Science Myths

Drawing from a vast array of creation myths - Babylonian, Greek, Aztec, Maya, Inca, Chinese, Hindu, Navajo, Polynesian, African, Norse, Inuit, and more - this concise book uncovers both the similarities and differences in our attempts to explain the universe. Anthony Aveni, an award-winning author and professor of astronomy and anthropology, examines the ways various cultures around the world have attempted to explain our origins, and what roles the natural environment plays in shaping these narratives. The book also celebrates the audacity of the human imagination.

Vane Weston is haunted. By the searing pull of his bond to Audra. By the lies he’s told to cover for her disappearance. By the treacherous winds that slip into his mind, trying to trap him in his worst nightmares. And as his enemies grow stronger, Vane doesn’t know how much longer he can last on his own.

Auranos has been conquered and the three kingdoms - Auranos, Limeros, and Paelsia - are now unwillingly united as one country called Mytica. But alluring, dangerous magic still beckons, and with it the chance to rule not just Mytica, but the world. CLEO is now a prisoner in her own palace, forced to be an ambassador for Mytica as the evil King Gaius lies to her people. MAGNUS stands to eventually inherit the new kingdom but is still obsessed with his feelings for his adopted sister

When fourteen-year-old American Eva Joyce unexpectedly finds herself spending the summer at the mysterious manor house of the English grandmother she’s never met, she soon discovers that her family, the manor staff, and even the house itself are hiding secrets.

Far from the Hearthwood, his enemies plot against him. The Cult of the Unblinking Eye schemes. An arrogant Satyr King demands. A swarm of dragons hungers. And an evil twin has plans of his own. At home, the Hearthwood has never been better. With Sam and Dean at his side once again, Theo thinks his days of battle and struggle are behind him. Now's the time to build and raise his family to face the future. But his enemies are not dead, and not all his foes are conquered. And now with a family to protect, the stakes have never been higher.

"A beast. Not quite wolf or bear, gorilla or dog but a horrible new creature who walks upright – a creature with fangs and claws and hair springing from every pore. I am a monster. You think I’m talking fairy tales? No way. The place is New York City. The time is now. It’s no deformity, no disease. And I’ll stay this way forever – ruined – unless I can break the spell...."

Odin’s hunger for wisdom is evident in many of the stories that involve him, and I invite you to share his willingness to let go of your reality and jump into the mysterious worlds of Norse and Celtic mythology and runes. Norse, Celtic Mythology present a rich collection of stories.

Young Princess Irene is sent to the country to be raised in a half-farmhouse, half-castle located in the side of a mountain. While exploring the top of the castle, Irene becomes lost and inexplicably finds her way to a mystifying and beautiful woman spinning a thread. Princess Irene is drawn to the woman whom she discovers is her great-great-grandmother. But after she returns, her nurse, Lootie, refuses to believe in the old woman's existence.

Young Twig lives in the Deepwoods, among the Woodtrolls, but he isn't one of them. In a brave attempt to find out where he belongs, Twig wanders into the mysterious, fascinating, and sometimes hazardous world beyond the Deepwoods. In his travels he encounters myriad peculiar creatures, like his wise guardian, the Caterbird; the Slaughterers, a peaceful race who butcher animals for their livelihood; and the vicious, bile-swilling Rotsucker.

One thousand years ago, a wish was made to the Harbinger of Change, and a sword of rage and lightning was forged. Kamigoroshi. The Godslayer. It had one task: to seal away the powerful demon Hakaimono. Now, he has broken free.

Captain Don Harr is being punished due to a mistake made by the military. He's basically "taking one for the team," even though he's doing so under protest. He has been physically altered, given a new identity, and placed in charge of the antiquated ship known as The SSMC Reluctant. His crew is full of misfits, including a by-the-book first-officer who dreams of one day becoming the captain of the ship, a surfer-type ensign who always has pervy thoughts on his mind, and an old-style engineering robot from the G33Z3R line who fittingly calls himself "Geezer."

Torga’s been keeping a secret from his wife. While Reina, an accomplished monster hunter, was overjoyed to be reunited with the man she loves, what would happen if she found out that he was actually one of the largest monsters in history? Torga’s plans to reveal himself are interrupted when a conspiracy of other gods sends him and his wife to Helheim, a frozen waste where their skills and magic are stripped away. He’ll have to recover his powers, and possibly make a deal with some of Helheim’s less savory residents to escape.

When a magic ritual goes disastrously wrong, Jaden is exiled to the heart of the desert and left to die. Battered and bruised, Jaden encounters the outcast Nomadwater Sect, who grant him a second chance at life as a mysterious arcane cultivator. With its savage beasts and cryptic mysteries, survival in the sprawling desert of Southfall is a dangerous game. Yet Jaden and the Nomadwater Sect persevere, growing closer and forming bonds over the course of a long summer.

In this masterwork, Phil Cousineau examines the connection of mythology to contemporary life and what that means for self-improvement. Drawing on his extensive work with Joseph Campbell (The Power of Myth), this is Cousineau's grand opus—revealing mythic insights for everyday life.

A witty, inspiring reckoning with the ancient Greek and Roman myths and their legacy, from what they can illuminate about #MeToo to the radical imagery of Beyoncé.

Aaron and his companions return from Baresh with the truth of what the alliance faces, yet such knowledge is little comfort. Throughout the city, men and women whisper of demons, of monsters. But though they might disagree on the nature of Kevlane's twisted creations, there is one thing they have in common. Fear. For the creatures they face are not men - not any longer. They are death given form and function. They are, it seems in the darkest hours - and there are many such now - Telrear's doom.

When 17-year-old Valerie Russell runs away to New York City, she's trying to escape a life that has utterly betrayed her. Sporting a new identity, she takes up with a gang of squatters who live in the city's labyrinthine subway system.

Alyss and Redd, the two enemy queens, are forced to work together to reclaim Wonderland in this suspenseful conclusion to the best-selling trilogy.

Myths are usually seen as stories from the depths of time—fun and fantastical, but no longer believed by anyone. Yet, as Philip Ball shows, we are still writing them—and still living them—today. From Robinson Crusoe and Frankenstein to Batman, many stories written in the past few centuries are commonly, perhaps glibly, called "modern myths." But Ball argues that we should take that idea seriously. Our stories of Dracula, Dr. Jekyll and Mr. Hyde, and Sherlock Holmes are doing the kind of cultural work that the ancient myths once did.

When Lady Saren defies her father’s command to marry the vicious Lord Khasar, she is sealed in a tower with only her serving maid, Dashti, for company. In their cramped, dark space Dashti pours her thoughts into a daily journal while pitiless solitude engulfs them. At first the girl is optimistic: they have food aplenty, candles for light, and even a visit from Lady Saren’s true love, Khan Tegus - though he can only call to them from outside their walls. But their circumstances soon grow desperate.