Rock History

Rock and roll was birthed in basements and garages, radio stations and dance halls, in cities where unexpected gatherings of artists and audience changed and charged the way music is heard and celebrated, capturing lightning in a bottle. Musician and writer Lenny Kaye explores ten crossroads of time and place that define rock and roll, its unforgettable flashpoints, characters and visionaries, how each generation came to be, how it was discovered by the world.

Leaving school and starting his career at Decca Records in 1958 at the age of sixteen, Tony King would soon find himself becoming close friends with Elton John, rekindling John Lennon and Yoko Ono's relationship, mediating a quarrelsome Mick Jagger and Keith Richards and spending time with Freddie Mercury in his final days - a far cry from his childhood days in Eastbourne. Living in an era of seismic social, technological and cultural transformation, King experienced these defining moments as a stalwart in London and New York's gay scenes.

There may be no more joyous iteration in all of music than 1980s hard rock. It was an era where the musical and cultural ideals of rebellion and freedom of the great rock 'n' roll of the '50s, '60s, and '70s were taken to dizzying heights of neon excess. Attention to songcraft, showmanship, and musical virtuosity (especially in the realm of the electric guitar) were at an all-time high, and radio and MTV were delivering the goods en masse to the corn-fed children of America and beyond.

Hangdog Days vividly chronicles the era when rock climbing exploded in popularity, attracting a new generation of talented climbers eager to reach new heights via harder routes and faster ascents. This contentious, often entertaining period gave rise to sport climbing, climbing gyms, and competitive climbing-indelibly transforming the sport. Jeff Smoot was one of those brash young climbers, and here he traces the development of traditional climbing "rules," enforced first through peer pressure, then later through intimidation and sabotage.

In They Just Seem a Little Weird, veteran entertainment journalist Doug Brod offers an eye- and ear-opening look at a crucial moment in music history, when rock became fun again and a gig became a show. This is the story of friends and frenemies who rose, fell, and soared once more, often sharing stages, studios, producers, engineers, managers, agents, roadies, and fans-and who are still collaborating more than 40 years on.

The Great Book of Rock Trivia contains hundreds of riveting facts about your favorite rock songs. Whether you’re interested in what your favorite musicians like to do in their spare time, where they get the ideas for their music, or which artist had an exorcism in his home, you’re in for a treat. This book will satisfy your curiosity and help you impress your friends with your rock and roll knowledge.

When Paul McCartney closed Live Aid in July of 1985, we thought he was rock's Grand Old Man. He was forty-three years old. As the forty years since have shown, he—and many others of his generation—were just getting started. This was the time when live performance took over from records. The big names of the '60s and '70s exploited the Age of Spectacle that Live Aid had ushered in to enjoy the longest lap of honor in the history of humanity, continuing to go strong long after everyone else in the business had retired.

The revealing backstory of the album with no name that spawned 'When the Levee Breaks', 'Black Dog,' 'Stairway to Heaven', and 'Rock 'n' Roll'. Four tracks each side; eight killers, no fillers. This is how they did it.

Decades after the rise of rock music in the 1950s, the rock concert retains its allure and its power as a unifying experience - and as an influential multibillion-dollar industry. In Rock Concert, acclaimed interviewer Marc Myers sets out to uncover the history of this compelling phenomenon, weaving together groundbreaking accounts from the people who were there. Rock Concert provides a fascinating, immediate look at the evolution of rock 'n' roll through the lens of live performances.

The true, exciting, and endearing chronicle of a "Jersey Boy" scoring a #1 hit record and the life adventures he wasn't prepared for. This is so much more than a "rock bio". It's a sometimes dark and gritty tale of redemption involving: Jimi Hendrix, The Beatles, The Rascals, Joe Pesci, Judy Garland, John Wayne, Jackie Kennedy, Nat "King" Cole, Shirley MacLaine, Tennessee Williams, Truman Capote, and Liberace, Salvador Dali, and Dick Clark. The list goes on and on.

Pamela Des Barres, the world’s foremost supergroupie, here offers an all-access backstage pass to the world of rock stars and the women who love them. Having had her own affairs with legends such as Keith Moon and Jimmy Page--as documented in her bestselling memoir I’m with the Band--Pamela now turns the spotlight onto other women who have found their way into the hearts and bedrooms of some of the world’s greatest musicians.

Acquired wisdom has always put Sgt. Pepper at the head of the class, but it was Revolver that truly signaled The Beatles' sea change from a functional band to a studio-based ensemble. These changes began before Rubber Soul but came to fruition on Revolver, which took an astonishing 300 hours to produce, far more than any rock record before it.

With Chris Bell at the center of the Big Star universe, this book carefully reveals the production of the band's masterful 1972 debut LP, #1 Record, for Ardent/Stax Records. Despite stellar reviews, the record suffered abysmal sales. Soon after, toxic personality conflicts and turmoil tore the band apart while Bell battled drug abuse and depression.

Steely Dan's songs are exercises in fictional world-building. No one else in the classic-rock canon has conjured a more vivid cast of rogues and heroes, creeps and schmucks, lovers and dreamers and cold-blooded operators-or imbued their characters with so much humanity.

This epic cultural and historical odyssey unearths the full influence of occult traditions on rock and roll - from the Beatles to Black Sabbath - and shows how the marriage between mysticism and music changed our world.

More nations have vanished from this Earth than exist today. It is hard to imagine that Scotland or India will one day not exist, yet history is the graveyard of nations. This is the story of one such country, because like a once mighty ship who has sunk into the ocean of history, its wreckage and remains are meager. It is the story of a Kingdom called Alt Clut that existed for 600, perhaps 700 years, and is now almost unheard of. The story of Alt Clut only survives in archaeological finds, linguistic whispers, the chronicles of its neighbors and enemies, poetry, and legends.

The fascinating, often surprising story of how a simple black rock altered the course of history. Yet the mundane mineral that built our global economy, and even today powers our electrical plants, has also caused death, disease, and environmental destruction. In this remarkable book, Barbara Freese takes us on a rich historical journey that begins three hundred million years ago and spans the globe.

From surf music to hot-rod records to the sunny pop of the Beach Boys and the Mamas & the Papas, Hollywood Eden captures the fresh blossom of a young generation who came together in the epic spring of the 1960s to invent the myth of the California Paradise. Central to the story is a group of sun-kissed teens from the University High School class of 1959 - a class that included Jan & Dean, Nancy Sinatra, and future members of the Beach Boys - who came of age in Los Angeles at the dawn of a new golden era when anything seemed possible.

When it comes to mastering a foreign language, learning around your interests makes all the difference. But finding books designed for language learners can be hard! This book fixes that. For the first time, you’ll learn to improve your Spanish while learning about the history and theory of rock’n’roll.

“What are the greatest rock albums of all-time?” Perhaps one of the more common questions examined between music-loving chums, that has led to many a good-natured debate. But if you really dig deeper into the question…is it from the standpoint of the album’s importance in rock history? A classic release that proved significant to an artist’s career? Or perhaps merely a personal favorite, that you just can’t get enough of?