Satire Comedy

Set in Ireland prior to its achieving legislative independence from Britain in 1782, Castle Rackrent tells the story of three generations of an estate. One of the main sources of inspiration for the novel was a chronicle of her own family history called The Black Book of Edgeworthstown, which contain legal struggles of the Edgeworth's similar to those portrayed in the novel.

Says Charles Pooter, "I fail to see - because I do not happen to be a 'somebody' - why my diary should not be interesting." Surprisingly, Mr. Pooter's life is fascinating! The fascination is two-fold: firstly, his astounding arrogance that we should care about his domestic trivia and narcissistic scribblings. Secondly, we can all sympathize with (and wince at!) this ridiculous slave to convention.

One of the greatest satires in American literature, Mark Twain's "A Connecticut Yankee in King Arthur's Court" begins when Hank Morgan, a skilled mechanic in a nineteenth-century New England arms factory, is struck on the head during a quarrel and awakens to find himself among the knights and magicians of King Arthur's Camelot. The 'Yankee' vows brashly to "boss the whole country inside of three weeks" and embarks on an ambitious plan to modernize Camelot with 19th c. industrial inventions like electricity and gunfire. It isn't long before all hell breaks loose!

People pass the word only to those they trust most: Adjustment Day is coming. They've been reading a mysterious blue-black book and memorizing its directives. They are ready for the reckoning.

When Bonnie Grayduck relocates from sunny Santa Cruz California to the small town of Lake Woebegotten, Minnesota, to live with her estranged father, chief of the local two-man police department, she thinks she's leaving her troubles behind. But she soon becomes fascinated by another student - the brooding, beautiful Edwin Scullen, whose reclusive family hides a terrible secret. (Psst: they're actually vampires. But they're the kind who don't eat people, so it's okay.)

My name is Holly Hyman. I love order and prime numbers - and I’m in trouble. The company I work for is pivoting, and not in a way I like. Our new management? Alex Chortsky, a gorgeous, scruffy Russian devil. Our new direction? VR entertainment of the spicy kind. Maybe I wouldn’t mind it so much if my life’s work wasn’t meant for children. Or if I hadn’t accidentally hooked up with a VR version of my wickedly handsome boss. The only way to save my dream project is to make a Faustian bargain. For one night, I pretend to be Alex Chortsky’s girlfriend.

Sur les conseils de son médecin qui s’inquiète de ses dérapages récents, Nicolas part deux mois loin de son travail, de sa femme et de ses enfants. Un vent de liberté souffle dans ses cheveux et lui donne envie de mordre dans la vie comme si c’était un beau gros beigne débordant de crème. Il voyage, fait des rencontres, tente de réconforter de vieux amis aussi mal en point que lui; tout ça ne peut que mal finir.

The moral cesspool that Rome had become in the first century AD is the subject of The Satyricon by Petronius. The work itself was originally quite a long one, perhaps as long as a thousand pages. The extant portion, however, is only a small fraction of the original. The work contains a mixture of prose and verse, serious and comic elements, and erotic and decadent passages. It possesses a sophisticated humor and a very ironic tone. It is the creation of a Roman gentleman whose insights were keen.

Academy Award winner Dustin Hoffman gives an understated and exemplary performance of this satiric look at the unreality of American media culture. Chance, the enigmatic gardener, becomes Chauncey Gardiner after getting hit by a limo belonging to a Wall Street tycoon. The whirlwind that follows brings Chance to his new status of political policy advisor and possible vice presidential candidate. His garden-variety political responses, inspired by television, become heralded as visionary, and he is soon a media icon.

If the Watergate scandal was a national nightmare, then maybe the Clinton scandal was a national wet dream, and who better to narrate it than the screenwriter Joe Eszterhas? In American Rhapsody, Eszterhas, whose credits include Basic Instinct and Showgirls, takes us through the events that threatened to topple a president. From scandalmongers Matt Drudge and Ken Starr, to his final, unimpeachable witness, Willard - none other than President Clinton's talking penis - Eszterhas gives us the goods.

