Short Horror

Necronomicon: The Best Weird Tales of H.P. Lovecraft: Commemorative Edition is a select collection of horror short stories, novellas and novels written by H. P. Lovecraft. This collection includes stories by H. P. Lovecraft: Dagon ; Herbert West – Reanimator ; The Lurking Fear ; The Rats in the Walls ; The Whisperer in the Darkness ; Cool Air ; In the Vault ; The Call of Cthulu ; The Color Out of Space ; The Horror at Red Hook ; The Music of Erich Zann ; The Shadow Out of Time ; The Dunwich Horror ; The Haunter of the Dark ; The Outsider ; The Shunned House ; The Unnameable ; The Thing on the Doorstep ; Under the Pyramids.

Nitya, a single child ignored by her parents, makes an unlikely friend - a boy with a strange power who has mysteriously manifested in her room. Nikhil creates a replacement for his dead mother - a clay doll that has her likeness. Things take a bizarre turn when his clay mother starts communicating with him. Nihar, a teenage orphan, has walked a long way to seek shelter in an orphanage he has heard a lot about, unaware that it is the house of a terrifying secret.

Right Behind You is a collection of 13 horror stories of different genres. The thing that connects these stories is the emotion of our inner fears that resides in all of us. We might mask these fears, we might even deny them, but they emerge when least expected, and then they begin to encroach upon every aspect of our lives. In this collection of assorted horror stories, you will find noir horror, urban myths, fantasies, campfire tales, stories of phobias, gore, and even a story that takes place entirely on chat.

In 1968 the world experienced a brand-new kind of terror with the debut of George A. Romero's landmark film Night of the Living Dead. This was something new...and terrifying. Since then, zombies have invaded every aspect of popular culture. But it all started on that dreadful night in a remote farmhouse. Nights of the Living Dead returns to that night, to the outbreak, to where it all began.

"Perfect deadpan marks the opening of Ali Simpson’s The Monster'" writes Susan Merrell of The Southampton Review in her introduction to this issue of Recommended Reading.

No one but Stephen King could tell this story about the darkness at the heart of the unknown and our compulsion to investigate the unexplained. With echoes of Dashiell Hammett's The Maltese Falcon and the work of Graham Greene, one of the world's great storytellers presents a surprising tale...

Editors Randy Chandler and Cheryl Mullenax put the call out to horror writers and editors of extreme stories, the hardcore stuff that breaks boundaries and trashes taboos, the transgressive tales you can't "unread" (as Chuck Palahniuk says). Some of the stories you'll find here are loaded with very graphic descriptions of violence, sex, and depravities, while others may contain only one shocking moment of brutality. In others, the hardcore aspect may be less graphic and subtler than you might expect.

First published in the US in 1988 and in the UK in 1990, The Wine-Dark Sea contains eight unsettling stories that explore protagonists' fears and desires, at once illogical and terrifying, and culminate in a disturbing and enigmatic ending. Aickman's "strange stories" (his preferred term for them) are a subtle exploration of psychological displacement and paranoia; his characters ordinary people that are gradually drawn into the darker recesses of their own minds. For fans of the horror genre, Robert Aickman is a must read.

In this delightfully chilling collection, the iconic Jeanette Winterson turns her fearless gaze to the realm of ghosts, interspersing her own encounters with the supernatural alongside hair-raising fictions. Lifting the veil between the living and the dead, Winterson spirits us away to a haunted estate that ensnares a nomadic young couple in its own dark past, a staged immersive ghost tour gone awry, a West Village seance that threatens the bounds between AI and reality, and a vacation home in the metaverse where a widow visits an improved version of her deceased husband.

A collection of thrilling tales from H. P. Lovecraft's Cthulhu Mythos by one of horror's biggest legends, this volume contains the very best of Brian Lumley's Mythos short stories.

En cada uno de los cuentos de El buen mal, Samanta Schweblin nos abduce a otra dimensión donde quedamos en contacto íntimo con sus personajes. Encandilados por el fulgor de la inminente tragedia, vulnerables y profundamente humanos, advierten cuánto podría transformarlos la irrupción de lo inesperado. A algunos los dejará de pie frente al dolor, a otros dialogando con la culpa y a todos atravesados por la incertidumbre. ¿Importa saber qué es verdad? Se trata, de principio a fin, de ser partícipes de un fenomenal artificio literario.

Fifteen-year-old Bren doesn’t scare easily, especially since her father left, making her head of the house. So when a group of kids dare each other to pass through a tunnel rumored to be haunted by a train that steals people away to "the Nevermore," Bren steps up. But when she reaches the other end of the tunnel, more than she bargained for awaits. For fans of “kids on bikes” ‘80s-style horror.

I believe that writing short stories in sci-fi, fantasy, horror, post-apocalyptic, and related genres represents a great way to get into indie publishing and finding your ideal audience. Here's my take on why this is so fun, often rewarding, and really exciting.

The war is tearing our world apart. Instead of big armies with tanks in the field, the Vampire War is fought in the streets, neighbor against neighbor, family against family. Anyone can turn at any time. The blood hunger can suddenly appear in the middle of a kiss. The person who sleeps next to you every night could wake up in the dead of night... hungry. So hungry.

En los doce soberbios cuentos que componen este volumen Mariana Enriquez despliega todo un repertorio de recursos del relato clásico de terror: apariciones espectrales, brujas, sesiones de espiritismo, grutas, visiones, muertos que vuelven a la vida... Pero, lejos de proponer una mera revisitación arqueológica del género, reelabora ese material con una voz propia y radicalmente moderna. Tirando del hilo de la mejor tradición, la lleva un paso más allá, con historias que indagan en lo siniestro que se agazapa en lo cotidiano.

'Outstandingly weird and memorable' GUARDIAN 'Deliciously creepy' NEW SCIENTIST Fear never dies… Featuring stories from Susan Barker, J K Chukwu, Bridget Collins, Mariana Enríquez, Michel Faber, Lewis Hancox, Emilia Hart, Ainslie Hogarth, Robert Lautner, Adorah Nworah, Irenosen Okojie, Lucy...

This statement was true when H. P. Lovecraft first wrote it at the beginning of the twentieth century, and it remains true at the beginning of the twenty-first century. The only thing that has changed is what is unknown. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year, edited by Ellen Datlow, chronicles these shifting shadows.

Algernon Blackwood, a journalist and broadcast narrator, was one of the most prolific writers of ghost stories in the history of the genre. The title story, "The Touch of Pan", explores the lingering presence of myth in everyday life. In "The Glamour of the Snow", Blackwood winds a tale about a man's infatuation with a supernatural winter beauty. In "The Attic", the ghost of an usurer haunts the old Chateaux and, on the anniversary of a young boy's death, the boy's cat brings the family together. "The Willows" follows two campers who are on a canoe trip down the Danube.

Among the greats of 20th-century horror and fantasy, few names stand above Richard Matheson. Though known by many for novels like I Am Legend and his 16 Twilight Zone episodes, Matheson truly shines in his chilling, masterful short stories. Since his first story appeared in 1950, virtually every major writer of science fiction and fantasy has fallen under his influence, including Stephen King, Neil Gaiman, Peter Straub, and Joe Hill, as well as filmmakers like Stephen Spielberg and J. J. Abrams.

In “The Net,” a girl and her mother arrive at their secluded cabin on a frozen lake to find their fishing net has been attacked, a massive hole ripped through the middle. After the net has been mended and the night’s catch eaten, the daughter sits awake playing with a bit of leftover netting string. When she was a girl, her grandmother taught her to make string figures—just as her mother had taught her—a game played by Inuit for generations, but a game not to be taken lightly . . .