Satire Comedy

A well-to-do professor working in Moscow strikes up an unlikely friendship with a stray dog and attempts a scientific first by transplanting the testicles and pituitary gland of a recently deceased man into the dog. With a wild, but alarmingly human animal on the loose, the professor's previously respectable life becomes a nightmare beyond his imagination. A superb satirical novel, it is also a sharp and pointed criticism of Soviet society, especially the new rich that arose after the Bolshevik revolution.

Nine months ago, Zeus' murder catapulted the Greek gods back into public life. Now, the whole pantheon revels in new temples, casinos, and media empires - except Apollo. An overachiever with a bursting portfolio of godly duties, the amount of email alone he receives from rapacious mortals turns each day into a living hell. Yet there may be hope, if only he can return Zeus to life! With the aid of Thalia, the muse of comedy and science fiction, Apollo will risk his very godhood to help TV producer Tracy Wallace and a gamer geek named Leif, who hold the key to Zeus' resurrection.

This parody takes the dragon-riding, enemies-to-lovers tension and high-stakes brutality of the original and transforms it into a hilariously absurd adventure starring Vile Soreinbut and Xadence Marriott—two characters who seem designed specifically to challenge every trope they encounter.

À la ferme du Manoir, c'est la révolution : les animaux ont pris le pouvoir. Désormais, ils ne travailleront que pour eux-mêmes, et bâtiront ensemble un avenir radieux. Désormais, ils ne connaîtront plus de maître, car tous les animaux sont égaux. Ou, du moins, presque tous... Cette nouvelle traduction restitue toute la verve satirique d'une fable politique magistrale. Tristement intemporelle et terriblement drôle, La Ferme des animaux n'a pas fini de faire réfléchir les Hommes. Traduction Clotilde Meyer

Cold-blooded murder just isn't Thomas Lang's cup of tea. Offered a bundle to assassinate an American industrialist, he opts to warn the intended victim instead - a good deed that soon takes a bad turn. Quicker than he can down a shot of his favorite whiskey, Lang is bashing heads with a Buddha statue, matching wits with evil billionaires, and putting his life (among other things) in the hands of a bevy of femme fatales. Up against rogue CIA agents, wannabe terrorists, and an arms dealer looking to make a high-tech killing, Lang's out to save the leggy lady he has come to love...and prevent an international bloodbath to boot.

Set in a garden in Tehran in the early 1940s, where three families live under the tyranny of a paranoid patriarch, My Uncle Napoleon is a rich, comic and brilliantly on-target send-up of Iranian society. The novel is, at its core, a love story. But the young narrator's delicate and pure love for his cousin Layli is constantly jeopardized by an unforgettable cast of family members and the hilarious mayhem of their intrigues and machinations. It is also a social satire, a lampooning of the widespread Iranian belief that foreigners are responsible for events that occurs in Iran.

This is the tale of the happy but ill-fated Candide and his progressive disillusionment with the idea that we live in the best of all possible worlds. His tutor, Dr. Pangloss, embodies this philosophy of good cheer, even in the face of ever more absurd misfortunes. Luckily, Candide's other companions provide an over-supply of good sense.

The new book censor hasn't slept soundly in weeks. By day he combs through manuscripts at a government office, looking for anything that would make a book unfit to publish-allusions to queerness, unapproved religions, any mention of life before the Revolution. By night the characters of literary classics crowd his dreams, and pilfered novels pile up in the house he shares with his wife and daughter. As the siren song of forbidden reading continues to beckon, he descends into a netherworld of resistance fighters, undercover booksellers, and outlaw librarians.

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A delivery driver finds himself inside a world occupied by characters from unfinished novels and must accept he is not real. But the world around him doesn’t feel right, and when he starts asking questions, the authorities soon take extreme measures to stop him finding the truth about Fiction Land.

Meet Rabo Karabekian, a moderately successful surrealist painter who we meet late in life and see struggling (like all of Vonnegut's key characters) with the dregs of unresolved pain and the consequences of brutality. Loosely based on the legend of Bluebeard (best realized in Bela Bartok's one-act opera), the novel follows Karabekian through the last events in his life that is heavy with women, painting, artistic ambition, artistic fraudulence, and as of yet unknown consequence.

I played all those cool video games. I watched all those movies. I even read the books. In most of 'em, the hero shoots the bad guys, drives a sweet car, never gets hungry, and always seems to get laid by the end. Yeah. Whatever. I gotta be straight with you about why I wrote this journal, and it comes down to one thing, the apocalypse kinda sucks. It doesn’t meet my expectations at all.

Ex-reporter Joe Winder had been working in the public relations department of a sleazy family entertainment park, The Amazing Kingdom of Thrills, when he chanced upon a news-breaking story inspired by the disappearance of two blue-tongued voles and the bizarre death of Orky, the killer whale.

A wildly successful first novel made Grady Tripp a young star, and seven years later he still hasn't grown up. He's now a writing professor in Pittsburgh, plummeting through middle age, stuck with an unfinishable manuscript, an estranged wife, a pregnant girlfriend, and a talented but deeply disturbed student named James Leer.

From the frenzy of the 2012 Olympics to the aftermath of the Brexit referendum, here Jonathan Coe chronicles the story of modern Britain by way of a cast of characters whose world is being upended. There are newlyweds who disagree about the country’s future and, possibly, their relationship; a political commentator who writes impassioned columns about austerity from his lavish town house while his radical teenage daughter undertakes a relentless quest for universal justice; and Benjamin Trotter, who embarks on an apparently doomed new career in middle age, and his father.

On a flight to New York at the end of her first book tour, up-and-coming writer Agnes Oliver meets Jack Verity, the handsome filmmaker and ex-husband of Geia Stone, a famous actress turned wellness guru, whose popular lifestyle brand Goddess promotes controversial therapies and expensive beauty tools in the name of self-care and inner nourishment. Jack invites Agnes to a party in the Hamptons, where she meets Geia and finds herself welcomed into the guru's inner circle.

Audio is a unique medium. It invites listeners to become a part of the process, to interpret what they hear, however they'd like; whereas motion pictures leave no such room for input. With the completion of this book, it dawned on me that, as an actor by trade, I could play the part; and I'm knee-deep in actor pals - why not record the book like a radio play? So that's exactly what happened. I rounded up an excellent troupe of thespians, from both Los Angeles and my home state of Oregon, and we recorded what was to become this epic listen for you to hear!

After establishing the Society of Assured Prosperity and successfully disguising his insurance business as a charity, Willem heads to the capital of the kingdom to expand into a new market....

Everyone - even Augustus the cat - has cause to be obliged to Jeeves when he manages to retrieve the infamous Book - the book which lays bare the private lives of three-quarters of the upper classes. And which could prove to be political dynamite at the Market Snodsbury by-election.

D’abord présentées sur les ondes d’Énergie puis de Rouge FM, les chroniques de Rosalie Bonenfant ont conquis des dizaines de milliers d’auditeurs. Tantôt mordantes et cyniques, tantôt intimistes et sensibles, les « humeurs » de Rosalie ne rejoignent pas que les gens de sa génération mais tous les Québécois, de l’adolescent au boomer… à l’exception de quelques « matantes » indignées par son ton direct ou la crudité d’un thème ou d’un mot.