Southern Literary Fiction

Constantly moving, from South Africa to the Persian Gulf, to Rhodesia, to England, and ultimately to suburban New Jersey, the Laments are a quirky and lovable family who live by the motto "anywhere but here." The main character, Will Lament, whom the Laments take home from the hospital as a result of a bizarre mix-up, grows up feeling that he doesn't belong.

Lee Smith, one of today's finest writers in the Southern literary tradition, has been compared to Eudora Welty and Flannery O'Connor. This collection of nine stories, ranging from poignant ballads to delightfully inventive forms, showcases Smith's celebrated talent. The stories will make you chuckle and leave you with a satisfying sense that no matter how unruly or warped life may seem, equilibrium can be found after all.

A New York Times Notable Book of the Year, The Devil's Dream is an animated, lyrical novel that is meant to be savored as spoken word. Consummate storyteller Lee Smith's creation will delight anyone who enjoys the sound of language and a good story.

Although they come from different ways of life, both Bonnie and Ruth are experiencing drastic changes. After discovering that her husband has lost all of their money and has left her broke, Bonnie Duke Cullman is abandoning her comfortable life in Atlanta to teach at a community college in rural Alabama. Ruth Elkin just lost her sewing job at the Cherished Lady factory, and now she must attend college classes to get back on track.

Jimmy is a kid growing up fast on the poorest street in town. He tries to do everything right and look out for his mum and his younger brother. His older brother is in jail, so it's up to Jimmy to hold things together. But small-town life is unforgiving if you're from the other side of the tracks.

This volume of six linked stories and the novella from which the book derives its title is set in Port William from 1908 to the Second World War. Here Wendell Berry introduces two of his more indelible and poignant characters, Ptolemy Proudfoot and his wife Miss Minnie, remarkable for the comic and affectionate range that—with the mastery of this consummate storyteller working at the height of his powers—here approaches the Shakespearean.

Leah is a child from Away, isolated from her peers because of her stutter. After her family moves to Mattingly, she begins painting scenes that are epic in scope, brilliant in detail, and suffused with rich, prophetic imagery. When the event foreshadowed in the first painting dramatically comes true, the town takes notice. Leah attributes her ability to foretell the future to an invisible friend she calls the Rainbow Man. Some of the townsfolk are enchanted with her. Others fear her. But there is one thing they all agree on—there is no such thing as the Rainbow Man.

A hilarious, wildly erotic, and biting satire of Hollywood, Blue Movie tells the story of King B., an Oscar-winning director who's determined to shoot the dirtiest and most expensive X-rated movie ever made; Sid Krassman, a producer who's made a fortune catering to the tastes of the American public, and Angela Sterling, a misunderstood sex symbol who'd give anything (and everything) for a chance to do something "serious."

Jerene Jarvis Johnston and her husband, Duke, are exemplars of Charlotte, North Carolina’s high society, a world where old Southern money and the secrets behind it meet the new wealth of bankers, real estate speculators, and carpetbagging social climbers. Steely and implacable, Jerene presides over her family’s legacy of paintings at the Mint Museum; Duke, the one-time college golden boy and descendant of a Confederate general, whose promising political career was mysteriously short-circuited, has settled into a comfortable semi-senescence as a Civil War reenactor.

Today is Monday. The calls do not come as before. Weeks elapse between them, and when I answer the phone there is no overlap of voices, only my mother's. She spends much of the conversation avoiding mention of the pink elephant trumpeting in the middle of the room. The pink elephant would be my defection to Georgia. When I telephoned with the news of my imminent relocation, my father asked, "Georgia as in the Republic of Georgia by the Black Sea, or Georgia as in the Peach State?" He hoped I meant the former.

Welcome to Lemon Bliss, Louisiana, where an abandoned lemon tea factory is the most happening place in town and witches secretly rule the roost. Violet Broussard gets called back to the hometown she left in the dust when a dead body is found in the abandoned factory bequeathed to her by her grandmother. Violet has plans, and they most definitely don't involve staying in Lemon Bliss any longer than necessary. The town is mostly famous for its lemon tea infused with enough alcohol to make one experience bliss, hence the town's name. Yet, once she's there, things get a tad wacky.

Rebecca’s boyfriend, Ezra, has gone missing, but when she notifies the police, they seem surprisingly unconcerned. They suspect he has been playing the “stranger game”, a viral hit in which players start following others in real life. As the game spreads, however, the rules begin to change, play grows more intense and disappearances are reported across the country. Curious about the game and hoping she might be able to track down Ezra, Rebecca tries the game. In playing the game, what may lead her closer to finding Ezra may take her further and further from the life she once lived.

Minnie leaves boarding school to spend the summer at The Big House, her cherished Grandpa's home. She enjoys adventure, but she also learns of the dangers posed by the land and a river that can seduce the unwary. The arrival of Minnie's great-grandmother provides her with a fearless female role model as well as tales of the elderly woman's antebellum past and how she survived the Civil War.

Cain’t Do Nothing with Love was the winner of the CIPA EVVY Audio Book Award 2014. All stories treat the most difficult topics - death, religion, family - with sharp humor and urgent respect.

With this critically acclaimed debut collection, Frank Bill announces himself as an author of fiercely defined vision. In these vivid tales, Bill’s southern Indiana proves a literary destination of immense nuance, even as his mostly working-class characters cry out in voices that cannot be denied.

In the Deep South, where love and hatred run deep and close, dissension often summers just beneath the surface. When a family gathers for a funeral as its old homestead above the waters of Mobile Bay, it must carry out the last wish of the aunt and sister whom it has come to mourn. It is a wish that will unearth a terrible secret, one that will either tear her siblings and their offspring apart or allow them to accept buried memories, wounds, and love.

Aaron thinks genre fiction is an affront to the fiction-writing craft. He often quotes the essayist Arthur Krystal, who says literary fiction "melts the frozen sea inside of us". Ironically Aaron doesn't seem to realize that he's emotionally frozen. The vivacious Laurie, lover of flamingo-patterned attire and all things hot pink, is the one person who might be capable of melting him.

Los Angeles TV journalist Beatrice Middleton has lost her job. With a possible employment offer in Atlanta, she heads home to Savannah, Georgia, to reconnect with her contentious African-American family, arriving to find that her 15-year-old nephew has been murdered. This begins the unraveling of a cloak of family secrets surrounding another devastating crime, one that shattered Bea's world when she was a teen. The traumatic memory has been buried so deep it almost feels like it never happened - almost.

A gripping tale of courageous love, regret's heavy burden, and the unbreakable ties that bind, A Slow Burn explores the beauty and pain of telling the truth. Most of all, it is about the power of forgiveness--and what remains when shame no longer holds us captive.

In this book, Jaime Harker uncovers a largely forgotten literary renaissance in southern letters. Anchored by a constellation of southern women, the Women in Print movement grew from the queer union of women's liberation, civil rights activism, gay liberation, and print culture. Broadly influential from the 1970s through the 1990s, the Women in Print movement created a network of writers, publishers, bookstores, and readers that fostered a remarkable array of literature.