Satire Comedy

Eine Galeristin tauscht ihr aufregendes Berufsleben gegen den eintönigen und überfordernden Job als Vollzeitmutter. Doch der Drang, ihr Leben mit Kind gegen jede Konvention ungezähmt und frei zu gestalten, wird immer stärker – bis sich eine völlig neue Identität Bahn bricht. Dieser brillante Roman erzählt auf unerhört komische Weise davon, wie viel zu gewinnen ist, wenn man sich auf die monströsen Seiten der Mutterschaft einlässt.

"All I want is to be a success.That's all I ask." Joe fails to sell a single set of the Encyclopedia Britannica in six months. Then he fails to sell a single Electrolux and must eat hundreds of pieces of homemade pie, served up by his would-be customers who feel so sorry for him. Holed up in his trailer, Joe finds an outlet his for frustrations in a series of ingenious sexual fantasies, and at last strikes gold. His brain storm, Lightning Rods, Inc., will take Joe to the very top - and to the very heart of corporate insanity.

After slipping on Chelsea - a magical wig that comes with a gregarious personality - Janet is making strides at work and has a new friend and a confident strut. Life is fab. Isn’t it? Honestly, there’s something missing. Where’s the adventure? The purpose? What she needs is to tap into her inner daredevil. But her mystical wigmaker has a word of caution: should Janet lose control, it might not be so easy to get it back.

Despite the title, Dickens's portrayal of early industrial society is less relentlessly grim than that in novels by contemporaries such as Elizabeth Gaskell or Charles Kingsley. Hard Times weaves the tale of Thomas Gradgrind, a hard-headed politician who raises his children Louisa and Tom without love and to have no empathy, their lives completely devoid of beauty, culture, or imagination. Only after a series of crises does their father realise that the manner in which he raised his children has ruined their lives.

Mr. Goldson is filthy rich. He’s also callous and cruel and hasn’t got a festive bone in his ancient body. Naturally, he’s due for a holiday haunting. When his business partner, Bolbi Baggs, announces that they’re to be visited by three spirits, Mr. Goldson braces himself for a whirlwind tour of his past, present, and future. Mr. Goldson, however, isn’t human. He’s a Dwarf, and Mr. Baggs is a Halfling, and the adventure that’s about to take them across the enchanted world of Arth is anything but typical.

I’m not intimidated. My boss sent me to deep backwoods Vermont to get Garland McGrumpypants—I mean McGuinty, to sell some of his lucrative landholdings on Silver Mountain. And I need this commission.

Walter Reddie is a washed-up former astronaut who takes it upon himself to build a rocket ship to rescue his cousin, who is stuck on the International Space Station after a mission gone wrong. If America won’t rescue its astronauts, Walter will do it himself. Violating numerous laws, common sense, logic, and reason, Walter Reddie becomes a lightning rod for people who aren’t ready to lay down and die just yet.

The Importance of Being Earnest is a play by Oscar Wilde. First performed on February 14th 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personæ to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways. Its high farce and witty dialogue have helped make The Importance of Being Earnest Wilde's most enduringly popular play.

Susan Frobisher and Julie Wickham are turning 60. They live in a small Dorset town and have been friends since school. On the surface Susan has it all - a lovely house and a long marriage to accountant Barry. Life has not been so kind to Julie, but now, with several failed businesses and bad relationships behind her, she has found stability: living in a council flat and working in an old people's home.

Do you have a neighbor or, heaven forbid, friend or family member, who regularly spews utter nonsense in your direction along the lines of their government being out to chip them or that a quack aromatherapy pill like vitamin D might save lives from Covid? Or perhaps you have been accosted by a random conspiracy theorist in the street who adamantly believes that everyone should add horse-dewormer to their morning coffee or that lockdowns aren’t the pinnacle of scientific acumen that they clearly are and that whoever invented them should obviously win a Nobel Prize?

The Museum of Curiosity is BBC Radio 4's monumental comedy edifice, and the only one with gargoyles in the foyer. It allows nothing inside unless it makes you scratch your head, stroke your chin or, at the very least, go 'Hmm'. Secondly, it is almost completely empty. Fortunately, helping to fill its vacant plinths is a gathering of the world's most original minds.

In 1902, a radical vegetarian and nudist from Nuremberg named August Engelhardt set sail for what was then called the Bismarck Archipelago. His destination: the island Kabakon. His goal: to found a colony based on worship of the sun and coconuts. His malnourished body was found on the beach on Kabakon in 1919; he was 43 years old. Christian Kracht's Imperium uses the outlandish details of Engelhardt's life to craft a fable about the allure of extremism and its fundamental foolishness.

In the brutal, concrete landscape of Diston Town, teenage Des Pepperdine is doing his best to stay invisible—reading poetry, avoiding trouble, and nursing a dangerous secret. But his guardian, Lionel Asbo, is a ferocious presence: a pit bull-breeding, tabloid-devouring career criminal with a...

Lamar Jimmerson is the leader of the Gnomon Society, the international fraternal order dedicated to preserving the arcane wisdom of the lost city of Atlantis. Stationed in France in 1917, Jimmerson comes across a little book crammed with Atlantean puzzles, Egyptian riddles, and extended alchemical metaphors. It's the Codex Pappus—the sacred Gnomon text. Soon he is basking in the lore of lost Atlantis, convinced that his mission on earth is to administer to and extend the ranks of the noble brotherhood.

Von Andy Warhol entdeckt, als Stilikone und Talkgast verehrt, ist Fran Lebowitz in den USA eine Kultfigur. Mit der Netflix-Serie "Pretend It's a City" ihres Freundes Martin Scorsese wird sie weltweit gefeiert. Lebowitz' Ruhm begründet aber hat ihr Schreiben, das sie als ebenso aufmerksame wie weise Beobachterin der Menschen und ihres Alltags zeigt.

Désirée, trop jeune veuve, va régulièrement sur la tombe de son mari. Au cimetière, elle rencontre "le mec de la tombe d'à côté", dont l'allure l'agace autant que le caveau tape-à-l’œil qu'il vient fleurir. Depuis la mort de sa mère, Benny vit seul dans la ferme familiale. Il s'en sort comme il peut, grâce à une bonne dose d'humour. Chaque fois qu'il la voit, il s'énerve contre la nana qui s'assied sur le même banc de cimetière que lui.

Qui est le vice-consul de Lahore ? Pourquoi a-t-il tiré de son balcon dans la direction des jardins de Shalimar où se réfugient les lépreux et les chiens ? Quel étrange attrait exerce sur lui Anne-Marie Stretter, ambassadrice à Calcutta ? Quelle est l'histoire de cette mendiante folle qui berce la rue de ses chants ? Un roman de l'extrême misère : celle de l'Inde, mais aussi et surtout celle du cœur.

Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb.

The first time I saw Major Cade Jameson, his pants were around his ankles...Every line of hard-earned muscle beckoned me to "squeeze here." But I'm getting ahead myself. To tell this story right, I'll have to start with the present, not the past. I owe Cade a debt. A life for a life. My name is Brecklyn Brannon, and I'm not who I claim to be.

The story opens in the country parsonage of Dr. Primrose, a kindly man who has a good heart, a good family, and a good income. Suddenly, his idyllic life is cruelly devastated by a series of misfortunes, and he ends up in prison. Yet, despite all this calamity and injustice, the vicar never loses sight of Christian morality, a conviction which lends him genuine nobility and, in the end, also brings justice and the restoration of his family and fortune.