Satire Science

Dazed and Confused meets 28 Days Later in this “wickedly entertaining,” (Kirkus Reviews) “volcano of a book” (Nathan Ballingrud, author of Wounds) as a lonely young woman teams up with a group of fellow outcasts to survive the night in a town overcome by a science experiment gone wrong...

Morag Murray works for the secret government organization responsible for making sure the apocalypse goes as smoothly and as quietly as possible. In her first week on the job, Morag has to hunt down a man-eating starfish, solve a supernatural murder, and, if she's got time, prevent her own inevitable death.

As time runs down for the players trapped by the evil Lich-Lord in the hyper-realistic MMORPG Fantasy Realms Online, Kromgorn the Barbarian is still stuck playing as the gorgeous, pleasure-fueled Lacey the Courtesan, a character designed to level fastest when she’s getting busy with every NPC in sight. The action is hot, the stakes are high, and Lacey will need to pull out every skill she can muster if she wants to win the day.

If the Watergate scandal was a national nightmare, then maybe the Clinton scandal was a national wet dream, and who better to narrate it than the screenwriter Joe Eszterhas? In American Rhapsody, Eszterhas, whose credits include Basic Instinct and Showgirls, takes us through the events that threatened to topple a president. From scandalmongers Matt Drudge and Ken Starr, to his final, unimpeachable witness, Willard - none other than President Clinton's talking penis - Eszterhas gives us the goods.

George Orwell's 1984 and Animal Farm are not merely novels; they are the definitive sociopolitical manifestos of the 20th century. In this essential collection, experience the full force of Orwell's legacy as he dissects the mechanisms of totalitarianism and the terrifying ease with which truth is manufactured.

Earth is rising in the House of Voltar.... And there’ll be hell to pay! That’s right. The invasion is on...and it’s coming soon to a galaxy near you. The action couldn’t be hotter, and the plot couldn’t be more diabolical. Earth is coming to Voltar - and the Voltarians won’t know what hit them. Murder, blackmail, drugs, psychoanalysis, PR firms, sex-crazed teenyboppers, riots in the streets, women in chains. These are the powerful secret weapons of war.

National Book Award winner M. T. Anderson returns to future Earth in a sharply wrought satire of art and truth in the midst of colonization.

Never meddle with unidentified spying objects...The year is: The Future. Mars and Earth are like that divorced couple who don’t exactly like each other but have at least stopped fighting in public. Floating somewhere in between them, amid all the garbage and Gene Roddenberry’s ashes, a transport vessel called the SS Jefferson is homeward bound. Its crew might have even made it on time for once, too...

You’ve been told humanity crawled out of the mud, figured out fire, built pyramids with sticks, and suddenly invented Wi-Fi. You’ve been fed a neat little timeline that skips over the giants, the gods, the glowing sky chariots, and the inconvenient artifacts that scream, “This doesn’t belong here.” This book is what happens when you stop believing the museum version and start asking: What if the ancient gods weren’t gods at all? What if aliens kickstarted civilization, then ghosted us like a bad Tinder date?

Be(com)ing Nigerian: A Guide is a satirical collection that takes a searing look at how different forms of power are abused, negotiated, and performed both in the private and public realm. Through attempting to satirise those who abuse privilege or power, it recognises that power can be found everywhere: in politics, business, religious institutions, and in homes. From the exploration of religious hypocrisy in How to Worship the Nigerian God, to A Letter to My Future Kidnapper, the collection is a jab at Nigerian society and what it means to be a Nigerian.

LoveStar, the enigmatic and obsessively driven founder of the LoveStar corporation, has unlocked the key to transmitting data via birdwaves, thus freeing mankind from wires and devices, and allowing consumerism, technology, and science to run rampant over all aspects of daily life. Cordless modern men and women are paid to howl advertisements at unsuspecting passers-by, REGRET machines eliminate doubt over roads not taken, soul mates are identified and brought together (while existing, unscientifically validated relationships are driven remorselessly asunder), and rocketing the dead into the sky becomes both a status symbol and a beautiful, cathartic show.

Messiah traces the collapse of Christianity and the rise of the next great religion of Western civilization: Cavism. Founded by undertaker John Cave, Cavism holds that it is a holy thing to die. Packaged by a marketing genius, the new religion conquers the world more quickly than any prior memeplex, but pockets of resistance remain. Eugene Luther, formerly an apostle of Cavism, now a hunted apostate, writes his memoirs as a last gesture of freedom while the noose of a totalitarian religious state tightens around him.

Over 99 identical generations, Mia’s family has shaped human history to push them to the stars, making brutal, wrenching choices and sacrificing countless lives. Her turn comes at the dawn of the age of rocketry. Her mission: to lure Wernher Von Braun away from the Nazi party and into the American rocket program, and secure the future of the space race.

Professor James Lowry didn’t believe in spirits, or witches, or demons. Not until a gentle spring evening when his hat disappeared, and suddenly he couldn’t remember the last four hours of his life. Now, the quiet university town of Atworthy is changing - slightly at first, then faster and more frighteningly each time he tries to remember.

Fed Up with apologizing for being a man? Why are you shamed for biological truths that built civilizations? How did cultural Marxism hijack schools, media, and corporations to erase male authority? What if you could weaponize evolutionary science to crush feminist lies and lead again? Expose the Frankfurt School’s plot to pathologize masculinity as “toxic.” Leverage testosterone-driven dominance to reclaim institutional power.

BBC Radio adaptations of Aldous Huxley’s finest works – plus a bonus documentary programme ‘Over nine hours’ worth of quality drama… The stories presented in ‘A BBC Radio Collection’ combine to give the listener a taste of Huxley’s versatility as a writer. His vivid imagination...

Steve is hell's super, its handyman. Being Mr. Fixit to the underworld keeps him and his assistant, Orson Welles (yes, that Orson Welles), pretty busy, since things go on the blink all the time down there. No malfunction has ever created so much inconvenience, though, as the malfunction of hell's escalator, which leads from the pearly gates to the depths of Hades. What's worse: The breakdown appears to be sabotage.

When Inspector Peter Glebsky arrives at a remote ski chalet on vacation, the last thing he intends to do is get involved in any police work. He's there to ski, drink brandy, and loaf around in blissful solitude. But he hadn't counted on the other vacationers, an eccentric bunch, including a famous hypnotist, a physicist with a penchant for gymnastic feats, a sulky teenager of indeterminate gender, and the mysterious Mr. and Mrs. Moses.

In the near future, Berlin’s real estate is being flipped in the name of “sustainability”, only to make the city even more unaffordable; artists are employed by corporations as consultants, and the weather is acting strange. When Anja and Louis are offered a rent-free home on an artificial mountain - yet another eco-friendly initiative run by a corporation - they seize the opportunity, but it isn’t long before the experimental house begins malfunctioning.

Flatland: A Romance of Many Dimensions is a satirical novella by the English schoolmaster and clergyman Edwin Abbott Abbott. The story describes a two-dimensional world occupied by geometric figures, where of women are simple line-segments, while men are polygons with various numbers of sides. Written pseudonymous by "A Square", the book used the fictional two-dimensional world of Flatland to comment on the hierarchy of Victorian culture, but the novella's more enduring contribution is its examination of dimensions.