Satire Science

Mr. Goldson is filthy rich. He’s also callous and cruel and hasn’t got a festive bone in his ancient body. Naturally, he’s due for a holiday haunting. When his business partner, Bolbi Baggs, announces that they’re to be visited by three spirits, Mr. Goldson braces himself for a whirlwind tour of his past, present, and future. Mr. Goldson, however, isn’t human. He’s a Dwarf, and Mr. Baggs is a Halfling, and the adventure that’s about to take them across the enchanted world of Arth is anything but typical.

P.J. O’Rourke began writing funny things in 1960s underground newspapers, became editor-in-chief of National Lampoon, then spent 20 years reporting for Rolling Stone and The Atlantic Monthly as the world’s only trouble spot humorist, going to wars, riots, rebellions, and other "Holidays in Hell” in more than 40 countries.

From the author of Fight Club, the classic portrait of the damaged contemporary male psyche, now comes this novel about the apocalyptic marketing possibilities of female pleasure. Beautiful You is Palahniuk's much-anticipated satire of the emerging erotic thriller genre, a mash-up of mommy porn and chick lit à la Sex and the City, and fantasy lit à la Clan of the Cave Bear. Imagine if Ira Levin had a baby with Jean Auel.

Steve is hell's super, its handyman. Being Mr. Fixit to the underworld keeps him and his assistant, Orson Welles (yes, that Orson Welles), pretty busy, since things go on the blink all the time down there. No malfunction has ever created so much inconvenience, though, as the malfunction of hell's escalator, which leads from the pearly gates to the depths of Hades. What's worse: The breakdown appears to be sabotage.

Stephen Leacock (1869-1944) may be considered the Canadian counterpart to Mark Twain. For many years he was professor of economics at Magill University and published a number of well-regarded texts on economics and political science. However, he is best known today for his many volumes of humorous fiction. During the 1920s he was one of the most widely read authors in the English-speaking world and was considered by Jack Benny and Groucho Marx to be one of the greatest comic writers of all time.

In "The Robot Who Looked Like Me," a busy man and a busy woman find a way to carve out time to romance each other—by having look-alike robots made to do the job—who then run away together.

PR extraordinaire Blake Hamner (the n is silent) put off his honeymoon for his big break: joining a major political campaign for president. Now, the "Hammer" struggles to make time for his marriage as crisis communications manager for Our Leader, who, since taking power, has become increasingly mad and totalitarian.

This is the legend of Saint Frank, and the great deeds he what did to earn that Sainthood, not born a Saint, in the beginning he was just, Frank, but not long after some stuff that took long, he became Sir. Frank. Sir. Frank may or may not have slayed a Dragon, if he did then this is the Tale of how Sir. Frank became Saint Frank, and if he did not then this is the story of nearly a Saint Frank and a triumphant Dragon.

New York Times best-selling author P. J. O'Rourke has toured the fighting in Bosnia, visited the West Bank disguised as P. J. of Arabia, lobbed one-liners on the battlefields of the Gulf War, and traded quips with Communist rebels in the jungles of the Philippines. Now, in The CEO of the Sofa, he embarks on a mission to the most frightening place of all: his own home.

The story of The Happy Prince has three major themes. Firstly it shows that apparent beauty is nothing and the real beauty is to bestow love and sacrifice. Secondly, it discusses that love and sacrifice are two saving forces. Thirdly, it shows that there is a large gap between rich and poor people the rulers and the masses. When the happy prince is alive he lives a happy life without sorrows, he is living a care free life but after his death he sees through a tall Colum that life has another view except happiness and that is helplessness poverty, hypocrisy and corruption of elite and ruling class.

Journey to the final frontier of sci-fi zombie horror! Jim Pike was the world’s biggest Star Trek fan—until two tours of duty in Afghanistan destroyed his faith in the human race. Now he sleepwalks through life as the assistant manager of a small hotel in downtown Houston. But when...

