Shakespeare Essays

All of the Shakespeare plays within the Argo Classics catalogue are performed by the Marlowe Dramatic Society and Professional Players. The Marlowe was founded in 1907 with a mission to focus on effective delivery of verse, respect the integrity of texts and rescue neglected plays by Shakespeare’s contemporaries and the less performed plays of Shakespeare himself. The Marlowe has performed annually at Cambridge Arts Theatre since its opening in 1936 and continues to produce some of the finest actors of their generations.

William Shakespeare, the most celebrated poet in the English language, left behind nearly a million words of text, but his biography has long been a thicket of wild supposition arranged around scant facts. With a steady hand and his trademark wit, Bill Bryson sorts through this colorful muddle to reveal the man himself.

Actor William Shaksper of Stratford had little education, never left England, and apparently owned no books. How could he have written the great plays and poetry attributed to him? Journalist Mark Anderson's biography offers tantalizing proof that Edward de Vere, 17th Earl of Oxford, courtier, spendthrift, scholar, traveler, soldier, scoundrel, and writer, was the real "Shakespeare".

Why Shakespeare? What explains our continued fascination with his poems and plays? In Living with Shakespeare, Susannah Carson invites 40 actors, directors, scholars, and writers to reflect on why his work is still such a vital part of our culture.

A collection of BBC Radio 3's iconic Shakespeare productions: six tragedies with all star casts including Michael Sheen, Juliet Stevenson, Kenneth Cranham, Corin Redgrave, Ken Stott, Geraldine James, Bill Wallis, Siân Phillips and Sophie Dahl.

How can we look afresh at Shakespeare as a writer of sonnets? What new light might they shed on his career, personality, and sexuality? Shakespeare wrote sonnets for at least 30 years, not only for himself, for professional reasons, and for those he loved, but also in his plays, as prologues, as epilogues, and as part of their poetic texture.

The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard’s biography is a “black hole,” yet to publicly question the identity of the god of English literature is unacceptable, even (some say) “immoral.” In Shakespeare Was a Woman and Other Heresies, journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo.

Cleaning woman and karate expert Lily Bard is a woman with a complicated past. Trying her best to cope with her terrifying memories and horrible nightmares, she decides to join a weekly group therapy session in her hometown of Shakespeare, Arkansas. At first Lily can hardly believe the number of her fellow Shakespeareans who share her life experiences.

This electrifying new audiobook thrives on revealing, not resolving, the ambiguities of Shakespeare's plays and their changing topicality. It introduces an intellectually, theatrically and ethically exciting writer who engages with intersectionality as much as with Ovid, with economics as much as poetry: who writes in strikingly modern ways about individual agency, privacy, politics, celebrity and sex.

This collection of masterful reinterpretations brilliantly demystifies and breathes new life into Shakespeare's work, demonstrating the continued resonance of a playwright whose popularity remains more than 400 years after his death. Now, the passion, heartbreak, deception, reconciliation, and mortality of Shakespeare’s originals can be understood by all, without the need to cross-reference to an enjoyment-sapping study guide.

Lily Bard is going home for the holidays. More comfortable in baggy sweats than bridesmaid's frills, Lilly isn't thrilled about attending her estranged sister's wedding. She has moved to Shakespeare, Arkansas, to start a new life, cleaning houses for a living, trying to forget the violence that once nearly destroyed her. Now she's heading back to home and hearth - just in time for murder.

1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen.

Widge is an orphan with a rare talent for shorthand. His fearsome master has just one demand: steal Shakespeare's play "Hamlet" - or else. Widge has no choice but to follow orders, so he works his way into the heart of the Globe Theatre, where Shakespeare's players perform. As full of twists and turns as a London alleyway, this entertaining novel is rich in period details, colorful characters, villainy, and drama.

Friendship, betrayal, wisdom, humour, epic romance, jealousy, adventure, bravery and murder. There's everything in those iconic Shakespeare stories. His work transcends generations and appeals endlessly to other writers. His dramatic structures are both simple and complicated, intertwined with numerous relationships, which reappear in our lives again and again. This iconic collection of Shakespeare tales includes 20 of his most prominent works adapted by Edith Nesbit and transformed into modern English.

The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned.

What was life like for Shakespeare's first audiences? In a time of political and religious unrest and economic expansion, how did Elizabethan play-goers make sense of their changing world? What did the plays mean to the public when they were first performed? In this fascinating series, Neil MacGregor attempts to answer these questions by examining 20 objects from that turbulent period. There are grand objects such as a communion chalice, a Venetian goblet, and Dr Dee's mirror, as well as everyday items.

A lively and engaging guide to vital habits of mind that can help you think more deeply, write more effectively, and learn more joyfully.

William Shakespeare found dozens of different ways to kill off his characters, and audiences today still enjoy the same reactions - shock, sadness, fear - that they did more than 400 years ago when these plays were first performed. But how realistic are these deaths, and did Shakespeare have the knowledge to back them up? Kathryn Harkup turns her discerning scientific eye to the Bard and the varied and creative ways his characters die.

Shakespeare’s world is never too far different from our own, permeated with the same tragedies, the same existential questions and domestic worries. In this extraordinary book, Jonathan Bate brings then and now together. He investigates moments of his own life—losses and challenges—and asks whether, if you persevere with Shakespeare, he can offer a word of wisdom or a human insight for any time or any crisis.

A work of gripping nonfiction, North by Shakespeare presents the twinning narratives of rogue scholar Dennis McCarthy, called "the Steve Jobs of the Shakespeare community", and Sir Thomas North, an Elizabethan courtier whom McCarthy believes to be the undiscovered source for Shakespeare's plays.