Social Poetry

People of the Future Day was reviewed by Gwendolyn Brooks, former Poet Laureate of Illinois. While writing his book about reincarnation, The Resurrection of Noah, Khalim discovered three monumental facts.

Maya is the pragmatic twin, but her secret anxiety threatens to overwhelm her. Chaya is the outgoing twin. When she sees her beloved sister suffering, she wants to tell their parents—which makes Maya feel completely betrayed.

When twelve-year-old Estie is expelled from school, she's sent to stay with her aunt in Scotland over the summer. Even though Estie knows what she did was right. Even though nobody, not even her mum, asked to hear her side of the story. Estie's determined to keep her barriers up and stick to herself until the holidays are over. But when she comes across an intricately folded paper bird with a secret message written inside - a message from someone desperate to tell their own unbelieved story - a chord is struck, and Estie can't help but follow the clues to the next piece of artwork.

Em Todas as coisas que eu te escreveria se pudesse, Igor fala sobre amor, amar e deixar ir, ser intenso e abraçar a sua intensidade. Sobre dizer e sentir tudo sem gaguejar. Sobre enfrentar a dor e aceitar que a cura é um processo contínuo, imprevisível, não linear. Escrita durante a pandemia, a obra é uma coleção de textos poéticos sobre todas as impressões que ficam quando alguém vai embora – ainda que esse alguém seja você mesmo.

Disparities are just deserts, between the good and bad in competition seen. 1844 maxims of rhythmic justice and assertive rhyme, carried forward in the cause of human dissimilarity upon competitive pretensions for rewards, merciless poetry manifest. Successful emulation in enterprise these unemasculated couplets may inspire.

Ebony and De’Kari (aka Flow) do not get along. How could they when their cafeteria scuffle ended with De'Kari's ruined shoes, Ebony on the ground, and both of them with ten days of at-home suspension? Now Eb and Flow have two weeks to think about and explain their behavior—to their families, to each other, and ultimately to themselves. Single-parent homes, tight funds, and sibling dynamics provide a balancing act for the growing tweens. And whether they realize it or not, these two have a lot more in common than they think.

Now is an extraordinary time. Across the country, people are losing their loved ones, their livelihoods, their homes, and even their own lives to COVID-19. Despite the pandemic, countless protests erupted this summer over the recurring loss of Black lives. Reverberations of shock and outrage remain with us all. There's a Revolution Outside, My Love captures and articulates all of these roiling sentiments unleashed by a profound national reckoning.

Slang, writes Michael Adams, is poetry on the down low, and sometimes lowdown poetry on the down low, but rarely, if ever, merely lowdown. It is the poetry of everyday speech, the people's poetry, and it deserves attention as language playing on the cusp of art. In Slang: The People's Poetry, Adams covers this perennially interesting subject in a serious but highly engaging way, illuminating the fundamental question "What is Slang" and defending slang - and all forms of nonstandard English - as integral parts of the American language.

In a new city, at a new school, 12-year-old Emmy has never felt more out of tune. Things start to look up when she takes her first coding class, unexpectedly connecting with the material - and Abigail, a new friend - through a shared language: music. But when Emmy gets bad news about their computer teacher, and finds out Abigail isn't being entirely honest about their friendship, she feels like her new life is screeching to a halt. Despite these obstacles, Emmy is determined to prove that, for the first time ever, she isn't a wrong note, but a musician in the world's symphony.

Thought Relics, first published in 1921, is a collection of untitled verses that bridge the gap between meditations and prose. Originally written in English by Tagore, these poetic aphorisms are a dreamy blend of mysticism, philosophy, introspection, and spiritual discovery.

Keeping her brother, Benji, warm, fed, and away from their father is Louisa's only goal in life. When the state steps in and places them in separate foster homes, her world falls apart. Louisa, in crisis, discovers slam poetry. The spoken word performances reveal people sharing pieces of themselves on stage for the world to hear. The transparency she sees frightens her but also holds the key to her future...if she's brave enough to give her story a voice.

A dirty, skinny, dog shows up in Sam and Katie's neighborhood. They start to follow it, and they don't like what they see: The Wilson sisters yell at it because it goes in their garden and the Tracy twins chase it on their bikes and throw things at it. Sam and Katie want the dog to know they'll be its friends. They think it should have a name. Most of all, they want it to like them. But then they do something thoughtless, and after that, it's hard to make things right, especially because the dog now won't come near them.

Katrine Marie Guldager er tilbage som lyriker med en samling digte, som handler om at blive til i en anden verden. Flere tider og steder lægger sig ind over hinanden. En nutid med børn, kat og hortensiabed flyder sammen med erindringer om en barndom i Østafrika: Haile Selassies løver, at spise nzima med fingrene, tiden tilbragt alene under bananpalmen, at krydse en flod i en anden tid. Og indimellem bryder en stemme ind, jegets mor, som ofte erindrer tingene noget anderledes.

One part mixtape, one part disorientation guide, and one part career retrospective, Kyle "Guante" Tran Myhre's debut looks you directly in the eye and doesn't let you flinch. Ranging from justice to love, community action to personal reflection, A Love Song, a Death Rattle, a Battle Cry is a dedication to craft. Clocking in before the rest of us are even awake, the book wastes no time. It does the work and beckons you to follow. A compilation of poems, lyrics, and essays from the UN presenter, MC, and two-time National Poetry Slam champion....

To live in hearts we leave behind is not to die. In recent years non-religious funerals have become more common, but without an established canon of texts to fall back on, it can be difficult to plan an appropriate service for a loved one who had no religious belief or connections. Texts recommended by secular humanists, especially modern texts, can sometimes sound trite or overly informal.

At the core of punk attitude is love—yearning for a better world where people can live in harmony and peace, free from suffering. It's the same attitude that Buddhists have, and that's why I'm a Punk Buddhist, and I'm not conflicted at all.

The First Amendment is one of America's greatest blessings, thus this book's poems praise and honor this great amendment.

Poartry: A Collision of Poetry and Art by Douglas Kiburz, MD, is a collection of poetry, essays, eulogies, philosophy, and interpretation of historical events. From Maple Leaf Meadows ranch in the Midwest, Kiburz brings his experience as an orthopedic surgeon, father, son, husband, sculptor, rancher, and poet to bear in the sometimes comical, often dignified, and always thought-provoking collection.

Czeslaw Miosz, winner of the 1980 Nobel Prize for Literature, reflects upon poetry's testimony to the events of our tumultuous time. From the special perspectives of "my corner of Europe", a classical and Catholic education, a serious encounter with Marxism, and a life marked by journeys and exiles, Milosz has developed a sensibility at once warm and detached, flooded with specific memory yet never hermetic or provincial. Milosz addresses many of the major problems of contemporary poetry, beginning with the pessimism and negativism prompted by reductionist interpretations of man's animal origins.

After the death of her child, a grief-stricken psychotherapist, teacher, and writer volunteers as a poetry teacher at a residential treatment facility for “delinquent” girls. Here, their mutual support nourishes and enriches each other, though not without large quantities of drama and recalcitrance. Compelling, appealing, poignant, and often hilarious, I Am Not a Juvenile Delinquent chronicles the passion that grew for pushing voices out into the world.