Social Media Women

A searing chronicle of wartime experiences, Even the Women Must Fight probes the cultural legacy of North Vietnam's American War. Unflinching in its portrayal of hardship, valor, and personal sacrifice, this wrenching account is nothing short of a revelation, banishing in one bold stroke the familiar image of Vietnamese women as passive onlookers, war brides, prostitutes, or helpless refugees.

Under the pseudonym Q. K. Philander Doesticks, P. B., humor writer Mortimer Thomson went undercover to investigate and report on the fortune tellers of New York City's tenements and slums. When his articles were published in 1858, they catalyzed a series of arrests that scandalized and delighted the public. In Mortimer and the Witches, author Marie Carter examines the lives of these marginalized fortune tellers while detailing Mortimer Thomson's peculiar and complicated biography.

For forty years in the mid-nineteenth century, “Madame Restell,” the nom de guerre of the most successful female physician in America, sold birth-control medication, attended women during their pregnancies, delivered their children, and performed abortions in a series of clinics run out of her home in New York City. It was the abortions that made her famous. “Restellism” became the term her detractors used to indict her. A story that is all too relevant, The Trials of Madame Restell paints an unforgettable picture of the changing society of nineteenth-century New York.

Sweet, supportive, dependable, selfless. Long before she had children of her own, journalist Carrie Mullins knew how mothers should behave. But how? Where did these expectations come from—and, more importantly, are they serving the mothers whose lives they shape? Carrie's suspicion, later crystallized while raising two small children, was that our culture’s idealization of motherhood was not only painfully limiting but harmful, leaving women to cope with impossible standards—standards rarely created by mothers themselves.

Art Monsters is a landmark feminist intervention in the way we think about women's stories and bodies, calling attention to a radical genealogy of feminist art that not only reacts against patriarchy but redefines its own aesthetic aims. Exploring a rich lineage of visual artists, thinkers, and writers, Elkin examines the ways feminists have confronted the problem of how to tell the truth of their experiences as bodies.

During the 1970s, grassroots women activists in and outside of prisons forged a radical politics against gender violence and incarceration. Emily L. Thuma traces the making of this anticarceral feminism at the intersections of struggles for racial and economic justice, prisoners' and psychiatric patients' rights, and gender and sexual liberation. All Our Trials explores the organizing, ideas, and influence of those who placed criminalized and marginalized women at the heart of their antiviolence mobilizations.

Girl Archaeologist recounts Alice Kehoe's life, begun in an era very different from the twenty-first century in which she retired as an honored elder archaeologist. She persisted against patriarchy in her childhood, at Harvard University, and as she did fieldwork with her husband in the northern plains. Working in archaeology and in the histories of American First Nations, Kehoe published groundbreaking books and articles, and fostered a sisterhood of feminists—strong, bright women archaeologists, anthropologists, and ethnohistorians who have been essential to the field.

Female writers, directors, and producers have radically transformed the television industry in recent years. Shonda Rhimes, Lena Dunham, Tina Fey, Amy Schumer, Mindy Kaling: These extraordinary women have shaken up the entertainment landscape, making it look like an equal opportunity dream factory. But things weren't always this rosy. It took decades of determination in the face of preconceived ideas and outright prejudice to reach this new era.

In this raw and redemptive debut memoir, Ellen O'Connell Whittet explores the silent suffering of the ballerina - and finds it emblematic of the violence that women quietly shoulder every day. For O'Connell Whittet, letting go of one meant confronting the other - only then was it possible to truly take flight.

This powerful and haunting memoir details the years Paula McLain and her two sisters spent as foster children after being abandoned by both parents in California in the early 1970s. As wards of the State, the sisters spent the next 14 years moving from foster home to foster home. The dislocations, confusions, and odd pleasures of an unrooted life form the basis of one of the most compelling memoirs in recent years - a book in the tradition of Jo Ann Beard's The Boys of My Youth and Mary Karr's The Liars' Club.

Welcome to Wherever We Are is a meditation on what we hold onto, what we let go of, how we remember others, and ultimately how we're remembered. Deborah Cohan shares her story of caring for her father, a man who was simultaneously loud, gentle, loving, and cruel and whose brilliant career as an advertising executive included creating slogans like "Hey, how 'bout a nice Hawaiian punch?"

Midwives in the United States live and work in a complex regulatory environment that is a direct result of state and medical intervention into women's reproductive capacity. In Birthing a Movement, Renee Ann Cramer draws on over a decade of ethnographic and archival research to examine the interactions of law, politics, and activism surrounding midwifery care.

What’s a local girl to do when she catches her long-term boyfriend doing the nasty on their sofa with another women? Cry? Fall apart? Not Lily! Armed with a new look, her best friends, and a fresh take on life, Lily hightails it to Spain for sun, sangria, and Spanish men. But Lily quickly discovers that leaving bad mojo behind isn’t as easy as getting on a plane.

When former FBI Agent Kathy Stearman read in The New York Times that 16 women were suing the FBI for discrimination at the training academy, she was surprised to see the women come forward - no one ever had before - but the truth behind their accusations resonated. After a 26-year career in the Bureau, culminating in becoming FBI Legal Attaché, the most senior FBI representative in a foreign office, she knew from personal experience that this type of behavior had been prevalent for decades.

Alternating between laugh-out-loud scenes from his childhood and acidic ruminations on the present state of an America he and his famous fundamentalist parents helped create, best-selling author Frank Schaeffer asks what the Glenn Becks and the Rush Limbaughs and the paranoid fantasies of the “right-wing echo chamber” are really all about. Here’s a hint: sex.

Women Who Invented the Sixties tells the story of how four women helped define the 1960s and made a lasting impression for decades to follow.

Why do women find work-life balance so hard? Why is having it all such an elusive quest? Why haven't women achieved equality yet in the leadership ranks? Authors Jodi Ecker Detjen, Michelle A. Waters, and Kelly Watson probe these questions and more in this highly anticipated new book: The Orange Line™: A Woman's Guide to Integrating Career, Family & Life.

As a girl in New York City in the 1940s, Mildred "Millie" Dresselhaus was taught that there were only three career options open to women: secretary, nurse, or teacher. In Carbon Queen, science writer Maia Weinstock describes how, with curiosity and drive, Dresselhaus defied expectations and forged a career as a pioneering scientist and engineer. Dresselhaus made highly influential discoveries about the properties of carbon and other materials and helped reshape our world in countless ways—from electronics to aviation to medicine to energy.

Die Bundesrepublik war lange eine Männerrepublik. Männer schrieben Geschichte. Männer besetzten Ämter. Männer gaben den Ton an. Und Frauen? Dieses Buch erzählt die politische Geschichte der Bundesrepublik Deutschland aus weiblichen Perspektiven. Lange Jahre waren Politikerinnen in der Bundesrepublik kaum sichtbar. Die erste Ministerin wurde 1961 berufen. Erst ein Sitzstreik von CDU-Frauen vor dem Kabinettssaal zwang Kanzler Konrad Adenauer dazu, Elisabeth Schwarzhaupt in sein viertes Kabinett aufzunehmen.

Renowned as a diversity and inclusion strategist, Michelle Gadsden-Williams held C-Suite positions at major organizations for many years and then took the off-ramp to probe a different career path, launching Ceiling Breakers LLC, with the primary goal to help women and professionals of color reach their full potential. As a woman of color and corporate executive who has worked and traveled the world for several Fortune 500 companies - all while managing a chronic illness - she provides insight into overcoming the barriers facing professionals in today's workplace.