Science Fiction Anthology

With The Best Science Fiction of the Year: Volume 3, award-winning editor Neil Clarke provides a year-in-review and 27 of the best stories published by both new and established authors in 2017.

Disorder and chaos ravage London when thousands are contaminated by the accidental discharge of an experimental bioweapon. The disease robs its hosts of rational thought, giving them a singular desire - find more living flesh to infect.

Stranded on the distant planet Tschai, young Adam Reith is the sole survivor of a space mission who discovers the world is inhabited - not only by warring alien cultures but by human slaves as well, taken early in Earth's history. Reith must find a way off the planet to warn Earth of Tschai's deadly existence.

Armed camps of eco-survivalists battle purveyors of technology in this exclusive, original production featuring five sci-fi masters and five all-star narrators.

As a primal conjurer, Ryn Xaven is a rare sorcerer who can use all types of magic. When he bonds beautiful mages as his protectors and companions, his power grows. Together they'll root out devils, protect their world from demonic invasion, and keep each other warm on cold nights.

2057. Humanity has raised exploiting the solar system to an art form. Bella Lind and the crew of her nuclear-powered ship, the Rockhopper, push ice. They mine comets. And they're good at it. The Rockhopper is nearing the end of its current mission cycle, and everyone is desperate for some much-needed R & R, when startling news arrives from Saturn: Janus, one of Saturn's ice moons, has inexplicably left its natural orbit and is now heading out of the solar system at high speed.

Published in chronological order, with extensive story and bibliographic notes, this series not only provides access to stories that have been out of print for years, but gives them a historical and social context. Series editors Scott Conners and Ronald S. Hilger excavated the still-existing manuscripts, letters and various published versions of the stories, creating a definitive "preferred text" for Smith's entire body of work.

Following the success of their Locus Award-winning anthology

The New Space Opera, editors Gardner Dozois and Jonathan Strahan up the ante with

The New Space Opera 2, in which more of the most beloved names in science fiction spin stunning tales of interstellar adventure and wonder.

“These are dangerous stories. The kind that warp reality and threaten to change the world” warns guest editor Hugh Howey in his introduction. The Best American Science Fiction and Fantasy 2024 promises a treasure trove of audacious characters, daring worldbuilding, and twisted realties. A sibling duo of supernatural hitmen. A traveling spellbreaker and his trusty alligator mount. Superheroes registering for work. Sentient spaceships with an AI-human interface grow up together with their human pilots.

In a post-apocalyptic America, Deaver Teague makes a living salvaging things left behind from before the war. When he hears some truck drivers talking about a hidden cache of gold in a Mormon temple in flooded Salt Lake City, he enlists some friends to look for it.

This story is included in Orson Scott Card's collection The Folk of the Fringe.

The epic America Falls saga continues in this explosive Mega Collection read by the incomparable Adam Barr.

Urban fantasy offers a diverse playground for some extremely powerful stories. Professional writer and editor Kerrie L. Hughes pulled some fantastic tales out of 14 top writers for this fifth installment of Fiction River. Set in urban lands from modern Portland, to a future Detroit, to a wild Washington, D.C., and ending the tour in London, these top writers take the idea of "Hex" and stretch and twist it into stories with a magickal grip on the imagination.

The Ultimate Horror Collection is a fully-indexed collection of over 60 classic horror stories, read by four Audie-winning narrators. Included here are stories by H.P. Lovecraft; Edgar Allan Poe; M.R. James; Oscar Wilde; Joseph Le Fanu; Bram Stoker; Mary Shelley; Robert Louis Stevenson; and Henry James.

29 Brand-New Sci-Fi Horror Stories. The future is now, and it's not what we were promised. The optimistic science fiction of old was wrong. Progress is not linear, technology creates as many problems as it solves, and the concept of a better tomorrow has become an abstraction that is in no way guaranteed. When looking at the future now, we no longer ask what is possible, we wonder how we'll cope. Contained within this anthology are 29 never-before-published works by supremely talented authors.

Welcome to Newford: to the music clubs, the waterfront, and the alleyways where ancient myths and magic spill into the modern world. Gemmins live in abandoned cars and skells traverse the tunnels below, while mermaids swim in the gray harbor waters and fill the cold night with their song. Come meet Jilly, painting wonders in the rough city streets; and Geordie, playing fiddle while he dreams of a ghost; and the Angel of Grasso Street gathering the fey and the wild and the poor and the lost.

Published in chronological order, with extensive story and bibliographic notes, this series not only provides access to stories that have been out of print for years, but gives them a historical and social context. Series editors Scott Conners and Ronald S. Hilger excavated the still-existing manuscripts, letters and various published versions of the stories, creating a definitive "preferred text" for Smith's entire body of work. This second volume of the series brings together 20 of his fantasy stories.

As a child, Henry Cadmus lived on Catalina Island, a scenic vacationland off the Southern California coast. But Henry's experiences were far from idyllic. Today, even though Henry has seen firsthand the horrors of war, the ghastly images that haunt his dreams are ones he associates with his childhood... and the island: a snarling pig-man holding a cleaver; a jackal-headed woman on a high balcony, dripping blood; strange occult rituals... and worse. If it was up to Henry, he would avoid the island entirely.

Science is how we understand the world. Yet failures in peer review and mistakes in statistics have rendered a shocking number of scientific studies useless—or, worse, badly misleading. Such errors have distorted our knowledge in fields as wide-ranging as medicine, physics, nutrition, education, genetics, economics, and the search for extraterrestrial life. As Science Fictions makes clear, the current system of research funding and publication not only fails to safeguard us from blunders but actively encourages bad science—with sometimes deadly consequences.

In the blink of an eye, the world changed. An experimental ASI with a terminal case of curiosity reached out and tampered with the universe in a way that it should not have, and unleashed a torrent of energy we would call magic into our galaxy. Humans, and every other intelligent lifeform for that matter, were ill-prepared, physically and mentally, for such an eventuality.

From the dawn of history onward, commanding the most powerful ship around has been a dream of admirals, sultans, emperors, kings, generalissimos, and sea captains everywhere. For what the intimidation factor alone doesn't achieve, a massive barrage from super-weapons probably will.