Southern High

Winchester, Virginia, is an emblematic American town. As the US economy and American culture have transformed in recent decades, the ground under centuries-old social codes has shifted, throwing old folkways into chaos. Homeplace teases apart the tangle of class, race, and family origin that still defines the town and illuminates questions that now dominate our national conversation - about how we move into the future without pretending our past doesn't exist, about what we salvage, and what we leave behind.

Big Dreams. Silas Tucker, Jr. grew up in Cross Rivers, North Carolina loving God, his family, his hometown, and sports. Big Breaks. In baseball and football, Silas’s right arm unleashes thunderbolts. His record-breaking 109-mph fastball forever earns him the nickname “109” and...

When he died suddenly at the age of 26, Otis Redding (1941-1967) had already become the conscience of a new kind of music. Sure, Berry Gordy might have built the first black-owned music empire at Motown, but Redding was doing something as historic: mainstreaming black music within the whitest bastions of the post-Confederate south. As a result, the Redding story - still largely untold - is one of great conquest but, sadly, grand tragedy.

The Southern Fault Line explores the under-appreciated division in the South between the oligarchic rule of plantation owners and industrialists on the one hand, and the more democratic mindset of the mountain-dwelling small farmers on the other. These two mindsets were in continual tension from the 1800s to the 1960s, when the adherents of the more democratic side of the struggle capitulated to the oligarchical side in response to the Civil Rights movement. Bryan Jones draws from his own family's centuries-old history in the region to explore the rise and fall of the "two minds" of the South.

In 1989, Jodi McCarty is 17 years old when she's sentenced to life in prison. When she's released 18 years later, she finds herself at a Greyhound bus stop, reeling from the shock of unexpected freedom but determined to chart a better course for herself. Not yet able to return to her lost home in the Appalachian Mountains, she heads south in search of someone she left behind, as a way of finally making amends. There, she meets and falls in love with Miranda, a troubled young mother living in a motel room with her children. Together they head toward what they hope will be a fresh start.

In 1961 Charlotte, North Carolina, the predominantly black neighborhood of Brooklyn is a bustling city within a city. Self-contained and vibrant, it has its own restaurants, schools, theaters, churches, and night clubs. There are shotgun shacks and poverty, along with well-maintained houses like the one Loraylee Hawkins shares with her young son, Hawk, her Uncle Ray, and her grandmother, Bibi. Loraylee's love for Archibald Griffin, Hawk's white father and manager of the cafeteria where she works, must be kept secret in the segregated South.

Should we still read William Faulkner in this new century? What can his works tell us about the legacy of slavery and the Civil War, that central quarrel in our nation's history? These are the provocative questions that Michael Gorra asks in this historic portrait of the novelist and his world.

Descendants of a prominent slaveholding family, Elizabeth, Grace, and Katharine Lumpkin grew up in a culture of white supremacy. But while Elizabeth remained a lifelong believer, her younger sisters chose vastly different lives. Seeking their fortunes in the North, Grace and Katharine reinvented themselves as radical thinkers whose literary works and organizing efforts brought the nation's attention to issues of region, race, and labor. In Sisters and Rebels, National Humanities Award-winning historian Jacquelyn Dowd Hall follows the divergent paths of the Lumpkin sisters.

In a suburban LA neighborhood, neighbors keep wary distance and at times collide, propelled by desire, fury, and mischief. Precocious Korean-American sisters Mira and Rosemary find their world rocked by a suicide; a charismatic and creepy drama teacher grooms his students; an aging gay horror novelist fights loneliness; and a white mother and her adopted Vietnamese daughter deal with lifelong anger issues.

Building on her critically acclaimed novel The Last Days of California and her biting collection Always Happy Hour, Miller slyly transports listeners to her unapologetic corner of the South - this time, Biloxi, Mississippi, home to 63-year-old Louis McDonald, Jr. His wife of 37 years left him, his father has passed - and he has impulsively retired from his job in anticipation of an inheritance check that may not come. One day, he stops at a house advertising free dogs and meets overweight mixed-breed Layla.

On a Mississippi morning in 1859, Emily Matthews begs her father to save a slave, Nathan, about to be auctioned away from his family. Judge Matthews is an abolitionist who runs an illegal school for his slaves, hoping to eventually set them free. One, a woman named Ginny, has become Emily's companion and often her conscience - and understands all too well the hazards an educated slave must face. Yet even Ginny could not predict the tangled, tragic string of events set in motion as Nathan's family arrives at the Matthews farm.

Ask any self-respecting Louisianan who makes the best gumbo and the answer is universal: "Momma." The product of a melting pot of culinary influences, gumbo, in fact, reflects the diversity of the people who cooked it up: French aristocrats, West Africans in bondage, Cajun refugees, German settlers, Native Americans-all had a hand in the pot. What is it about gumbo that continues to delight and nourish so many? And what explains its spread around the world? A seasoned journalist, Ken Wells sleuths out the answers.

The Powell brothers - Muir and Moody - are as different as Cain and Abel. Muir is an innocent, a shy young man with big dreams. Moody, the older and wilder brother - embittered by the death of his father, by years of fighting his mother, and by his jealousy of Muir's place in the family - takes to moonshine and gambling and turns his anger on his brother. Muir escapes by wandering, making his way around the country in attempts to find something - an occupation, a calling - to match his ambition.

A white Afrikaner, Zelda la Grange grew up in segregated South Africa, supporting the regime and the rules of apartheid. Her conservative family referred to the imprisoned Nelson Mandela as "a terrorist". Yet just a few years after his release and the end of apartheid, she would be traveling the world by Mr. Mandela’s side, having grown to respect and cherish the man she would come to call "Khulu", or "Grandfather".