Social Sciences Media Studies

BILD ist das mächtigste Medium des Landes - auch in Zeiten des Internets. Sie bestimmt, worüber Deutschland spricht. Welchen Anteil hat die Redaktion am Aufstieg der Populisten? Wie geht sie mit Minderheiten um? Und auf welche Weise manipuliert sie die Öffentlichkeit? 44 Jahre nach Günter Wallraffs "Aufmacher" gibt nun ein Buch neue, erschreckende Einblicke in die Machenschaften der BILD-Medien. Die Journalisten Mats Schönauer und Moritz Tschermak beobachten und analysieren seit einem Jahrzehnt, wie BILD arbeitet.

A seminal work in the history of sociology and a cornerstone of African American literature. Du Bois drew from his own experiences as an African American in American society. Outside of its notable relevance in African American history, The Souls of Black Folk also holds an important place in social science as one of the early works in the field of sociology.

City of Inmates explains how the City of Angels became the capital city of the world's leading incarcerator. Marshaling more than two centuries of evidence, historian Kelly Lytle Hernandez unmasks how histories of native elimination, immigrant exclusion, and Black disappearance drove the rise of incarceration in Los Angeles. In this telling, which spans from the Spanish colonial era to the outbreak of the 1965 Watts Rebellion, Hernandez documents the persistent historical bond between the racial fantasies of conquest and the eliminatory capacities of incarceration.

Midwives in the United States live and work in a complex regulatory environment that is a direct result of state and medical intervention into women's reproductive capacity. In Birthing a Movement, Renee Ann Cramer draws on over a decade of ethnographic and archival research to examine the interactions of law, politics, and activism surrounding midwifery care.

In News for the Rich, White, and Blue, Nikki Usher recasts the challenges facing journalism in terms of place, power, and inequality. Drawing on more than a decade of field research, she illuminates how journalists decide what becomes news and how news organizations strategize about the future. Usher shows how newsrooms remain places of power, largely white institutions growing more elite as journalists confront a shrinking job market.

Spätestens seit der Allianz von Donald Trump und Elon Musk ist klar: Die Tech-Milliardäre sind nicht nur die reichsten Männer der Welt, es geht ihnen auch um politische Macht und um die radikale Umgestaltung von Gesellschaft und Natur. Als Douglas Rushkoff eine Einladung in ein exklusives Wüstenresort erhält, nimmt er an, dass er dort über Zukunftstechnologien sprechen soll. Stattdessen sieht er sich Milliardären gegenüber, die ihn zu Luxusbunkern und Marskolonien befragen.

Black Panther is one of the most financially successful and culturally impactful films to emerge from the American film industry in recent years. When it was released in 2018 it broke numerous records and resonated with audiences all around the world. In Black Panther: Interrogating a Cultural Phenomenon, author Terence McSweeney explores the film from a diverse range of perspectives, seeing it as not only a comic book adaptation and a superhero film, but also a dynamic contribution to the discourse of both African and African American studies.

Per la prima volta insieme, tutti gli scritti che Umberto Eco ha dedicato alla televisione: al suo linguaggio, alle forme di comunicazione che mette in gioco, alle tecnologie che le sostengono, all'immaginario che produce, ai suoi esiti culturali, estetici, etici, educativi e, soprattutto, politici.

Merchants of Truth is the groundbreaking and gripping story of the precarious state of the news business told by one of our most eminent journalists. Jill Abramson follows four companies: The New York Times, The Washington Post, BuzzFeed, and Vice Media over a decade of disruption and radical adjustment. The new digital reality nearly kills two venerable newspapers with an aging readership while creating two media behemoths with a ballooning and fickle audience of millennials.

As a critic at large at The New York Times, Phillips has written extensively on theater, poetry, and the latest blockbusters—with her love of some of the most popular and nerdy fandoms informing her career. Now, she analyzes the mark these beloved intellectual properties leave on young and adult minds, and what they teach us about race, gender expression, religion, and more. Spanning from the nineties through to today, Nerd is a collection of cultural criticism essays through the lens of fandom for everyone from the Marvel movie watcher to the hardcore Star Wars expanded universe connoisseur.

