Satire Comedy

Lionel Asbo, a terrifying yet weirdly loyal thug (self-named after England's notorious "Anti-Social Behaviour Order"), has always looked out for his ward and nephew, the orphaned Desmond Pepperdine. He provides him with fatherly career advice (always carry a knife, for example) and is determined they should share the joys of pit bulls (fed with lots of Tabasco sauce), Internet porn, and all manner of more serious criminality. Des, on the other hand, desires nothing more than books to read and a girl to love .

Do you have a neighbor or, heaven forbid, friend or family member, who regularly spews utter nonsense in your direction along the lines of their government being out to chip them or that a quack aromatherapy pill like vitamin D might save lives from Covid? Or perhaps you have been accosted by a random conspiracy theorist in the street who adamantly believes that everyone should add horse-dewormer to their morning coffee or that lockdowns aren’t the pinnacle of scientific acumen that they clearly are and that whoever invented them should obviously win a Nobel Prize?

"I demoni", terzo romanzo nel percorso spirituale di Dostoevskij, dopo "Delitto e Castigo", "L'Idiota", e prima dei "Fratelli Karamazov", ha avuto una lunga storia editoriale. Prima pubblicato a puntate sulla rivista "Messaggero Russo" nel 1872 e poi in volume l'anno successivo. Il romanzo è ispirato ad un fatto di cronaca del novembre del 1869: l'anarchico e nichilista Sergej Necaev, legato a Michail Bakunin uccide lo studente Ivan Ivanov, sospettato di voler abbandonare la cellula sovversiva dello stesso Necaev.

Nonsense Novels was first published in 1920 yet a century later remains a huge favorite among Stephen Leacock fans. The British-born Canadian writer was renowned for his humor, and Nonsense Novels epitomizes both this skill and his mastery of the ridiculous. From an ill-fated Middle Ages romance to the dubious skills of a pitiful private eye and the happy outcome of a generations-old Scottish feud, Nonsense Novels is a tremendous listen.

An early 20th century American story written in the Theodore Dreiser style of each word and chapter building on the previous ones, telling the saga of evangelical religion & people with irony throughout.

Sie lauern immer und überall: die kleinen und großen Tücken des alltäglichen Wahnsinns - in der Familie, im Beruf, in der Politik...

The time is the early '80s. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city.

The first time I saw Major Cade Jameson, his pants were around his ankles...Every line of hard-earned muscle beckoned me to "squeeze here." But I'm getting ahead myself. To tell this story right, I'll have to start with the present, not the past. I owe Cade a debt. A life for a life. My name is Brecklyn Brannon, and I'm not who I claim to be.

Après avoir écrit sur le système de santé, la mort et sur la médecine elle-même, le docteur Alain Vadeboncœur a eu envie de relaxer un peu et de partager les moments étranges et cocasses qui ponctuent sa vie à l'urgence. Avec la sensibilité qu'on lui connaît, il raconte les petits travers des gens du métier (et les siens !), les rencontres loufoques, les contrastes étonnants entre certains drames et leurs répercussions insolites... et même comment son préfacier, le comédien et réalisateur Simon Olivier Fecteau, a un jour tenté de le tuer.

Professor Dr. Moritz-Maria von Igelfeld, author of the highly regarded Portuguese Irregular Verbs (200 LTD copies sold!) and a pillar of the Institute of Romance Philology in the proud Bavarian city of Regensburg, finds that life is very difficult these days. His academic rival (and owner of a one-legged dachsund) Detlev-Amadeus Unterholzer has been winning undeserved recognition. With help from the matchmaking Ophelia Prinzel, he stumbles toward a romance with Frau Benz, a charming widow who owns her very own Schloss and a fleet of handsome cars.

