Social Horror

ASBOs may be the pride and joy of New Labour, but they don't cut much ice with Horace Rumpole - he takes the old-fashioned view that if anyone is going to be threatened with a restriction of their liberty then some form of legal proceeding ought to be gone through first. When one of the Timson children is given an ASBO for playing football in the street, Rumpole soon realizes something fishy is going on.

Mara Todd wakes in a field of dead grass, a heavy mist pressing down on her. She is terrified, afraid that she is dead. She can't remember who she is or anything about her past. Is it because of the boy who appears? He calls himself the Messenger of Fear. If the world does not bring justice to those who do evil, the Messenger will. He offers the wicked a game. If they win, they go free. If they lose, they will live their greatest fear. Either way, their sanity will be challenged.

All of a sudden, the most ordinary things have taken on a sinister edge: a penny on a doormat. An odd man in a brown suit under a streetlamp. The persistent sound of an ax chopping in the middle of the night. He keeps telling himself that this is Seaham, a sleepy seaside town where nothing ever happens. Or at least nothing did, until his dad’s construction company opened up the cliff beneath the old—some say cursed—Langdon place.

When Stephen's dad says they're moving, Stephen knows it's pointless to argue. They're broke from paying Mom's hospital bills, and now the only option left is to live with Stephen's grandmother in Spencer, a backward small town that's like something out of The Twilight Zone. Population: 814.

Roberts writes stories from a wide variety of locations: "Night of the Hunt" in Hendersonville, North Carolina; "Return of the Bell Witch" in Adams, Tennessee; "The Shenandoah Stage" in New Market, Virginia; "Chain Gang Man" in Decatur, Alabama; "Fort Mountain" in Fort Mountain, Georgia; "Laura" in Campbellsville, Kentucky; and "The Coming of the Demon" in Middleway, West Virginia.

Mackie is a Replacement — left in the crib of a human baby sixteen years ago. Now, because of fatal allergies to iron, blood, and consecrated ground, Mackie is slowly dying in the human world. Mackie would give anything to live among us. He just wants to play bass guitar and find out more about an oddly intriguing girl named Tate. But when Tate’s baby sister goes missing, Mackie is drawn irrevocably into the underworld of Gentry, known as Mayhem....

Whether for entertainment, under the guise of medicine, or to propel consumerism, heinous acts are perpetrated daily on women’s bodies. In Body Horror: Capitalism, Fear, Misogyny, Jokes, award-winning journalist Anne Elizabeth Moore catalogs the global toll of capitalism on our physical autonomy. Weaving together unflinching research and surprising humor, these essays range from investigative—probing the Cambodian garment industry, the history of menstrual products, or the gender biases of patent law—to uncomfortably intimate.

Nearly escaping from the evil Mr. Zetes, Kaitlyn Fairchild and her psychic team are dismayed when Gabriel defects to the Institute, and Kaitlyn pretends to betray the group as well in an effort to save her friend.

Gothic media moguls Meg Hafdahl and Kelly Florence, authors of The Science of Monsters and The Science of Women in Horror, and co-hosts of the Horror Rewind podcast present a guide to the Stephen King stories and characters we all know and love. Through interviews, literary and film analysis, and bone-chilling discoveries, The Science of Stephen King delves into the uniquely horrific Stephen King universe to uncover the science behind the legendary novels that have become an integral part of modern pop culture.

Jazz Dent has been shot and left to die in New York City. His girlfriend Connie is in the clutches of Jazz's serial killer father, Billy. And his best friend Howie is bleeding to death on the floor of Jazz's own home in tiny Lobo's Nod. Somehow, these three must rise above the horrors their lives have become and find a way to come together in pursuit of Billy. But then Jazz crosses a line he's never crossed before, and soon the entire country is wondering: "Like father, like son?" Who is the true monster?

Seventeen-year-old Farrah Turner is one of two Black girls in her country club community, and the only one with Black parents. Her best friend, Cherish Whitman, adopted by a white, wealthy family, is something Farrah likes to call WGS—White Girl Spoiled. With Brianne and Jerry Whitman as parents, Cherish is given the kind of adoration and coddling that even upper-class Black parents can’t seem to afford—and it creates a dissonance in her best friend that Farrah can exploit.

In 1892, investigative journalist Ida B. Wells-Barnett published a pamphlet with unflinching and honest descriptions of the cruelties being enacted against Black Americans in the South by their White neighbors. Wells’ poignant and raw reporting of the horrors of lynching scandalized many of her readers outside the South, yet the practice continued unimpeded for more than half a century after. Today, Southern Horrors: Lynch Law in All Its Phases is a sobering reminder that American racism and inequality did not simply end with emancipation.

There is a famous cave located just outside of Spooksville. A lot of stories surround the dark place: scary ones as well as exciting ones. Adam decides to explore the cave with his friends, Watch, Sally, and Cindy. But the moment they go into the cave, the entrance closes behind them. They are trapped. In the dark. They walk deeper into the cave, frantically searching for a way out. The batteries in their flashlights begin to run low. Then they realize something is following them. Something that has been in the cave for a long time. Something big, black…and hungry.

In Speak!, you will learn to: conquer fear and gain comfort in public speaking; create and maintain positive impressions; be more natural and relaxed when making presentations; communicate ideas with clarity and force; sell ideas and inspire others; plan and organize professional presentations; speak to a virtual audience; and bring the audience into the conversation, don't talk them to death!

It’s time for Joss McMillan to prove himself as a Slayer. He failed to kill the vampire Vladimir Tod, but now he’s getting a second chance to make things right. He is in New York City, sent by the Slayer Society to hunt down a serial-killing vampire. Joss will lead his Slayer team and stop the murderer. But all is not as it appears. When the team discovers that there is more than one suspect on the killing rampage, Joss must use all his skill to save the innocent people of New York City. Joss’s status as a Slayer - and his very life - depend on it.

A sharply personal and expansive essay collection dedicated to the strange and absurd beauty of horror films, exploring the complications of gender, the insidiousness of class ascension, and the latent violence hidden in our own uncanny reflections.

The Horror of It All is a memoir from the front lines of the industry that dissects (and occasionally defends) the hugely popular phenomenon of scary movies. Author Adam Rockoff traces the highs and lows of the horror genre through the lens of his own obsessive fandom, born in the aisles of his local video store and nurtured with a steady diet of cable trash.

Why would anyone want to watch horror movies? Why would Christians, in particular, bother with the genre? In Fear Not!, critic Josh Larsen makes the case that monster movies, creature features, slashers, and other fright films artfully reflect our deep worries in a way that resonates with the Christian experience. Combining critical observation and theological reflection, Larsen devotes each chapter to a different horror subgenre, connecting that subgenre to a commonly shared fear.

One of the world's most famous intellectual ghost stories, The Turn of the Screw is a haunting tale of suspected supernatural possession. A governess at a country house claims that Miles and Flora, two orphaned children in her care, are being controlled by spirits for some evil purpose. No one else can see the ghosts, and the children themselves are silent. Are they being dominated by spectral forces, or are they hiding something? Is the governess simply paranoid, or is something else going on?

What is it with Olivia and ghosts? No matter where Olivia Kidney goes, they follow. Even when she and her klutzy handyman father start over in a new brownstone in New York City - owned by the mad, bad, and dangerous Ansel Plover - there is no escape from the weirdness that is Olivia's life. Their new living room is entirely submerged underwater, and Olivia needs a boat to navigate past the bobbing furniture and snapping turtles just to get to her bedroom. And then, there are the ghosts. The house holds secrets, lots of them - Olivia can feel it. Why, she wonders, was she invited to live there?