Satire Comedy

Perhaps the most autobiographical (and deliberately least disciplined) of Vonnegut's novels, Slapstick (1976) is in the form of a broken family odyssey and is surely a demonstration of its eponymous title. The story centers on brother and sister twins, children of Wilbur Swain, who are in sympathetic and (possibly) telepathic communication and who represent Vonnegut's relationship with his own sister who died young of cancer almost two decades before the book's publication.

Toby Fleishman thought he knew what to expect when he and his wife of almost fifteen years separated: weekends and every other holiday with the kids, some residual bitterness, the occasional moment of tension in their co-parenting negotiations. He could not have predicted that one day, in the middle of his summer of sexual emancipation, Rachel would just drop their two children off at his place and simply not return. He had been working so hard to find equilibrium in his single life. The winds of his optimism, long dormant, had finally begun to pick up. Now this.

Comic, ironic, grotesque, disturbingly poetic in its use of language, and profoundly sorrowful, Chevengur—here published in a new English translation based on the most authoritative Russian text—is the most ambitious of the extraordinary novels that the great Andrey Platonov wrote in the 1920s and 1930s

Have you ever wished you could live in an earlier, more romantic era? Ladies, welcome to the 19th century, where there's arsenic in your face cream, a pot of cold pee sits under your bed, and all of your underwear is crotchless. (Why? Shush, dear. A lady doesn't question.) Unmentionable is your hilarious, scandalously honest (yet never crass) guide to the secrets of Victorian womanhood.

The author of How to Do Everything and Red Green's Beginner's Guide to Women has never been afraid to take on jobs doomed to failure. This latest project is perhaps the nearest he has come to a triumph. In The Woulda Coulda Shoulda Guide to Canadian Inventions, Red surveys, analyzes, critiques, and in some cases tells you how to re-create at home the best Canadian inventions, from the Wonderbra to the hard-cup jockstrap, by way of insulin, the walkie-talkie, synchronized swimming, and more.

Get ready for a hostile takeover of epic proportions. In BuyMort: Bull Market Mayhem, the end isn't nigh—it's been leveraged, securitized, and is ready to liquidate. Say your prayers and check your credit score because when the celestial ledger closes, you'll want to make sure your cosmic assets are diversified.

Bernadette Fox is notorious. To her Microsoft-guru husband, she's a fearlessly opinionated partner; to fellow private-school mothers in Seattle, she's a disgrace; to design mavens, she's a revolutionary architect, and to 15-year-old Bee, she is a best friend and, simply, Mom. Then Bernadette disappears. It began when Bee aced her report card and claimed her promised reward: a family trip to Antarctica. But Bernadette's intensifying allergy to Seattle - and people in general - has made her so agoraphobic that a virtual assistant in India now runs her most basic errands.

This program is read by the author. Blythe Roberson’s sharp observational humor is met by her openhearted willingness to revel in the ugliest warts and shimmering highs of choosing to live our lives amongst other humans. She collects her crushes like ill-cared-for pets, skewers her own suspect decisions, and assures listeners that any date you can mess up, she can top tenfold. And really, was that date even a date in the first place?

Welcome to the Monkey House is a collection of Kurt Vonnegut's shorter works. Originally printed in publications as diverse as The Magazine of Fantasy and Science Fiction and The Atlantic Monthly, what these superb stories share is Vonnegut's audacious sense of humor and extraordinary range of creative vision.

Newlywed Angus Lordie has been booked by his bride into what he must not call the loony bin; Bruce’s first encounter with hot wax brings more anguish than he bargained for; and Bertie's birthday dreams of scout camp and a penknife look set to be replaced by a game of Royal Weddings and a gender-neutral doll. But fate, an amorous Bedouin, and the Dubai Tourist Authority conspire to transport Bertie's mother, Irene, to a warmer--if not a better--place.

Meet twenty-two-year-old Cherry Pye (née Cheryl Bunterman), a pop star since she was fourteen—and about to attempt a comeback from her latest drug-and-alcohol disaster.

When Sam’s wife first tells him about Vitek, a twenty-first-century fertility lab, he sees it as the natural next step in trying to help their future child get a “leg up” in a competitive world. But the more Sam considers the lives that his child could lead, the more he begins to question his own relationships and the choices he has made in his life.

These are the voyages of the starship A.S.F. Willful Child. Its ongoing mission: to seek out strange new worlds on which to plant the Terran flag, to subjugate and if necessary obliterate new life-forms, to boldly blow the... And so we join the not-terribly-bright but exceedingly cock-sure Captain Hadrian Sawback and his motley crew on board the Starship Willful Child for a series of devil-may-care, near-calamitous and downright chaotic adventures through "the infinite vastness of interstellar space".

Comedian Jim Norton is dirty...really dirty...the kind of dirty that makes The Aristocrats look like a knock-knock joke. Fortunately for him, his kind of dirty humor has earned him the distinction of being third microphone on the immensely popular Opie & Anthony syndicated radio show. In Happy Endings, Jim brings his raw, hilarious, and offensively honest comedy to Audible® listeners.

What do we believe? And in God's name why? Lewis Black has the answers. Or at least his answers. He survived Hebrew school and a bar mitzvah (barely), was a 60's college student who saw the parallels between religious rapture and drug-induced visions (even if none of his friends did), explored the self-actualization movement of the 70's (and the self-indulgence it engendered), and turned a cynical eye toward politicians who don the cloak of religious rectitude to cover up their own hypocrisy.

After a botched Halloween ritual, Madison Spencer, the snarkiest dead girl in the universe, finds herself trapped in Purgatory, otherwise known as Earth. The upside: She is no longer subject to physical limitations (she can pass through doors and walls). The downside: Well, she’s still dead.

When Hope Bennett marries Carmela’s brother Leo she not only becomes a Fontana, but a Garden State Goddess—and not everyone is happy. Secrets will be revealed, decades-long rivalries will surface, and a sudden murder will lead to a reality reckoning no one is prepared for, least of all the show’s producer Eden who must race to catch a killer and save the most dramatic season of all time.

Meet Rabo Karabekian, a moderately successful surrealist painter who we meet late in life and see struggling (like all of Vonnegut's key characters) with the dregs of unresolved pain and the consequences of brutality. Loosely based on the legend of Bluebeard (best realized in Bela Bartok's one-act opera), the novel follows Karabekian through the last events in his life that is heavy with women, painting, artistic ambition, artistic fraudulence, and as of yet unknown consequence.

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More preoccupied with drinking, sleeping, and writing, an unnamed student neglects his studies and invents three separate openings for a novel. The first introduces the Pooka MacPhellimey, "a member of the devil class", the second involves Mr. John Furriskey, a character belonging to another of the student's creations (writer Dermot Trellis), while the final opening features legendary Irish heroes Finn Mac Cool and Mad King Sweeny. Soon, Trellis' creations rebel against him, doing as they like while he sleeps, and the characters begin wandering in and out of each other's tales.