Shakespeare Histories

If you want to discover the captivating history of the Renaissance, then pay attention.

The Plantagenets reigned over England longer than any other family - from Henry II to Richard III. Four kings were murdered, two came close to being deposed, and the last - and most notorious, Richard III - was killed in a battle by rebels. Shakespeare wrote plays about six of them, further entrenching them in the national myth. Based on major contemporary sources and recent research, acclaimed historian Desmond Seward provides the first accessible overview of the whole extraordinary dynasty.

Afterlives of Endor offers an analysis of the way early modern English literature addressed the period's anxieties about witchcraft and theatricality. What determined whether or not a demonologist imagined a trial as a spectacle? What underlying epistemological constraints governed such choices and what conceptions of witchcraft did these choices reveal? Pairing readings of demonological texts with canonical plays and poetry, Laura Levine examines such questions.

The focus of the book is on Shakespeare's London, how it influenced his drama, and how he represents it on stage. Taking listeners on an imaginative journey through the city, the book moves both chronologically, from beginning to end of Shakespeare's dramatic career, and geographically, traversing London from west to east.

For Shakespeare fans, this is a great way to test your knowledge of the Bard's life and works. Six rounds of detailed Shakespeare questions from expert Hazel Jeffs and including voicing from Shakespearian actors and actresses to bring questions to life. Even if you don't know the answers lots of commentary will teach you interesting facts and details about England's greatest playwrite and his works.

A full-cast, unabridged performance with comprehensive commentary and analysis for any student to fully understand and appreciate the play. Universally accepted as Shakespeare's finest play, we peel back the layers of Hamlet to discover how and why it deserves such a place of honour in world literature.

In Richard III’s Bodies from Medieval England to Modernity, Jeffrey Wilson tracks disability over 500 years, from Richard’s own manuscripts, early Tudor propaganda, and x-rays of sixteenth-century paintings through Shakespeare’s soliloquies, into Samuel Johnson’s editorial notes, the first play produced by an African American Theater company, Freudian psychoanalysis, and the rise of disability theater.

One book above all others has transfixed connoisseurs for four centuries—a book sold for shillings in the streets of London, whisked to Manhattan for millions, and stored deep within the vaults of Tokyo. The book: William Shakespeare’s First Folio of 1623. Paul Collins, lover of odd books and author of the national bestseller Sixpence House, takes up the strange quest for this white whale of precious books.

In September 1769, 3,000 people descended on Stratford-upon-Avon to celebrate the artistic legacy of the town's most famous son, William Shakespeare. Attendees included the rich and powerful, the fashionable and the curious, eligible ladies and fortune hunters, and a horde of journalists and profiteers. For three days, they paraded through garlanded streets, listened to songs and oratorios, and enjoyed masked balls. It was a unique cultural moment - a coronation elevating Shakespeare to the throne of genius. Except it was a disaster....

Love history? Know your stuff with History in an Hour. In a writing career that spanned over twenty years during the explosion of poetic and theatrical creativity of late Elizabethan and early Jacobean periods, William Shakespeare produced a body of work that has become the bedrock of human thought, literature and language in English. His poetry and plays have endured for almost 450 years, such is their universal appeal and understanding of the human condition.

These remarkable letters represent a wealth of as-yet-undiscovered knowledge about Shakespeare's relationships, personality, and career as he carved out his place in the chaotic world of 16th-century London. Whether you are a Shakespeare scholar, merely a fan, or even if you have never read any of his works, the stories of the The Lost Letters will enthrall you with their fascinating and true tale.

Welcome to the George Inn near London Bridge; a cosy, wood-panelled, galleried coaching house a few minutes' walk from the Thames. Consider this: who else has made this their local over the last 600 years? Chaucer and his fellow pilgrims almost certainly drank in the George on their way to Canterbury. Shakespeare may have popped in from the nearby Globe, and we know that Dickens definitely did. Mail carriers changed their horses here, while sailors drank here before sailing.

The 1590s were bleak years for England. The queen was old, the succession unclear, and the treasury empty after decades of war. Amid the rising tension, William Shakespeare published a pair of poems dedicated to the young Earl of Southampton: Venus and Adonis in 1593 and The Rape of Lucrece a year later. Although wildly popular during Shakespeare's lifetime, to modern readers both works are almost impenetrable. But in her enthralling new book, the Shakespearean scholar Clare Asquith reveals their hidden contents.

David Sterling Brown offers nothing less here than a wholesale deconstruction of whiteness in Shakespeare's plays, arguing that the 'white other' was a racialized category already in formation during the Elizabethan era—and also one to which Shakespeare was himself a crucial contributor.

In England in the Age of Shakespeare, Jeremy Black takes readers on a tour of life in the streets, homes, farms, churches, and palaces of the Bard’s era. Panning from play to audience and back again, Black shows how Shakespeare's plays would have been experienced and interpreted by those who paid to see them. From the dangers of travel to the indignities of everyday life in teeming London, Black explores the jokes, political and economic references, and small asides that Shakespeare’s audiences would have recognized.

Among the dramatists who wrote for the professional playhouses of early modern London was a small group of writers who were neither members of the commercial theater industry writing to make a living nor aristocratic amateurs dipping their toes in theatrical waters for social or political prestige. Instead, they were largely working- and middle-class amateurs who had learned most of what they knew about drama from being members of the audience.

1601 am Globe Theatre in London uraufgeführt, gehört Shakespeares Drama Hamlet zu den bekanntesten und meistdiskutierten Tragödien der Weltliteratur. Bereits in der Entstehungszeit war das Stück populär und genießt bis heute eine beeindruckende Bühnenpräsenz; Aussprüche wie "Sein oder Nichtsein" haben Eingang gefunden in unsere Alltagssprache. Prinz Hamlet von Dänemark strebt danach, den Tod seines Vaters zu rächen. Um den Mörder zu finden, macht Hamlet eine Wahrheitsprobe in Form einer Inszenierung und führt ein Stück im Theaterstück auf.

William Shakespeare is one of the most recognizable names in the world. Regardless of country, language, age, or gender, people are familiar with the Bard’s work and his contributions to literature, theater, art, and music. His genius was so evident that he became famous and respected throughout England in his own lifetime, eventually earning the attention and patronage of the king himself.

Ya seas un entusiasta de Shakespeare, un estudiante de literatura o alguien simplemente cautivado por el poder del lenguaje, “Shakespeare en Metáforas” ofrece una nueva perspectiva sobre cómo la maestría metafórica de Shakespeare moldea su legado. Sumérgete y redescubre al Bardo bajo una luz que nunca antes habías visto.

Do you want to learn more about William Shakespeare, but don’t have time to read/listen to huge, long biographies? Then let The History Journals take you on an hourly history tour of his life. Mention the name of William Shakespeare to students of English the whole world over, and you’ll run an entire gauntlet of reactions ranging from a glazed expression of complete indifference to abject misery and unmitigated terror.