Rock Art

This box set has almost nine hours of high-quality, all-audio instruction teaching the bass lines to some of the most iconic songs in Rock history. This set is loaded with songs by The Beatles, but there are also some standards from Rock n Roll and a touch of Country.

Looking for Lady Dee is a one-of-a-kind story paralleling the career of a second-wave punk band (Thrills) with the disappearance of one of its fans. The story of the late 70s, early 80s popular music scene is the backdrop. Author Johnny Angel Wendell tells all with pinpoint accuracy and wicked detail. Lurid, vivid, and relentless in its descriptions of rock music's unholy triumvirate (sex, drugs, and the music itself) from an author who lived it and survived, and his cohorts, many of whom did not.

Seventeen-year-old Duncan is pretty sure he died recently in the car crash that killed his foster mother. His life really gets complicated when he is thrust into a new foster home, a new high school, falls in love with Amber, the hottest redhead in school, joins her rock band Savage Summer and develops a disturbing thirst for blood. Their band, Savage Summer, gets a gig at a local club, Eros, which turns out to be a haven for vampires.

Mysteries in the Music: Case Closed examines some of the secrets, myths, legends, hoaxes, conspiracies, and wildly inexplicable events that are such an intriguing part of rock and roll history. Travel back to the 1950s to uncover "Who Really Discovered Elvis Presley?" Revisit the 1960s when a folk troubadour tried forming a supergroup with The Beatles and The Rolling Stones. Transport back to Jamaica 1976 to discover whether the CIA tried to assassinate reggae superstar Bob Marley. Discover whether The Beach Boys actually stole a song from cult leader Charles Manson.

The world of musical theater has a rich and diverse history, spanning multiple genres and styles. One genre that has significantly influenced the landscape of musical theater is the rock musical. Combining the energy, rebelliousness, and catchy melodies of rock music with the storytelling and theatricality of the stage, the rock musical has captured the hearts of audiences around the world.

Howard Bloom - called “the greatest press agent that rock and roll has ever known” by Derek Sutton, the former manager of Styx, Ten Years After, and Jethro Tull - is a science nerd who knew nothing about popular music. But he founded the biggest PR firm in the music industry and helped build or sustain the careers of our biggest rock legends, including Michael Jackson, Prince, Bob Marley, Bette Midler, Billy Joel, Billy Idol, Chaka Khan, and 100 more. What was he after? He was on a hunt for the gods inside of you and me.

Rockin' in the Ivory Tower takes a close look at two smaller universities, Drew in New Jersey and Stony Brook on Long Island, to see how the culture of rock music played an integral role in student life in the late 1960s.

Jolina Marie Ledl ist bekannt aus der TV-Serie "Die Mädchen-WG" und von ihrem erfolgreichen Instagram-Account. Frisch und witzig erzählt sie in ihrem ersten Hörbuch "Rock your Day" von ihrem ersten Casting bei der "Mädchen-WG", von ihrer Leidenschaft für den Sport und natürlich von ihrer großen Liebe. Jolina gibt Tipps, wie man als Influencerin erfolgreich wird, wie man sich selbst motivieren kann und wie man seinen Tag so strukturiert, dass alles Platz findet: die Schule, die Freunde, der Sport, Model-Jobs und die Fans.

Acht bekannte deutsche Schriftsteller blicken in kleinen persönlichen Erinnerungsstücken und Feuilletons zurück auf die Zeit, als sich fast alles um Rock, Pop, Politik und Protest drehte...

Allan Jones launched Uncut magazine in 1997 and for 15 years wrote a popular monthly column called Stop Me If You've Heard This One Before, based on his experiences as a music journalist in the 70s and 80s. By turns hilarious, cautionary, poignant and powerful, the Stop Me...stories collected here include encounters with some of rock's most iconic stars, including David Bowie, Lou Reed, Leonard Cohen, Van Morrison, Neil Young, Elvis Costello, The Sex Pistols, The Clash, The Smiths, R.E.M. and Pearl Jam.

An incisive portrait of a culture unanchored and adrift. In these pieces, veteran MTV commentator and rock journalist Kurt Loder turns his jaundiced eye and trenchant wit on the nature of celebrity as embodied by rock musicians and other pop culture icons. Ride along as Mick Jagger sheds his bad-boy image to embrace the jet-setter lifestyle; ponder the puzzling dichotomy between Prince's racy lyrics and self-proclaimed spirituality; and much more.

Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic-and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of "authenticity" have blinded us to rock's inextricably interracial artistic enterprise.

Jonathan Taplin’s extraordinary journey has put him at the crest of every major cultural wave in the past half century. His is a lifetime marked not only by good timing but by impeccable instincts - from the folk scene of Woodstock, to Hollywood’s rebellious film movement and beyond, Taplin is not just a witness but a lifelong producer, the right-hand man to some of the greatest talents of both pop culture and the underground. The Magic Years is both a rock memoir and a work of cultural criticism from a key player who watched a nation turn from idealism to nihilism.

In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey's music career with the Marine Girls had just begun, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by activism and agitprop theatre, lesbian punk bands and rock 'n' roll love affairs. Morrison came to be a kind of mentor to Thorn, a strong female role model in a male dominated industry. They both faced a chauvinist music media wanting them to behave to type.

The Police have sold more than 50 million albums, made Rolling Stone's Greatest Artists of All Time list, and finished a triumphant world reunion tour in 2008. Now British journalist Chris Campion draws on extensive research and new interviews to trace the inside saga of this iconic group, including the unorthodox business strategies employed by manager Miles Copeland that took them to the top and the intense rivalry that drove Sting, Andy Summers, and Stewart Copeland to split at the height of their success in the 1980s.

Esta desternillante antología de ensayos, reseñas, autopsias y semblanzas rescata del más inmisericorde de los olvidos algunas de las piezas más delirantes del impenitente grafómano y crítico por antonomasia del rock.

The Show That Never Ends is the behind-the-scenes story of the extraordinary rise and fall of progressive ("prog") rock, epitomized by such classic, chart-topping bands as Yes, Genesis, Pink Floyd, Jethro Tull, and Emerson Lake & Palmer, and their successors Rush, Styx, and Asia. With inside access to all the key figures, Washington Post national reporter David Weigel tells the story with the gusto and insight prog rock's fans (and its haters) will relish.

All You Need Is Myth is a timely philosophical conversation about ancient concepts that continue to reverberate in the modern age of mass media and global communication. Author Steve Wagner proposes that the Beatles and the iconic stars of the classic rock era function as modern forms of classical archetypes familiar in mythologies and religious traditions throughout history.

The story goes that under the influence of blues and rock and roll, Britain suddenly started making spectacularly great music in the 1960s like some clever, quick-learning cultural satellite of America. But Britain’s mid-20th-century pop music explosion didn’t happen from a standing start. The reasons, both dazzling and multifaceted, appear to lie deeper than those legendary deliveries of blues records to Liverpool’s port and the legacy of music halls.

The idea for Britain’s first female rock band, The Liverbirds, started one evening in 1962, when Mary McGlory, then age 16, saw The Beatles play live at The Cavern Club in Liverpool, the nightclub famously known as the “cradle of British pop music.” Then and there, she decided she was going to be just like them—and be the first girl to do it.