Edward St. Aubyn's Patrick Melrose novels were some of the most celebrated works of fiction of the past decade. Ecstatic praise came from a wide range of admirers, from literary superstars such as Zadie Smith, Francine Prose, Jeffrey Eugenides, and Michael Chabon to pop-culture icons such as Anthony Bourdain and January Jones. Now St. Aubyn returns with a hilariously smart send-up of a certain major British literary award in this witty audiobook.

Surrealist writer and painter Leonora Carrington was a master of the macabre, of gorgeous tableaus, biting satire, roguish comedy, and brilliant, effortless flights of the imagination. Nowhere are these qualities more ingeniously brought together than in the works of short fiction she wrote throughout her life.

For sheer unpredictable brilliance, Gogol may come to mind, but no author alive today takes a listener as far as Helen DeWitt into the funniest, most yonder dimensions of possibility. Her jumping-off points might be statistics, romance, the art world’s piranha tank, games of chance and games of skill, the travails of publishing, or success.

Dining alone in an elegant Parisian brasserie, accountant Daniel Mercier can hardly believe his eyes when President François Mitterrand sits down to eat at the table next to him. After the presidential party has gone, Daniel discovers that Mitterrand’s black felt hat has been left behind. After a few moments’ soul-searching, Daniel decides to keep the hat as a souvenir of an extraordinary evening. It’s a perfect fit, and as he leaves the restaurant Daniel begins to feel somehow...different.

There’s trouble in Hollywood. Big surprise, Sheepdip, there’s always trouble in Hollywood. But for Yours Truly, Nick Nolte, private dick, actor, entrepreneur, collector of exotic and often dangerous commodities, and People magazine’s Sexiest Man Alive (1992), Hollywood is a filthy, decaying, half-empty swimming pool, and I’m gonna dive in head-first. Someone’s kidnapping Hollywood bigwigs? Hell, I wish I’d thought of it first. Clones runnin’ amok from Pismo to Tijuana?

At the turn of the 20th century, as he composes a treatise on melancholy, Jacov Reinhardt sets off from his small Croatian village in search of his hero and unwitting mentor, Emiliano Gomez Carrasquilla, who is rumored to have disappeared into the South American jungle - "not lost, mind you, but retired." Jacov's narcissistic preoccupation with melancholy consumes him, and as he desperately recounts the myth of his journey to his trusted but ailing scribe, hope for an encounter with the lost philosopher who holds the key to Jacov's obsession seems increasingly unlikely.

The future is blue - endless blue...except for a few small places that float across the hot, drowned world left behind by long-gone fossil fuel-guzzlers. One of those patches is a magical place called Garbagetown. Tetley Abednego is the most beloved girl in Garbagetown, but she’s the only one who knows it. She’s the only one who knows a lot of things: that Garbagetown is the most wonderful place in the world, that it’s full of hope, that you can love someone and 66% hate them all at the same time.

Young, arrogant tycoon Earl Grey seduces the naïve coed Anna Steal with his overpowering good looks and staggering amounts of money, but will she be able to get past his fifty shames, including shopping at Walmart on Saturdays, bondage with handcuffs, and his love of BDSM (Bards, Dragons, Sorcery, and Magick)? Or will his dark secrets and constant smirking drive her over the edge?

Flatland: A Romance of Many Dimensions is a satirical novella by the English schoolmaster Edwin Abbott Abbott, first published in 1884 by Seeley & Co. of London. Written pseudonymously by "A Square", the book used the fictional two-dimensional world of Flatland to comment on the hierarchy of Victorian culture, but the novella's more enduring contribution is its examination of dimensions.

Petronius’ Satyricon is a rampant and vivacious Roman adventure dating back to the first century, during the reign of Nero. It follows the exploits of Encolpius, an impoverished ex-gladiator, and his boy-lover Giton. The action is fleet and the narrative sweeping: over the course of their journey we meet a host of lewd and comical rogues, including beggars, prostitutes, poets, sodomites, and pedants, and witness many strange and curious events, including a remarkably vulgar multi-course feast, hosted by the pompous nouveau riche Trimalchio