Satire Comedy

Aisling is 28 and she’s a complete...Aisling. She lives at home in Ballygobbard (or Ballygobackwards, as some gas tickets call it) with her parents and commutes to her good job at PensionsPlus in Dublin. Aisling goes out every Saturday night with her best friend, Majella, who is a bit of a hames (she’s lost two phones already this year - Aisling has never lost a phone). They love hoofing into the Coors Light if they’re 'Out' or the vodka and Diet Cokes if they’re 'Out Out'.

A biting satire that countered the American myth of wholesome small-town life with a depiction of narrow-minded provincialism, it was to some degree based on Lewis's own experience of growing on Sauk Centre, Minnesota. Set in mid-1910s, it depicts the struggles of Carol Kennicott, a city girl, as she tries to adapt to small town life, having left her librarian job and St. Paul, Minnesota to marry Dr. Will Kennicott of Gopher Prairie. Dismayed by the town’s drabness and the conforming, petty inhabitants, Carol optimistically sets out to improve the town.

Years after the events of The House of God, the Fat Man has been given leadership over a new Future of Medicine Clinic at what is now only Man's 4th Best Hospital, and has persuaded Dr. Roy Basch and some of his intern cohorts to join him to teach a new generation of interns and residents. In a medical landscape dominated by computer screens and corrupted by money, they have one goal: to make medicine humane again.

From the recipient of the 1998 Nobel Prize in Literature, a "brilliant...enchanting novel" (New York Times Book Review) of romance, deceit, religion, and magic set in 18th-century Portugal at the height of the Inquisition.

The Wig, the Bitch & the Meltdown is a satirical look behind the scenes of Model Muse, a fictional reality model competition show and global phenomenon. Seen through the eyes of our moral compass Pablo Michaels - the heart of production in the helter-skelter world of Model Muse - we look behind the scenes and backstage shenanigans of the fashion/reality TV world. As "The Fixer", Pablo is the man everyone turns to in crisis.

In “the Trump satire we’ve been waiting for” (The Washington Post), award-winning and best-selling author of Thank You for Smoking delivers a hilarious and whipsmart fake memoir by Herb Nutterman - Donald Trump’s seventh chief of staff - who has written the ultimate tell-all about Trump and Russia.

Filled with wit and charm, The Debutante Divorcée stars Sylvie Mortimer, a recently married socialite who is quick to discover that her marriage is far from photo-perfect. Her best friend, Lauren Blount, the chic-est of the Debutante Divorcées, is basking in her freedom, taking solo honeymoons, having divorce showers, and pursuing any man she chooses as part of her “Make-Out Challenge.”

H.H. Munro (Saki) is one of the undisputed masters of the short story. In this complete compendium, the full gamut of his subjects and themes is experienced. His stories are imbued with humorous satire, biting irony, and often the macabre, all of which have one target: the stupidities and hypocrisies of Edwardian upper-class society.

He can be any legally authorized fictional character or dead celebrity he wants for six to eight hours, simply by injecting a DNA-laced cocktail into his brainstem. It's called Big Egos and it's the ultimate role-playing fantasy from Engineering Genetics Organization and Systems (a.k.a. EGOS). And, as one of the quality controllers for EGOS, he's the ultimate ego-tripper, taking on more artificial identities than advisable - and having a hell of a time doing it. Problem is, he's starting to lose the ability to separate fact from fiction.

LoveStar, the enigmatic and obsessively driven founder of the LoveStar corporation, has unlocked the key to transmitting data via birdwaves, thus freeing mankind from wires and devices, and allowing consumerism, technology, and science to run rampant over all aspects of daily life. Cordless modern men and women are paid to howl advertisements at unsuspecting passers-by, REGRET machines eliminate doubt over roads not taken, soul mates are identified and brought together (while existing, unscientifically validated relationships are driven remorselessly asunder), and rocketing the dead into the sky becomes both a status symbol and a beautiful, cathartic show.

In 1994, Christopher Buckley published one of the most acclaimed and successful comic novels of the decade, Thank You for Smoking. Now, Buckley returns to the strange land of Washington, DC, in Little Green Men, a millennial comedy of manners about aliens and pundits...and how much they have in common. The reluctant hero of this hilarious novel is John Oliver Banion, a stuffy Washington talk-show host, whose privileged life is thrown into upheaval when aliens abduct him from his exclusive country-club golf course.

This collection of short stories is a good example of early Wodehouse. It is here that Jeeves makes a brief first appearance with these unremarkable words: "Mrs. Gregson to see you, sir." Years later, when Jeeves became a household name, Wodehouse said he blushed to think of the off-hand way he had treated the man at their first encounter.

That’s what the tour guide promises Dr. Linda Farmer and her family when they move to Plymouth Valley. Sure, the locals are privileged hot house flowers who observe a weird religion Hollow, but the schools are blue ribbon, the air’s clean, the food’s fantastic, and Linda’s out of options. With the outside world in shambles, this move is her family’s last chance.

Yes, George Carlin is here with more of what he did better than any other comic: uproarious observations, laser-targeted crankiness, linguistic legerdemain, and inspired weirdness. ("If the shoe fits, get another just like it." "When you sneeze, all the numbers in your head go up by one.") Napalm & Silly Putty is just what his fans have been waiting for—another generous helping of notions, nonsense, assertions, assumptions, mockery, merriment, silliness, sarcasm, and, to be sure, plenty of disturbing references and toxic alienation.

On the day of Barack Obama’s inauguration, an enigmatic billionaire from foreign shores takes up residence in the architectural jewel of “the Gardens,” a cloistered community in New York’s Greenwich Village. The neighborhood is a bubble within a bubble, and the residents are immediately intrigued by the eccentric newcomer and his family.

Academy Award winner Dustin Hoffman gives an understated and exemplary performance of this satiric look at the unreality of American media culture. Chance, the enigmatic gardener, becomes Chauncey Gardiner after getting hit by a limo belonging to a Wall Street tycoon. The whirlwind that follows brings Chance to his new status of political policy advisor and possible vice presidential candidate. His garden-variety political responses, inspired by television, become heralded as visionary, and he is soon a media icon.

The irreverent author of the cult classic Syrup hits his target in this satire on the wages of big capital. In Max Barry's hilarious vision of the near future, the world is run by giant American corporations, and employees take the last names of the companies they work for; The Police and The NRA are publicly traded security firms, and the U.S. government may only investigate crimes if they can bill a citizen directly.

Guy Grand, an eccentric billionaire prankster, is rich enough to do whatever he likes. And what he likes is to carefully execute projects where he can cauterize by ridicule what the rest of the world ignores: Complacency, greed, corruption, and idiocy. Determined to "make it hot for people," Grand spends his billions staging a series of hilarious, sometimes bewildering stunts, lampooning along the way the American holy cows of money, status, power, beauty, media, and stardom.

Firas Dareer wakes up on his twenty-third birthday with a sense of purpose: today he’ll jump from a Stage 3 to a Stage 6 in his self-determined Coming Out Scale, professing his sexuality to a captive audience of immediate and extended family, friends, acquaintances, coworkers, and neighbours. But despite the meticulously designed invitations, carefully chosen place settings and floral centerpieces, painstakingly curated playlist, and agonizingly fretted-over menu, factors begin to spin out of his control.

In Why We Suck, Dr. Denis Leary uses his common sense, and his biting and hilarious take on the world, to attack the politically correct, the hypocritical, the obese, the thin - basically everyone who takes themselves too seriously. He does so with the extra oomph of a doctorate bestowed upon him by his alma mater Emerson College. "Sure it's just a celebrity type of thing - they only gave it to me because I'm famous." Leary explains.