Rock Art

Breuer es una marca registrada en el rock nacional. Ha sabido crear, con los músicos más emblemáticos de la Argentina, el sonido característico de artistas y discos a los que su huella sonora les debe su personalidad. En este audiolibro se cuentan las historias de esas grabaciones, y también la de la industria discográfica argentina y los cambios que ésta atravesó en las últimas cinco décadas, más tips y datos para quien quiera profundizar acerca del sonido y sus secretos.

By the end of this audiobook, you will have found out just how much of a 90s music wizard you really are—and better yet, increased your knowledge even further so that any pub quiz team would be lucky to have you as their music round secret weapon!

The first full-length biography of Alice Coltrane, the jazz musician and spiritual leader whose forward-thinking music was overshadowed by her more famous husband, even as she brilliantly laid the groundwork for the new age, ambient, and electronic music that would follow. Alice Coltrane...

The world of musical theater has a rich and diverse history, spanning multiple genres and styles. One genre that has significantly influenced the landscape of musical theater is the rock musical. Combining the energy, rebelliousness, and catchy melodies of rock music with the storytelling and theatricality of the stage, the rock musical has captured the hearts of audiences around the world.

Howard Bloom - called “the greatest press agent that rock and roll has ever known” by Derek Sutton, the former manager of Styx, Ten Years After, and Jethro Tull - is a science nerd who knew nothing about popular music. But he founded the biggest PR firm in the music industry and helped build or sustain the careers of our biggest rock legends, including Michael Jackson, Prince, Bob Marley, Bette Midler, Billy Joel, Billy Idol, Chaka Khan, and 100 more. What was he after? He was on a hunt for the gods inside of you and me.

Rockin' in the Ivory Tower takes a close look at two smaller universities, Drew in New Jersey and Stony Brook on Long Island, to see how the culture of rock music played an integral role in student life in the late 1960s.

Jolina Marie Ledl ist bekannt aus der TV-Serie "Die Mädchen-WG" und von ihrem erfolgreichen Instagram-Account. Frisch und witzig erzählt sie in ihrem ersten Hörbuch "Rock your Day" von ihrem ersten Casting bei der "Mädchen-WG", von ihrer Leidenschaft für den Sport und natürlich von ihrer großen Liebe. Jolina gibt Tipps, wie man als Influencerin erfolgreich wird, wie man sich selbst motivieren kann und wie man seinen Tag so strukturiert, dass alles Platz findet: die Schule, die Freunde, der Sport, Model-Jobs und die Fans.

Acht bekannte deutsche Schriftsteller blicken in kleinen persönlichen Erinnerungsstücken und Feuilletons zurück auf die Zeit, als sich fast alles um Rock, Pop, Politik und Protest drehte...

Allan Jones launched Uncut magazine in 1997 and for 15 years wrote a popular monthly column called Stop Me If You've Heard This One Before, based on his experiences as a music journalist in the 70s and 80s. By turns hilarious, cautionary, poignant and powerful, the Stop Me...stories collected here include encounters with some of rock's most iconic stars, including David Bowie, Lou Reed, Leonard Cohen, Van Morrison, Neil Young, Elvis Costello, The Sex Pistols, The Clash, The Smiths, R.E.M. and Pearl Jam.

An incisive portrait of a culture unanchored and adrift. In these pieces, veteran MTV commentator and rock journalist Kurt Loder turns his jaundiced eye and trenchant wit on the nature of celebrity as embodied by rock musicians and other pop culture icons. Ride along as Mick Jagger sheds his bad-boy image to embrace the jet-setter lifestyle; ponder the puzzling dichotomy between Prince's racy lyrics and self-proclaimed spirituality; and much more.

Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic-and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of "authenticity" have blinded us to rock's inextricably interracial artistic enterprise.

The recording studio has long been referred to as "the lab" in record-producer slang, and the Scientists of Sound for the first time takes rock and roll fans of every genre and generation on a first-of-its-kind behind-the-scenes tour of the record-making process, from analog to the digital era. Many of the most famous hits of all time are chronicled here. Giving fans a front-row studio seat as they recount the stories behind the creation of these hits are 50 of the most legendary record producers of all time.

Jonathan Taplin’s extraordinary journey has put him at the crest of every major cultural wave in the past half century. His is a lifetime marked not only by good timing but by impeccable instincts - from the folk scene of Woodstock, to Hollywood’s rebellious film movement and beyond, Taplin is not just a witness but a lifelong producer, the right-hand man to some of the greatest talents of both pop culture and the underground. The Magic Years is both a rock memoir and a work of cultural criticism from a key player who watched a nation turn from idealism to nihilism.

In 1969, in Capitol Records' Hollywood studio, a blonde-haired troubadour named Larry Norman laid track for an album that would launch a new genre of music and one of the strangest, most interesting careers in modern rock. Having spent the bulk of the 1960s playing on bills with acts like The Who, Janis Joplin, and The Doors, Norman decided that he wanted to sing about the most countercultural subject of all: Jesus.

All You Need Is Myth is a timely philosophical conversation about ancient concepts that continue to reverberate in the modern age of mass media and global communication. Author Steve Wagner proposes that the Beatles and the iconic stars of the classic rock era function as modern forms of classical archetypes familiar in mythologies and religious traditions throughout history.

Songs that sell the most copies become hits, but some of those hits become something more—iconic recordings that not only inspire a generation but also change the direction of music. In Anatomy of 55 More Songs, based on his column for the Wall Street Journal, music journalist and historian Marc Myers tells the story behind fifty-five rock, pop, R&B, country, and soul-gospel hits through intimate interviews with the artists who wrote and recorded them.

“What are the greatest rock albums of all-time?” Perhaps one of the more common questions examined between music-loving chums, that has led to many a good-natured debate. But if you really dig deeper into the question…is it from the standpoint of the album’s importance in rock history? A classic release that proved significant to an artist’s career? Or perhaps merely a personal favorite, that you just can’t get enough of?

It's 1972 and Vince Cosmos is all the rage. He's the enigmatic Glam Rock star who sings about being an alien and whose followers worship him. Poppy Munday is the secretary of his fan club - Sunderland chapter - and all her dreams are about to come truewhen she finds herself drwan into the strange orbit of the Seventies' most fabulous star. But what if Vince Cosmos really is an alien? One engaged in a secret battle with aliens already on Earth?

The story goes that under the influence of blues and rock and roll, Britain suddenly started making spectacularly great music in the 1960s like some clever, quick-learning cultural satellite of America. But Britain’s mid-20th-century pop music explosion didn’t happen from a standing start. The reasons, both dazzling and multifaceted, appear to lie deeper than those legendary deliveries of blues records to Liverpool’s port and the legacy of music halls.

Since the late '70s, histories of rock music have either ignored or marginalized the progressive rock era. In part, this has occurred because rock music criticism has taken an almost completely sociological turn, with little or no interest in musical form itself. In Listening to the Future, Bill Martin argues that it is a musical and political mistake to ignore this period of tremendous creativity, a period that still finds resonance in rock music today.