Трэш-фантасмагория «Красный Бубен» охватывает пространство едва ли не всей планеты и даже космоса. Почему космоса? Потому что звезда Рэдмах, великая матерь звезд и пространств, источник всего сущего во Вселенной, вот-вот начнет излучать энергию, и фокус ее излучения придется на нашу Землю. Эпицентром вселенского действа станет обыкновенная русская деревушка на Тамбовщине под названием Красный Бубен. Здесь гонят самогон, соседи бьют друг другу морды, из Москвы приезжают дачники. Но в ней-то и суждено разразиться последней битве Добра со Злом.

To the devil a daughter! Parenthood can come as a shock to some. It’s especially shocking if you are Satan, the Prince of Hell, and are trying to live a quiet life of semi-retirement in suburban England under the name of Jeremy Clovenhoof. Clovenhoof quickly finds that being a single parent involves more than lullabies and nappies and has to contend with social disapproval, paternity tests and, possibly, the end of the world.

Certainly not the twins at the heart of the matter of all things Apocalypse, Calvin and Trent, who soon must decide what—or rather whom—they’re willing to sacrifice in order to delay your world’s dying gasps. Definitely not the high school principal, Gary Mustafa, whose hyperfixation on balloons will leave your mind only loosely tethered to your head. Then there’s Love and Yew, the former government hacker and ex-reality TV star, the latter a psychedelic therapist who thinks she’s better than you. The less said about these two women, the better.

In Flatland, originally published in 1884, a humble square describes his two-dimensional world to benefit the inhabitants of Spaceland, the three-dimensional realm he discovers when he is visited by a being from beyond his plane. With dry wit and wild imagination, author Edwin Abbott Abbott builds a meticulous fantasy world rooted in an astute apprehension of psychology, politics, and social structures, as well as basic geometry. The story of Flatland, at once ridiculous and profound, delivers an incisive satire of social discourse that remains remarkably relevant today.

In this, the penultimate tale of the Circles in Hell comedy series, Charon, ferryman for the dead, and his paramour, the succubus Lilith, adopt an infant girl and settle in the suburbs of the Second Circle. Bringing up the first baby in Hell will test the parenting skills of the stalwart skeleton and his demonic partner, for Mona is no ordinary child. She soon exhibits powers that would make a devil blanch. The First Baby has her own set of firsts—from words to steps to a hospital visit—and they all unfold in madcap fashion.

What if you could make a change to history that would eliminate the Spanish Inquisition, American slavery, World War II, global warming, and an egomaniacal US president who thought he was smart enough to drop nuclear bombs here and there without negative consequences? What if that change also made the United States and five billion people poof from existence? Would you do it?

Flatland, first published in 1884, is classic work of satire. The full title, Flatland: A Romance of Many Dimensions, reveals the story's most compelling characteristic, its discussion of multiple dimensions. It is this fascinating examination which has contributed to Flatland's enduring popularity.

When you take the most absurd parts of history, science, economics, and geography, you end up with a pretty confusing picture of humanity. Why do we have borders? What's the furthest you can get from the ocean? And why did Vikings wear those silly helmets? These are just a few of the strange questions that bounce around the head of Joseph Pisenti. In his YouTube channel, Pisenti presents illogical truths in a logical manner. Here, he builds on this nonsensical humor of the universe with in-depth analysis of empires, economies, and ecosystems as he helps answer the ridiculous.

In 2043, Pamela just wants to stop feeling like shit. Enter U++, a new black-market gene therapy, that fills her with promises of a genetically enhanced 'best self.' The horrifying discovery? Pam's biology has very different ideas about what constitutes self improvement... As the grotesque transformation accelerates, her desperate husband Mark sees opportunity: why not document his wife's metamorphosis as an unscripted show? With their finances crashing, a new baby to support, and the future-Texas heat literally killing people, exploiting Pam's condition might be their only path to survival.