Satire Comedy

A member of the landed gentry, with a seemingly guaranteed income from his estate in the country, Oblomov lives in Petersburg, uninterested in the business that provides his living and barely aware that the revenue is diminishing. Not that he leads a dissolute life of extravagance, balls and entertainment. Instead he is a dreamer, a sybarite, content above all to spend most of the day supine, in bed. The novel opens with Oblomov thus ensconced, attended only by his dirty, grumbling, indolent servant Zahar, who has looked after him since childhood, catering to his every need.

From Thurber finalist and former star Time columnist Joel Stein comes a "brilliant exploration" (Walter Isaacson) of America's political culture war and a hilarious call to arms for the elite. "I can think of no one more suited to defend elitism than Stein, a funny man with hands as delicate as...

Would you pay to watch babies fight to the death? Only the wealthy and privileged have the kind of money that can pay for such vile entertainment. The first rule of Baby Fights is there are no rules. Babies can't follow rules. But with a certain persuasion they turn into rabid little monsters, and oh what a spectacle it is to see.

"The Water-Babies" remains relevant today as it resonates with universal themes and moral insights that extend beyond the Victorian context. The narrative's enduring appeal lies not only in its engaging storyline, but also in the profound messages that it conveys about human nature and societal values.

The novel begins in the decade of 1990s. The world had changed overnight. The wall of Berlin had vanished, and the great and mighty Soviet Union was vanishing. But in India, the report of the Mandal Commission was creating new frontiers. Meanwhile Advani started his rathyatra.

The auto age is defunct. Buicks, Chryslers, and Pontiacs disfigure the landscape. Vines sprout in Manhattan. Wolves are seen in downtown Cleveland. And psychiatrist, mental hospital outpatient, and inventor Dr. Tom More has created a miraculous instrument: the ontological lapsometer, a kind of stethoscope of the human spirit. With it, he plans to cure mankind’s spiritual flu. But first, he must survive Moira, Lola, and Ellen - and discover why so many living people are actually dead.

When Dinah Brooke's second novel, Lord Jim at Home, was first published in 1973, it was described as "squalid and startling," "nastily horrific," and a "monstrous parody" of upper-middle class English life. It is the story of Giles Trenchard, who grows up isolated in an atmosphere of privilege and hidden violence; who goes to war, and returns; and then, one day—like the hero of Joseph Conrad's classic Lord Jim—commits an act that calls his past, his character, his whole world into question.

When Sam’s wife first tells him about Vitek, a twenty-first-century fertility lab, he sees it as the natural next step in trying to help their future child get a “leg up” in a competitive world. But the more Sam considers the lives that his child could lead, the more he begins to question his own relationships and the choices he has made in his life.

Megan Chernoff is a talented but unemployed copywriter in an identity crisis after the birth of her second child. Seeking a fresh start, she and her family move to New York City, where she meets Daphne Cole—a gorgeous, stylish, well-known momfluencer. To Meg's surprise and delight, Daphne shows an inordinate amount of interest in Meg, showering her with compliments, attention, gifts, and all the perks that come with having a massive digital platform. Before she knows it, Meg finds herself immersed in Daphne's world.

Stephen Leacock (1869-1944) may be considered the Canadian counterpart to Mark Twain. For many years he was professor of economics at Magill University and published a number of well-regarded texts on economics and political science. However, he is best known today for his many volumes of humorous fiction. During the 1920s he was one of the most widely read authors in the English-speaking world and was considered by Jack Benny and Groucho Marx to be one of the greatest comic writers of all time.

Boy Genius is a powerful identity satire, the picaresque odyssey of a child seeking to avenge the wrongs perpetrated on his parents. Park's genius, born into the turmoil of post-war Korea, is used as a puppet by the South Korean government - before being banished to America. From a remote New York city ghetto, the boy wages a clandestine guerilla war against all symbols of authority.

Right Ho, Jeeves sees Bertie Wooster blithely attempting to assume the role of Jeeves himself as a matters-of-the-heart adviser. Very unwise: from Gussie Fink-Nottle's romance with Madeline Bassett, to Tuppy Glossop and his stop/go engagement to Angela Travers, the young master succeeds only in making a bally mess of everyone's love-lives.

There's a different schemer or slimeball behind every door: cocaine duckpins who have survived only by the dumbest fortune, hard-luck gigolos desperate to score, undercover cops busting undercover cops who are running sting operations on undercover cops.

NATIONAL BESTSELLER “For anyone who has felt fate intervening on their TikTok feed” (USA Today) comes a “gothic horror story wrapped up in a mystery [with] much to say about Hollywood, social media, and the creator economy” (Los Angeles Times) “Here you’ll find that gothic horror...

Penniless and downtrodden at the loss of his wife and one of his daughters, Samuel Clemens turned to writing. The short stories and essays in Letters from the Earth find Clemens—under the pseudonym of Mark Twain—at perhaps his most quizzical and questioning state ever. Written as diary entries, Twain penned a series of letters from the point of view of a dejected angel on Earth who observes the many curious natures of man. These pieces, gathered by Twain's literary executor, feature sharp takes on the inconsistencies of Christianity and farcical criticisms of American life.

Says Charles Pooter, "I fail to see - because I do not happen to be a 'somebody' - why my diary should not be interesting." Surprisingly, Mr. Pooter's life is fascinating! The fascination is two-fold: firstly, his astounding arrogance that we should care about his domestic trivia and narcissistic scribblings. Secondly, we can all sympathize with (and wince at!) this ridiculous slave to convention.

Steven Erikson has taken his lifelong passion for Star Trek and transformed it into a smart, inventive, and hugely entertaining spoof on the whole overblown mankind-exploring-space-for-the-good-of-all-species-but-trashing-stuff-with-a-lot-of-high-tech-gadgets-along-the-way adventure. The result is a novel that deftly parodies the genre while also paying fond homage to it.

Once more, we catch up with the delightful goings-on in the fictitious 44 Scotland Street from Alexander McCall Smith. With customary charm and deftness, Alexander McCall Smith gives us another instalment in this popular series, now running in its eighth season in The Scotsman.

Sam Bennett is the last of a dying breed, a former Mad Man, now made redundant after 30 years at the same advertising agency. Left with his awards and a case of Bulgarian whiskey (which he still can’t remember buying), Sam retreats to his home, awaits the summer arrival of his daughter and crazy son-in-law, Muller, is plagued by panic attacks and has an incident involving a pressed ham on a liquor store window with a young security guard named Max. .

Morgan Beale is a pop icon - and hates every second of it. He begins adapting the latest best seller, The Chihuahua in the Blue Prada Bag, into a blockbuster movie just before his celebutante wife starts remodeling their Hollywood home, driving Beale to a hotel. Dodging the paparazzi one morning on his way to Starbucks, he spots his writing partner, Luke, who has been dead for over a decade, and who is staring into a mysterious hole in the ground....