Rock History

In Tearing Down the Orange Curtain, journalists Nate Jackson and Daniel Kohn explore the trajectory of punk and ska from their humble beginnings to their peak popularity years, where their cultural impact could be felt in music around the world. Delving deep into the personal and professional lives of bands like Social Distortion, The Adolescents, The Offspring, and their ska counterparts No Doubt, Sublime, Reel Big Fish, Save Ferris, and more, this book gives listeners a deeper look into the very human stories of these musicians.

As an A&R man at Epic Records, Tom Werman helped introduce the world to REO Speedwagon, Boston, Ted Nugent, and Cheap Trick; he also discovered KISS, Rush, and Lynyrd Skynyrd, but his record label passed on all of them. Then, as an independent producer, he oversaw landmark albums by Mötley Crüe, Twisted Sister, Lita Ford, Jeff Beck, Poison, and many more. All in all, his record-making resume includes twenty-three gold- or platinum-selling albums and cumulative sales of more than fifty-two million copies.

In Corporate Rock Sucks, music journalist Jim Ruland relays the unvarnished story of SST Records, from its remarkable rise in notoriety to its infamous downfall. With records by Black Flag, Minutemen, Hüsker Dü, Bad Brains, Sonic Youth, Dinosaur Jr., Screaming Trees, Soundgarden, and scores of obscure yet influential bands, SST was the most popular indie label by the mid-80s - until a tsunami of legal jeopardy, financial peril, and dysfunctional management brought the empire tumbling down. This investigative deep-dive leads listeners through SST’s tumultuous history.

A history of Saturday Night Live that finally reveals what really went on backstage, on the set, in the writers' offices, and on the town. Dozens of stars, writers, and guest hosts recall the backstage gossip, feuds, foibles, drugs, sex, struggles, and calamities of the show that changed television.

In the second of four volumes, Alan Cross reveals the fascinating stories behind the music, focusing on the following top performers: Joy Division, New Order, The Cure, Depeche Mode, U2, Brian Eno, Skinny Puppy, and The Pixies.

Based on decades of work as a professor of literature and as a musician, Jesse Kavadlo analyzes the ways in which 1980s heavy metal aligns with and develops many of the themes prevalent in the canon of literature. In doing so, the book examines some of the contexts of 1980s heavy metal, including Cold War, the rise of MTV, and the formation of the Parents Music Resource Center (PMRC) and subsequent congressional hearings.

In 2016, a small protest encampment at the Standing Rock Reservation in North Dakota, initially established to block construction of the Dakota Access oil pipeline, grew to be the largest Indigenous protest movement in the 21st century. Water Protectors knew this battle for native sovereignty had already been fought many times before, and that, even after the encampment was gone, their anti-colonial struggle would continue. Our History Is the Future is at once a work of history, a manifesto, and an intergenerational story of resistance.

In the follow-up to Anthem: Rush in the '70s, Martin Popoff brings together canon analysis, cultural context, and extensive firsthand interviews to celebrate Geddy Lee, Alex Lifeson, and Neil Peart at the peak of their persuasive power. Rush was one of the most celebrated hard rock acts of the '80s, and the second book of Popoff's staggeringly comprehensive three-part series takes listeners from Permanent Waves to Presto, while bringing new insight to Moving Pictures, their crowning glory.

Mix tapes: We all have our favorites. Stick one into a deck, press play, and you’re instantly transported to another time in your life. For Rob Sheffield, that time was one of miraculous love and unbearable grief. A time that spanned seven years, it started when he met the girl of his dreams, and ended when he watched her die in his arms.

Chrissie Hynde, the songwriter and front woman of The Pretenders in its various incarnations, has for 35 years been one of the most admired and adored and imitated figures in rock. This long-awaited memoir tells her life story in full and utterly fascinating detail, from her all-American Ohio '50s childhood to her classic baby-boomer seduction by the rock of the '60s to her sojourn in the crucible of punk that was '70s London to her instant emergence with her band, The Pretenders, in 1980 into stardom as a frontwoman and songwriter.

Among the world’s most recognizable man-made structures, the Dome of the Rock–known in Arabic as the Qubbat as-Sakara–is also one of its most mysterious. Although much of the Dome’s construction, reconstruction, and later additions are well-known from historical texts and archeological work, what it represents, why it was built where it was, and even its use remain the subject of scholarly controversy.

Iggy Pop's legendary career has been tumultuous, reaching great heights with mega-hits and then hitting rock-bottom lows in jail and mental institutions. Along the way, he's become a cult-rock hero, an inspiration for dozens of other famous rockers, and has had a pretty good time of it, too. But the image of Iggy Pop versus the man behind that image, James Newell Osterberg, Jr., is surprisingly contradictory.

Simply stated, Kurt Cobain changed the cultural conversation in his all-too-brief life, and even after his shattering death. With interviews and commentary from all corners of the pop culture universe, from the people who knew Cobain to those who continue to help his legend grow, Here We Are Now explores what a singular life meant, and how that meaning can be measured, when and if it can be.

From the author's first glimpse of a magical recording studio in the mid-1960s up through a busy career that continues to the present day, this rollicking story can only be told by those that were there. As the young tape operator on sessions for the Rolling Stones, Jimi Hendrix, and Joe Cocker at the famed Olympic Sound Studios in London, Phill learned the ropes from experienced engineers and producers such as Glyn Johns and Eddie Kramer.

Steve Parish was never one to walk the straight-and-narrow, even during his childhood growing up in Flushing Meadow, Queens. Busted as a teenager for selling acid in the summer of 1968, Parish landed in Riker's Island. The experience changed him, and after getting out, he did his best to stay out of trouble, securing a job moving music equipment at the New York State Pavilion. The first show he worked was a Grateful Dead concert in July of 1969, and Parish was captivated by the music. A life seemingly headed nowhere had suddenly found its calling.

Evan Dando, front man of The Lemonheads and “poster boy—and prettiest boy—of Gen X” (The New York Times), spills the true story of his band’s tumultuous history and what it was like to be famous in the pre-internet days in this candid, colorful, and unputdownable memoir.

Come From Away: Welcome to the Rock - a fully illustrated companion volume to the hit Tony Award-winning Broadway musical, featuring the book and lyrics for the first time in print, backstage stories and the real history behind the show's events, character design sketches, and songs that ended up on the cutting room floor.

Crafting smash hits with Van Halen, the Doobie Brothers, Nicolette Larson, and Van Morrison, legendary music producer Ted Templeman changed the course of rock history.

Standing Rock Sioux activist, professor, and attorney Vine Deloria, Jr., shares his thoughts about US race relations, federal bureaucracies, Christian churches, and social scientists in a collection of 11 eye-opening essays infused with humor. This "manifesto" provides valuable insights on American Indian history, Native American culture, and context for minority protest movements mobilizing across the country throughout the 60s and 70s. Originally published in 1969, this book remains a timeless classic and is one of the most significant nonfiction works written by a Native American.

In 1954, the U.S. Supreme Court ruled that schools had to allow Black students to attend previously all-white schools. On September 4, 1957, nine Black students were set to attend Little Rock Central High in Little Rock, Arkansas. But when they arrived, an angry mob of white people spat at them and hurled racist insults. They were also prevented from entering the school by the National Guard. After they were finally allowed in weeks later, they faced even more abuse from white students and staff.