ज़िंदगी, ज़िंदगी भर नहीं है दोस्त! ज़िंदगी कभी वेटिंग टिकट है, कभी तय रिजर्वेशन के बावजूद बग़ल वाले पसेंजर से सीट की अदला-बदली है। कभी सीट के नीचे से झोले की चोरी है तो कभी शौचालय की जंज़ीर से बंधी मग है।.

In the second outing of her Audible Original series, Educating Daisy, she’s invited six more celebrity friends to try to covnert her to books by telling her all about their favourite classic. She promises she’ll definitely read one of them by the end of the series. Definitely. This time Greg Davies, Tom Davis, Sindhu Vee, Rylan Clark, Danny Robins and Kerry Godliman hope to introduce her to a page-turner that she can't resist.

Named one of Time’s 100 best novels in the English language, Money is “savagely hilarious. It risks, it boils with energy . . . it even manages to shock” (The Washington Post). Including a new introduction by Lorrie Moore, author of I Am Homeless If This Is Not My Home Originally published...

Filled with wit and charm, The Debutante Divorcée stars Sylvie Mortimer, a recently married socialite who is quick to discover that her marriage is far from photo-perfect. Her best friend, Lauren Blount, the chic-est of the Debutante Divorcées, is basking in her freedom, taking solo honeymoons, having divorce showers, and pursuing any man she chooses as part of her “Make-Out Challenge.”

Zurück in die Zukunft! Die große dystopische Erzählung geht weiter ... Schwer was los in QualityLand, dem besten aller möglichen Länder. Peter Arbeitsloser darf endlich als Maschinentherapeut arbeiten und schlägt sich jetzt mit den Beziehungsproblemen von Haushaltsgeräten herum. Kiki Unbekannt schnüffelt in ihrer eigenen Vergangenheit und gerät dabei ins Fadenkreuz eines seltsamen Killers. Martyn Vorstand versucht verzweifelt ein Level aufzusteigen, um das Recht auf Vergessen werden nutzen zu dürfen.

Despite the odds, Princess Arabella of Avonia and rugged outdoorsman Will Banks fell in love while filming a reality show in the jungle. But that's another story. While she's making room in the royal closet for his hiking boots and backpacks - right next to the crown jewels - the show's producers are editing together film footage that could turn their romance into nothing more than a showmance. Private moments caught on tape and aired for the world's viewing pleasure are about to turn their world upside down.

Mike has teamed up with director Eric Martin to adapt the novelization into a fully immersive cinematic audio experience, and an epic all-star cast has come together to introduce Stinker to a whole new generation of fans! It's Smokey and the Bandit meets Every Which Way But Loose meets Smokey and the Bandit Parts 2 and 3. Feel the thrill as Stinker teams up with old pals Boner and Jumbo, plus new friends Buck and Rascal the Chimp, for a crazy ride across the highways and byways of Bicentennial America.

Ben Riggs says he loves me. He says he hasn't stopped thinking about me since he broke my heart and chased me out of town all those years ago. I say, liar liar pants on fire. And boy, do those bright yellow, flame-resistant fireman pants look good on him. I'm aching to feel those big, rough hands clenching on my hips and to collect on the illicit promises burning in his dark blue eyes. Self-control goes up in flames every time he flashes that arrogant smile. So I give in - because a woman has needs. (Am I right, ladies?) He can have my body, but my heart is off-limits.

Called “our finest black-humorist” by The Atlantic Monthly, Kurt Vonnegut was one of the most influential writers of the 20th century. Now his first and last works come together for the first time in print, in a collection aptly titled after his famous phrase, We Are What We Pretend To Be.

Wealthy and devout, Michael and Julia Glynn are the envy of their neighbors and the model Irish Catholic couple, bearing Michael's increasingly painful and crippling arthritis with stoicism. In hope of a miracle, their priest suggests a family pilgrimage to Lourdes. Yet these pious holiday plans are thrown into doubt when anonymous, obscene letters begin to arrive, full of terrible accusations.