Satire Comedy

What do we believe? And in God's name why? Lewis Black has the answers. Or at least his answers. He survived Hebrew school and a bar mitzvah (barely), was a 60's college student who saw the parallels between religious rapture and drug-induced visions (even if none of his friends did), explored the self-actualization movement of the 70's (and the self-indulgence it engendered), and turned a cynical eye toward politicians who don the cloak of religious rectitude to cover up their own hypocrisy.

Even though his firearms store is failing, things are looking up for David Rizzo. His son, Nick, has just recovered after a near-fatal overdose, which means one thing: Rizzo can use Nick’s resurrection to create the most compelling television commercial for a gun emporium the world has ever seen. After all, this is America, Rizzo tells himself. Surely anything is possible. But the relationship between father and son is fragile, mired in mutual disappointment. And when the pair embarks on their scheme to avoid bankruptcy, a high-stakes crash of hijinks, hope, and disaster ensues.

When the body of a mysterious woman is found to be carrying the phone number of James Bond, Bond is called in by M to help the investigation. But before he can even reach headquarters he is nearly run off the road in a high-speed motorway chase. Someone wants Bond dead.

When larger-than-life cattle rancher Jordan "Bick" Benedict arrives at the family home of sharp-witted but genteel Virginia socialite Leslie Lynnton to purchase a racehorse, the two are instantly drawn to each other. But for Leslie, falling in love with a Texan was a lot simpler than falling in love with Texas. Upon their arrival at Bick's ranch, Leslie is confronted not only with the oppressive heat and vastness of Texas but also by the disturbing inequity between runaway riches and the poverty and racism suffered by the Mexican workers on the ranch.

When Hope Bennett marries Carmela’s brother Leo she not only becomes a Fontana, but a Garden State Goddess—and not everyone is happy. Secrets will be revealed, decades-long rivalries will surface, and a sudden murder will lead to a reality reckoning no one is prepared for, least of all the show’s producer Eden who must race to catch a killer and save the most dramatic season of all time.

Humor is healthy. Author & narrator Alfonso F.R. provides a vital tool for snapping millions out of hip-hop hypnosis, this audiobook. You’ve heard a disgusting hip-hop song today, haven’t you? The most pervasive poison in society is difficult to avoid. This “music" isn’t to empower, educate, or motivate you. It’s to hypnotize you into becoming a hedonistic derelict. Do you think it’s natural to listen to percussion instruments with a guy talking about drugs, violence, and depravity? The tribalistic war drums tap into your instincts to condition you into a life of idiocy. It isn’t music.

On the day he retires, Inspector Ashwin Chopra inherits two unexpected mysteries. The first is the case of a drowned boy, whose suspicious death no one seems to want solved. And the second is a baby elephant. As his search for clues takes him across the teeming city of Mumbai, from its grand high rises to its sprawling slums and deep into its murky underworld, Chopra begins to suspect that there may be a great deal more to both his last case and his new ward than he thought.

In President Me, Carolla shares his vision for a different, better America free from big issues like big government down to small problems like hotel alarm clock placement. Running on an anti-narcissism platform, President Carolla calls for a return to the values of an earlier time when stew and casserole were on every dinner table and there were no “service dogs” on airplanes. President Me hits right at the heart of what makes our country really annoying, and offers a plan to make all of our lives, but mostly Adam’s, much better.

Millie, 30, just can't pull it together. Misanthropic and morose, she spends her days killing time at a thankless temp job until she can return home to her empty apartment, where she oscillates between self-recrimination and mild delusion, fixating on all the little ways she might change her life. Then she watches TV until she drops off to sleep, and the cycle begins again. When the possibility of a full-time job offer arises, it seems to bring the better life she's envisioning within reach. But with it also comes the paralyzing realization of just how hollow that vision has become.

