State Violence

American Oz is a rollicking, gritty, adventurous story of life in the secretive subculture of traveling carnivals. You'll never see your state fair or street festival the same way again. Comerford writes a bold, inspiring true story of a year working behind the scenes with the colorful characters and legends of carnivals. He shares stories of freaks, a carnival pimp, a tramp gold miner, and the last king of the sideshows.

The document, "Tragedy in the Crosshairs: A Historical Perspective on Fatal Shootings", explores the historical, cultural, and legislative dimensions of firearms and their impact on society. Through a comprehensive review, it examines the evolution of gun technology, significant historical events, societal implications, and the ongoing debates surrounding gun violence and legislation. This work seeks to provide a nuanced understanding of America's complex relationship with firearms.

On a hot day in July 1919, five black youths went swimming in Lake Michigan, unintentionally floating close to the white beach. An angry white man began throwing stones at the boys, striking and killing one. Racial conflict on the beach erupted into days of urban violence that shook the city of Chicago to its foundations. This mesmerizing narrative draws on contemporary accounts as it traces the roots of the explosion that had been building for decades in race relations, politics, business, and clashes of culture.

Drawing on encounters between the Creeks of the Southeast and the Mi’kmaq of Nova Scotia in the eighteenth century, Savage Systers reveals a world in which Native women wielded power through means that shocked European observers: ritualized torture, scalp dances, brutal initiation rites, even infanticide and cannibalism. Far from aberrations, these acts embodied forms of feminine authority rooted deep in tribal culture. In deciding whether a captive lived or died, whether a stranger was rejected or absorbed, Native women determined the fate of peoples and nations.

The shootings keep coming, and so do Jeremiah's questions. Dad doesn't have easy answers, but that doesn’t mean he won’t talk about it - or that he won’t act. But what if Jeremiah doesn’t want to talk anymore? None of it makes sense, and he’s just a kid. Even if he wants to believe in a better world, is there anything he can do about it? Inspired by real-life events, this honest, intimate look at one family’s response to racism and gun violence includes a discussion guide.