Die Vereinigten Staaten befinden sich mitten in einem neuen Bürgerkrieg, der mit den Waffen der Mediengesellschaft ausgetragen wird - und erleben in der Weltkrise 2020 eine multiple Katastrophe. Klaus Brinkbäumer und Stephan Lamby berichten von den zahlreichen Fronten. Nach vier Jahren einer fatalen Präsidentschaft sind die USA eine wütende, nur noch im Hass vereinte Nation. Die unterschiedlichen politischen Lager haben ihre diplomatischen Beziehungen abgebrochen und stehen sich auf medialen Schlachtfeldern gegenüber.

What made the San Diego Comic-Con a Hollywood destination? How does the industry’s presence at Comic-Con shape our ideas about what it means to be a fan? And what can this single event tell us about the relationship between media industries and their fans, past and present? Only at Comic-Con answers these questions and more as it examines the connection between exclusivity and the proliferation of media industry promotion at the longest-running comic convention in North America.

Just as Susan Sontag did for photography and Marshall McLuhan did for television, Virginia Heffernan (called one of the "best living writers of English prose") reveals the logic and aesthetics behind the Internet. Since its inception, the Internet has morphed from merely an extension of traditional media into its own full-fledged civilization. It is among mankind's great masterpieces - a massive work of art. As an idea, it rivals monotheism.

Noir - as a style, movement, or sensibility - has its roots in hardboiled detective fiction by writers like Chandler and Hammett, and films adapted from their novels were among the first called "film noir" by French cineastes. But film isn't the only medium with a taste for a dark story. Hundreds of noir dramas have been produced for television, featuring detectives and femmes fatales, gangsters, and dark deeds, continuing week after week, with a new disruption of the social order. In TV Noir, television historian Allen Glover presents the first complete study of the subject.

What does it mean to be Asian American? How does our racialization in the United States shape our lives and our worldviews? With candor and care, Ellie Yang Camp, a Taiwanese American educator, offers a set of ideas and frameworks to guide us toward a more nuanced understanding of these questions. Drawing on her experiences and observations from history, conversations with Asian American peers, and lessons derived from other people of color, Camp unpacks the confusing dynamics that underlie anti-Asian stigmas and stereotypes in the US.

During the 1970s, grassroots women activists in and outside of prisons forged a radical politics against gender violence and incarceration. Emily L. Thuma traces the making of this anticarceral feminism at the intersections of struggles for racial and economic justice, prisoners' and psychiatric patients' rights, and gender and sexual liberation. All Our Trials explores the organizing, ideas, and influence of those who placed criminalized and marginalized women at the heart of their antiviolence mobilizations.

Philip Burnham tells the life story of the remarkable Packs the Dog, a member of the Minneconjou Lakotas who was born in 1864 east of the Black Hills. His father, Yellow Knife, died when the boy was five, and the family eventually enrolled at Pine Ridge Agency with the Oglalas under an uncle's name, Three Stars. In 1879 Packs the Dog joined the first class of Indian students to be admitted to the Carlisle Indian Industrial School.

Phonopoetics tells the neglected story of early "talking records" and their significance for literature, from the 1877 invention of the phonograph to some of the first recorded performances of modernist works. The book challenges assumptions of much contemporary criticism by taking the recorded oral performance as its primary object of analysis and by exploring the historically specific convergences between audio recording technologies, media formats, generic forms, and the institutions and practices surrounding the literary.

Locked away in refrigerated vaults, sanitized by gas chambers, and secured within bombproof caverns deep under mountains are America's most prized materials: the ever-expanding collection of records that now accompany each of us from birth to death. This data complex backs up and protects our most vital information against decay and destruction, and yet it binds us to corporate and government institutions whose power is also preserved in its bunkers, infrastructures, and sterilized spaces.

Patrick S. Washburn and Chris Lamb tell the full story of the past, the present, and to a degree, the future of American sports journalism. Sports Journalism chronicles how and why technology, religion, social movements, immigration, racism, sexism, social media, athletes, and sportswriters and broadcasters changed sports as well as how sports are covered and how news about sports are presented and disseminated.