Audio is a unique medium. It invites listeners to become a part of the process, to interpret what they hear, however they'd like; whereas motion pictures leave no such room for input. With the completion of this book, it dawned on me that, as an actor by trade, I could play the part; and I'm knee-deep in actor pals - why not record the book like a radio play? So that's exactly what happened. I rounded up an excellent troupe of thespians, from both Los Angeles and my home state of Oregon, and we recorded what was to become this epic listen for you to hear!

An underpaid, overworked certified flight instructor cheats death while attempting to teach a cast of incompetent student pilots to fly at a skeezy South Florida flight school; all in the quest to build flight time so he can get a “real job” at an airline. The planes break, the regs break, metal gets bent, students are lost at sea, and a Top Gun wannabe student, who has 400 hours of flight instruction, still hasn’t made his first solo flight.

More than a quarter of a century ago, Leo Rosten presented the first comprehensive and hilariously entertaining lexicon of the colorful and deeply expressive language of Yiddish. Said to "give body and soul to the Yiddish language," The Joys of Yiddish went on to become an indispensable tool for writers, journalists, politicians and students, as well as a perennial best seller for three decades.

It is an April day in the year 2000 and an era is about to end, those booming times of market optimism when the culture boiled with money and corporations seemed more vital and influential than governments.

In Why We Suck, Dr. Denis Leary uses his common sense, and his biting and hilarious take on the world, to attack the politically correct, the hypocritical, the obese, the thin - basically everyone who takes themselves too seriously. He does so with the extra oomph of a doctorate bestowed upon him by his alma mater Emerson College. "Sure it's just a celebrity type of thing - they only gave it to me because I'm famous." Leary explains.

Our heroes are dressed in homemade uniforms and armed with prop phasers but soon find themselves defending their hotel and convention center against hordes of flesh-eating undead. Suddenly, all of their useless knowledge about particle physics and old Star Trek episodes has genuine real-world applications! And while hotel employees and regular civilians are dying left and right, our Trekkies summon strength and courage by emulating their favorite starship-voyaging characters

After a long and arduous COVID-19 quarantine, Serge A. Storms is fully vaccinated and ready to hit the road. Along with his condo neighbors, he cooks up a wild plan to celebrate in true Serge fashion: each week, they rent a shuttle van and head out for funky Florida road trips and some serious revelry.

Julian Barnes pens a kind of detective story, relating a cranky amateur scholar’s search for the truth about Gustave Flaubert and the obsession of this detective, whose life seems to oddly mirror those of Flaubert’s characters.

"Es una verdad mundialmente reconocida que un hombre soltero, poseedor de una gran fortuna, necesita una esposa". Con esta frase comienza la famosa novela de Jane Austen, Orgullo y Prejuicio, que cuenta la vida de la familia Bennet y sus cinco hijas, Jane, Elizabeth, Mary, Catherine Y Lydia. La señora Bennet ve el matrimonio como la única esperanza para sus hijas. Con la llegada al vecindario de Mr. Bingley, un joven rico y soltero, y su apuesto amigo, Mr. Darcy, la vida de las muchachas se ve revolucionada.

What if the history of the transatlantic slave trade had been reversed and Africans had enslaved Europeans? How would that have changed the ways that people justified their inhuman behavior? How would it inform our cultural attitudes and the insidious racism that still lingers today? We see this tragicomic world turned upside down through the eyes of Doris, an Englishwoman enslaved and taken to the New World, movingly recounting experiences of tremendous hardship and the dreams of the people she has left behind, all while journeying toward an escape into freedom.

A bag of money drops out of the sky, literally, into the path of a cash-starved citizen named Graveyard. He carries it home to his wife, Ambience, and they embark on the adventure of their lives, finally able to have everything they've always thought they deserved: cars, guns, games, jewels, clothes - and of course sex, travel, and time with friends and family. There is no limit except their imagination and the hours in the day, and even those seem to be subject to their control. Of course, the owner of the bag is searching for it, and will do whatever is necessary to get it back.