult to read his Sonnets today without immediately being reminded of the famous Odes.

From its birth in 1925 to the early days of the Cold War, The New Yorker slowly but surely took hold as the country's most prestigious, entertaining, and informative general-interest periodical. In Cast of Characters, Thomas Vinciguerra paints a portrait of the magazine's cadre of charming, wisecracking, driven, troubled, and brilliant writers and editors. He introduces us to Wolcott Gibbs, theater critic, all-around wit, and author of an infamous 1936 parody of Time magazine.

The second wave of the Siberian Flu catches the country completely unprepared. Instead of killing the old and frail, the young and healthy are dropping . . . in hours, not days. Kate, a new doctor, will sacrifice everything to break her and her sister free from a controlling stepfather and a dead-end small town existence. Moments from landing the critical job she needs, St. Louis falls apart around her.

Hundreds of deadly miles stand between Kate and her sister fighting for her life back home. Kate fights through the desperate people and a terrain that becomes more treacherous by the day. No longer waiting to be rescued, Alisa braves the powerful cabal that has taken over their small town and risks her own life to protect the innocent. The sisters can’t give up. They won’t. No matter the cost.