Satire Comedy

From Boston's social underworld emerges Verena Tarrant, a girl with extraordinary oratorical gifts, which she deploys in tawdry meeting-houses on behalf of "the sisterhood of women". She acquires two admirers of a very different stamp: Olive Chancellor, devotee of radical causes, and marked out for tragedy; and Basil Ransom, veteran of the Civil War, with rigid views concerning society and women's place therein. Is the lovely, lighthearted Verena made for public movements or private passions?

This funny, down-to-earth parody of Marie Kondo’s The Life-Changing Magic of Tidying Up hands listeners the most useful tools for keeping crap clean and organized without all the pressure.

For Commander Vimes, Head of Ankh-Morpork City Watch, life consists of troubling times, linked together by...well, more troubling times. Right now, it's the latter. There's a werewolf with pre-lunar tension in the city and a dwarf with attitude and a golem who's begun to think for itself, but that's just ordinary trouble. The real problem is more puzzling - people are being murdered, but there's no trace of anything alive having been at the crime scene.

A Modest Proposal for Preventing the Children of Poor People in Ireland From Being a Burden to Their Parents or Country, and for Making Them Beneficial to the Public, commonly referred to as A Modest Proposal, is a Juvenalian satirical essay written and published anonymously by Jonathan Swift in 1729. Swift suggests in his essay that the impoverished Irish might ease their economic troubles by selling children as food. By doing this he mocks the authority of the British officials.

Susy Branch (Tavi Gevinson) and Nick Lansing (Adam DiMarco) aren’t into each other, but they share a similar problem. Susy is a down-on-her-luck socialite who doesn’t want to get a real job, and Nick is a struggling writer who’s tired of tutoring the kids of the one percent. All of their wealthier friends are getting married, to seemingly lucrative results. So, Susy and Nick devise a plan: have a wedding.

Tricked into a world of banished gods, demons, goblins, sprites and magic, Richter must learn to meet the perils of The Land and begin to forge his own kingdom. Actions have consequences across The Land, with powerful creatures and factions now hell-bent on Richter's destruction. Can Richter forge allegiances to survive this harsh and unforgiving world or will he fall to the dark denizens of this ancient and unforgiving realm? A tale to shake "The Land" itself, measuring 10/10 on the Richter scale, how will Richter's choices shape the future of The Land and all who reside in it?

In a perfect world where everyone destroys everything and eats human flesh, one zombie has had enough: Buck Burger. When he rebels at the natural disorder, his marriage starts deteriorating and a doctor prescribes him an anti-depressant. Buck meets a beautiful green-haired pharmacist fairy named Fairy_26 and quickly becomes a pawn in a cold war between zombies and supernatural creatures.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Acclaimed author of The Adults Alison Espach’s short story "In-Depth Market Research Interviews with Dead People" is an at-once hilarious and heart-breaking portrait of a dead woman’s marriage and the Volvo that stood in the middle of it all.

Heads Will Roll is an Audible Original from Saturday Night Live star Kate McKinnon and her cocreator/costar (and real-life sister) Emily Lynne. Produced by Broadway Video, this is not an audiobook - it’s a 10-episode, star-studded audio comedy that features performances from Meryl Streep, Tim Gunn, Peter Dinklage, Queer Eye’s Fab Five, and so many more. Please note: This content is not for kids.

Obituary writer Bud Stanley isn’t really living his best life. He’s fallen into a funk after a divorce. (She left him for another man, who, in fairness, was far more interesting.) He’s not doing his job well. He’s given up on dating. And he’s about to be fired for accidentally publishing his own obituary one mildly drunken night (though technically the company can’t legally fire a dead person).

After establishing the Society of Assured Prosperity and successfully disguising his insurance business as a charity, Willem heads to the capital of the kingdom to expand into a new market....

HEADCASE is a ten-episode comedy about neurotic rising hip hop star Ghost (Chris Redd) and his bumpy mental health journey as he navigates therapy, fame, and chaos. After a very public breakdown, his label forces him into sessions with a dorky, white therapist, Gordon (Will Stephen), who has never heard of Ghost.

For a policeman, there can be few things worse than a serial killer loose in your city. Except, perhaps, a serial killer who targets coppers, and a city on the brink of bloody revolution. For Commander Sam Vimes, it all feels horribly familiar. Caught on the roof of a very magical building during a storm, he's found himself back in his own rough, tough past without even the clothes he was standing up in when the lightning struck. Living in the past is hard, especially when your time travel companion is a serial killer who knows where you live.

Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.

When a listless office employee (the narrator) meets Tyler Durden, his life begins to take on a strange new dimension. Together they form Fight Club - a secretive underground group sponsoring bloody bare-knuckle boxing matches staged in seedy alleys, vacant warehouses, and dive-bar basements. Fight Club lets ordinary men vent their suppressed rage, and it quickly develops a fanatical following.

Verily, the story Biff has to tell is a miraculous one, filled with remarkable journeys, magic, healings, kung fu, corpse reanimations, demons, and hot babes. Even the considerable wiles and devotion of the Savior's pal may not be enough to divert Joshua from his tragic destiny. But there's no one who loves Josh more (except maybe "Maggie," Mary of Magdalan) and Biff isn't about to let his extraordinary pal suffer and ascend without a fight.

When Adeline Bertrand-Verdon, the haughty, conniving president of the Proust Association, is murdered, Inspector Jean-Pierre Foucheroux is called on to lead the investigation. Soon Inspector Foucheroux is overwhelmed by a seemingly endless list of suspects: from her assistant to her colleagues, her fiancé to her lover, almost everyone Adeline knew had motive to kill her.

Colombo, 1990. Maali Almeida—war photographer, gambler, and closet queen—has woken up dead in what seems like a celestial visa office. His dismembered body is sinking in the serene Beira Lake and he has no idea who killed him. In a country where scores are settled by death squads, suicide bombers, and hired goons, the list of suspects is depressingly long, as the ghouls and ghosts with grudges who cluster round can attest. But even in the afterlife, time is running out for Maali.

Breakfast of Champions (1973) provides frantic, scattershot satire and a collage of Vonnegut's obsessions. His recurring cast of characters and American landscape was perhaps the most controversial of his canon; it was felt by many at the time to be a disappointing successor to Slaughterhouse-Five, which had made Vonnegut's literary reputation.