Satire Comedy

Tender Branson - last surviving member of the so-called "Creedish Death Cult" - is dictating his incredible life story into the flight recorder of Flight 2039, cruising on autopilot at 39,000 feet somewhere over the Pacific Ocean. He is all alone in the plane, which will shortly reach terminal velocity and crash into the vast Australian outback.

Who killed Eric Davenport? A senior mathematics professor at Underhill College has been found dead in his office, the victim of murder. At Underhill, a small liberal arts college with a pricy tuition and a pampered student body, all of the students are close to their professors. But at least one loved Eric Davenport in a deeply inappropriate fashion. Some hated him. And then there is the faculty at war with itself. And the idiotic administration. And the twin boys who live next to campus. And what’s with all those praying mantises?

Colombo, 1990. Maali Almeida—war photographer, gambler, and closet queen—has woken up dead in what seems like a celestial visa office. His dismembered body is sinking in the serene Beira Lake and he has no idea who killed him. In a country where scores are settled by death squads, suicide bombers, and hired goons, the list of suspects is depressingly long, as the ghouls and ghosts with grudges who cluster round can attest. But even in the afterlife, time is running out for Maali.

Mustaq Ahmed Yusufi Urdu ke jaane-maane lekhak the, jinki vyang rachnaayein apna ek alag sthaan rakhti hai. 1990 mein likhe unke upanyaas aabe-gum ka yeh Hindi anuvaad hai. Tufail Chaturvedi ne iska anuvaad aisi sehaj bhasha mein kiya hai ki padhte hue lagta hai maano yeh hindi ki hee moolkriti ho.

Welcome to Chromatacia, where life is strictly regulated by one’s limited color perception. Civilization has been rebuilt after an unspoken “Something that Happened” five hundred years before. Society is now color vision—segregated, everything dictated by an individual’s visual ability, and governed by the shadowy National Color in far-off Emerald City. Twenty-year-old Eddie Russett, a Red, is about to go on trial for a murder he didn’t commit, and he’s pretty certain to be sent on a one-way trip to the Green Room for execution by soporific color exposure.

Julian Barnes pens a kind of detective story, relating a cranky amateur scholar’s search for the truth about Gustave Flaubert and the obsession of this detective, whose life seems to oddly mirror those of Flaubert’s characters.

A-list actor Peter Compton and producing partner Marci Levy exist in the rarefied air of Hollywood’s elite. Their status as a married power couple is unmatched, their presence in any room transformative and god-like. But as their private jet lands in Atlanta to begin production on a tentpole superhero movie, even their privileged position will come under threat by the massive pressures of such an undertaking.

À 31 ans, après une rupture amoureuse, Sarah réalise rapidement que le scénario typique de comédie romantique ne sera pas pour elle. Sept ans plus tard, au top de sa carrière et toujours célibataire, Sarah se complaît dans son tourbillon professionnel réconfortant, gorgé d'ambition, de succès et de masques sociaux. Quand on voit les relations de couple avec lucidité, est-il possible de s'ouvrir de nouveau à l'amour?

An undercover FBI agent investigates a family with suspected ties to organized crime—by posing as their live-in nanny in this thriller from the world’s #1 bestselling author, James Patterson. No one sees her, but she sees everything. Elinor Gilbert was once a young woman with a thriving...

Jessamyn St. Germain is meant to be a star. Not an actor who occasionally books yogurt commercials and certainly not a lowly usher at one of Vancouver’s smallest regional theaters. No, she is bound for greatness, and that’s why the part of Maria in the theater’s upcoming production of The Sound of Music is hers. Or it’s going to be.

NOW A CBC TELEVISION SERIES WINNER OF THE MARGARET AND JOHN SAVAGE FIRST BOOK AWARD FOR NON-FICTION SHORTLISTED FOR THE KOBO EMERGING WRITER PRIZE LONGLISTED FOR THE RBC TAYLOR PRIZE SHORTLISTED FOR THE STEPHEN LEACOCK MEMORIAL MEDAL FOR HUMOUR A hilarious story of family, getting into trouble...

Caroline, Katia et Vicky s’envolent pour Las Vegas avec leurs amoureux, afin de profiter au maximum du long week-end de Pâques. Tous explorent les extravagances de la cité aux mille tentations dans la plus grande harmonie conjugale, jusqu’à ce qu’ils décident spontanément de souligner l’enterrement de vie de célibataire d’un des couples, qui se mariera à l’automne.

Tom Wolfe's best-selling modern classic tells the story of Sherman McCoy, an elite Wall Street bond trader who has it all: wealth, power, prestige, a Park Avenue apartment, a beautiful wife, and an even more beautiful mistress - until one wrong turn sends Sherman spiraling downward into a humiliating fall from grace. A car accident in the Bronx involving Sherman, his girlfriend, and two young lower-class Black men sets a match to the incendiary racial and social tensions of 1980s New York City.

An unforgettable debut, For Human Use is a twisted tale of modern love that bends every genre, sears itself into your brain, and presents a horrific romantic comedy unlike anything you’ve ever read before. ★ "An utterly ingenious horror-romcom, darkly zeitgeisty, and unnervingly...

In 1920s America, a plague is spreading fast. From New Orleans to Chicago to New York, the "Jes Grew" epidemic makes people desperate to dance, overturning social norms in the process. Anyone is vulnerable and when they catch it, they'll bump and grind into a frenzy. Working to combat the Jes Grew infection are the puritanical Atonists, a group bent on cultivating a "Talking Android", an African American who will infiltrate the unruly black communities and help crush the outbreak.

Galapagos takes the listener back one million years to AD 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galapagos Islands are about to become the progenitors of a brave, new, totally different human race. Kurt Vonnegut, America's master satirist, looks at our world and shows us all that is sadly, madly awry - and all that is worth saving.

Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.

From his first novel – Less Than Zero – published when he was still a college student – to his most recent – the fierce American Psycho, Bret Easton Ellis has been a powerful and original presence in contemporary literature, whether giving voice to a previously inchoate generation or provoking a controversy that raged throughout the culture. Now he takes a quantum leap forward: an awesome reckoning of the American Century at endgame. In Glamorama, a young man in what is recognizably fashion and celebrity-obsessed Manhattan is gradually, imperceptibly drawn into a shadowy looking-glass of that society, there and in London and Paris, and then finds himself trapped on the other side, in a much darker place where fame and terrorism and family and politics are inextricably linked and sometimes indistinguishable. At once implicated and horror-stricken, his ways of escape blocked at every turn, he ultimately discovers – back on the other, familiar side – that there was no mirror, no escape, no world but this one in which hotels implode and planes fall from the sky.

Set at a small, affluent liberal-arts college in New England at the height of the Reagan '80s, The Rules of Attraction is a startlingly funny, kaleidoscopic novel about three students with no plans for the future - or even the present - who become entangled in a curious romantic triangle.

Dans une Espagne rurale et tranquille, un gentilhomme passionné de romans de chevalerie perd peu à peu le sens des réalités… et se rêve en chevalier errant. Armé d'une vieille armure, juché sur un maigre cheval nommé Rossinante, Don Quichotte part à l'aventure, prêt à défendre les opprimés, affronter les géants — qui ne sont que de simples moulins — et conquérir le cœur de sa dame imaginaire, Dulcinée du Toboso. À ses côtés, Sancho Panza, son fidèle écuyer paysan, le costume entre espoir, bon sens et naïveté.