Satire Comedy

When the final four women in competition for an aloof, if somewhat sleazy, bachelor’s heart arrive on a mysterious island in the Pacific Northwest, they mentally prepare themselves for another week of extreme sleep deprivation, invasive interviews, and of course, the salacious drama that viewers nationwide tune in to eagerly devour. Each woman came on The Catch for her own reasons - brand sponsorships, followers, and yes, even love - and they’ve all got their eyes steadfastly trained on their respective prizes.

H.H. Munro (Saki) is one of the undisputed masters of the short story. In this complete compendium, the full gamut of his subjects and themes is experienced. His stories are imbued with humorous satire, biting irony, and often the macabre, all of which have one target: the stupidities and hypocrisies of Edwardian upper-class society.

Eugene Debs Hartke describes an odyssey from college professor to prison inmate to prison warden back again to prisoner in another of Vonnegut's bitter satirical explorations of how and where (and why) the American dream begins to die. Employing his characteristic narrative device - a retrospective diary in which the protagonist retraces his life at its end, a desperate and disconnected series of events here in Hocus Pocus show Vonnegut with his mask off and his rhetorical devices unshielded.

Academy Award nominee Samuel L. Jackson ( Pulp Fiction) rocks this mock bedtime story, capturing a hilarious range of emotions as the voice of a father struggling to get his child to sleep. Go the F**k to Sleep is a bedtime book for parents who live in the real world, where a few snoozing kitties and cutesy rhymes don’t always send a toddler sailing blissfully off to dreamland.

This is the tale of the happy but ill-fated Candide and his progressive disillusionment with the idea that we live in the best of all possible worlds. His tutor, Dr. Pangloss, embodies this philosophy of good cheer, even in the face of ever more absurd misfortunes. Luckily, Candide's other companions provide an over-supply of good sense.

A twisted tale of murder in the world of big-stakes bass fishing tournaments. Filled with ex-wives, evangelists, and an armed pit-bull, this is a story that could only be concocted by Carl Hiaasen, Pulitzer Prize-winning journalist, New York Times best-selling author, and czar of Florida noir fiction.

Welcome to Chromatacia, where life is strictly regulated by one’s limited color perception. Civilization has been rebuilt after an unspoken “Something that Happened” five hundred years before. Society is now color vision—segregated, everything dictated by an individual’s visual ability, and governed by the shadowy National Color in far-off Emerald City. Twenty-year-old Eddie Russett, a Red, is about to go on trial for a murder he didn’t commit, and he’s pretty certain to be sent on a one-way trip to the Green Room for execution by soporific color exposure.

He was born into an ancient powerful dynasty and, through no fault of his own, became one of the most recognisable men on the planet. His life was a constant barrage of press intrusion and manipulation. Until finally, he demanded that it stop. In order to get the privacy he so craved, he has written a frostbite-and-all book that goes deep inside the castle walls and exposes every shouting match, fist-fight, betrayal, teddy bear, awkward hug and tear-stained wedding rehearsal for the world to feast their eyes on.

Set in the 26th century A.D., Yevgeny Zamyatin's masterpiece describes life under the regimented totalitarian society of OneState, ruled over by the all-powerful "Benefactor." Recognized as the inspiration for George Orwell's 1984, We is the archetype of the modern dystopia, or anti-Utopia: a great prose poem detailing the fate that might befall us all if we surrender our individual selves to some collective dream of technology and fail in the vigilance that is the price of freedom.

In the brutal, concrete landscape of Diston Town, teenage Des Pepperdine is doing his best to stay invisible—reading poetry, avoiding trouble, and nursing a dangerous secret. But his guardian, Lionel Asbo, is a ferocious presence: a pit bull-breeding, tabloid-devouring career criminal with a...

Following a cancer diagnosis, 40-year old Prin vows to become a better man and a better Catholic. He’s going to spend more time with his kids and his wife, care for his recently divorced and aging parents, and also expand his cutting-edge research into the symbolism of the seahorse in Canadian literature. But when his historic college in downtown Toronto faces a shutdown and he meets with the condominium developers ready to take it over - including a foul-mouthed young Chinese entrepreneur and Wende, his ex-girlfriend from graduate school - Prin hears the voice of God.

Set at a small, affluent liberal-arts college in New England at the height of the Reagan '80s, The Rules of Attraction is a startlingly funny, kaleidoscopic novel about three students with no plans for the future - or even the present - who become entangled in a curious romantic triangle.

Would you pay to watch babies fight to the death? Only the wealthy and privileged have the kind of money that can pay for such vile entertainment. The first rule of Baby Fights is there are no rules. Babies can't follow rules. But with a certain persuasion they turn into rabid little monsters, and oh what a spectacle it is to see.

No matter what you heard or thought about the movie version of Strip Tease, forget it. Film simply can’t catch the layers of humor, satire, and imagination that Pulitzer Prize-winning author Carl Hiaasen creates in each of his novels.

Lionel Asbo, a terrifying yet weirdly loyal thug (self-named after England's notorious "Anti-Social Behaviour Order"), has always looked out for his ward and nephew, the orphaned Desmond Pepperdine. He provides him with fatherly career advice (always carry a knife, for example) and is determined they should share the joys of pit bulls (fed with lots of Tabasco sauce), Internet porn, and all manner of more serious criminality. Des, on the other hand, desires nothing more than books to read and a girl to love .

Barbara Lee Handbook (pronounced “Hanbok”), whom fans will know as Barbie Moran, the ‘80s bombshell and star of the cult sci-fi film Weird Menace, sits down with Director Toner Low to discuss the making of the classic film - set on a distant planet, featuring mutant attackers, cyber ladies of the 34th century, and no shortage of warring spaceships - for the Blu-ray edition, in this absurdly funny and poignant meditation on art, legacy, and our ambivalence about the life choices that define us.

A searing portrayal of Vienna's bourgeoisie, it begins with the arrival of an unnamed writer at an 'artistic dinner' hosted by a composer and his society wife-a couple he once admired and has come to loathe. The guest of honor, a distinguished actor from the Burgtheater, is late. As the other guests wait impatiently, they are seen through the critical eye of the writer, who narrates a silent but frenzied tirade against these former friends, most of whom have been brought together by Joana, a woman they buried earlier that day.

Conversations with the Devil, Expansion is a thought-provoking collection of vignettes that delve deep into the complexities of the Human Condition. It is a powerful exploration of the human psyche, capturing the inner turmoil and conflicts we all face as human beings. As in this collections predecessor, the Devil is a central figure in each story, while the Main Characters vary. The Evil One herein is more like the Native American deity Old Man Coyote than the Satan from the Bible. Plus, he continues to be on Vacation, Paid Time Off, or doing Hellish Community Outreach.

Get ready for a hostile takeover of epic proportions. In BuyMort: Bull Market Mayhem, the end isn't nigh—it's been leveraged, securitized, and is ready to liquidate. Say your prayers and check your credit score because when the celestial ledger closes, you'll want to make sure your cosmic assets are diversified.

I played all those cool video games. I watched all those movies. I even read the books. In most of 'em, the hero shoots the bad guys, drives a sweet car, never gets hungry, and always seems to get laid by the end. Yeah. Whatever. I gotta be straight with you about why I wrote this journal, and it comes down to one thing, the apocalypse kinda sucks. It doesn’t meet my expectations at all.