Superhero Comics

From the all-time bestselling mind behind Batman: The Dark Knight Returns, Daredevil, 300, and Sin City, Push the Wall is part memoir, part master class for budding artists and writers by one of the greatest living creators whose work has influenced pop culture for decades. Frank Miller is our...

In recent years, cosplay—the practice of dressing up in costume as a character—has exploded, becoming a mainstream cultural phenomenon. But what are the circumstances that made its rise possible? Andrew Liptak—a member of the legendary 501st Legion, an international fan-based organization dedicated to the dark side of Star Wars—delves into the origins and culture of cosplay to answer this question. Cosplay: A History looks at the practice’s ever-growing fandom and conventions.

Two years have passed, and Peter Parker struggles to cope with the demands of life as a college student, a Daily Bugle photographer, and a crime-fighting superhero. But it hasn't gotten any easier. Condemned by the press, tormented by secrets he can never reveal, forced to give up the girl of his dreams, at times the lonely burden of Spider-Man seems almost too great to bear...and the temptation to give up grows stronger by the hour.

The Science of Superheroes takes a lighthearted but clear-headed look at the real science that underlies some of the greatest superhero comic books of all time, including Spider-Man, Batman, Fantastic Four, and many more. Each chapter presents the story of the origin of one or more superheroes and asks intriguing questions that lead to fascinating discussions about the limits of science, the laws of nature, and the future of technology.

It's not easy for a young gay artist like Jordan Carson to grow up in Jefferson, Wisconsin, where all anyone seems to care about in middle school and high school are the sports teams. But Jordan was lucky. He met Owen Nelson in the second grade, and they've been BFFs ever since. Owen is a big, beautiful blond and their school's champion wrestler. No one messes with Owen, or with anyone close to him, and he bucks popular opinion by keeping Jordan as his wingman even after Jordan comes out at school.

Since 2001, James Kakalios has taught "Everything I Needed to Know About Physics I Learned from Reading Comic Books", a hugely popular university course that generated coast-to-coast media attention for its unique method of explaining complex physics concepts through comics. With The Physics of Superheroes, named one of the best science books of 2005 by Discover, he introduced his colorful approach to an even wider audience. Now Kakalios presents a totally updated, expanded edition that features even more superheroes and findings from the cutting edge of science.

It’s 1975, and the comic book industry is struggling, but Carmen Valdez doesn’t care. She’s an assistant at Triumph Comics, which doesn’t have the creative zeal of Marvel nor the buttoned-up efficiency of DC, but it doesn’t matter. Carmen is tantalizingly close to fulfilling her dream of writing a superhero book. That dream is nearly a reality when one of the Triumph writers enlists her help to create a new character, which they call “The Lethal Lynx”, Triumph's first female hero.

Why are so many of the superhero myths tied up with loss, often violent, of parents or parental figures? What is the significance of the dual identity? What makes some superhuman figures “good” and others “evil”? Why are so many of the prime superheroes white and male? How has the superhero evolved over the course of the twentieth and early twenty-first centuries? All these topics, and more, are covered in this lively and original exploration of the reasons why the superhero—in comic books, films, and TV—is such a potent myth for our times and culture.

In this insightful and provocative book, comics-industry veteran Danny Fingeroth explores the backgrounds of the most well-known superheroes and their creators—largely young American Jewish men from Eastern European backgrounds. These innovators include Jerry Siegel and Joe Shuster, Will Eisner, and Stan Lee and Jack Kirby. In Disguised as Clark Kent, Fingeroth explores how the creators’ Jewish backgrounds helped make superheroes the most familiar popular-culture icons of all.

In Superman Is Jewish? Harry Brod reveals the links between Jews and superheroes in a penetrating investigation of iconic comic book figures. He describes how the role of each hero reflects the evolution of the Jewish place in American culture - an alien in a foreign land, like Superman; a figure plagued by guilt for not having saved his family, like Spider-Man; outsiders persecuted for being different (X-Men); a nice, smart guy afraid people won't like him when he's angry (the Hulk).

In the year 2012, Liquin Sonos and his friends return to the San Diego Comic-Con in a last bid to achieve their Hollywood dreams. But the bonds of friendship strain under the pressure to succeed, and Liquin fears the emergence of his nemesis, Ragnar Wortham, signals his doom. In the year 2047, Ashlyn, a freedom-fighting refugee, struggles to survive among plague, poverty and factional warfare. But a frightening revelation into her past offers a way to end the bloodshed once and for all, and the death of Liquin Sonos is the key.

Ron Lionel is the hottest creator working in comic books today. Joe Cotter, on the other hand, gave up his dreams of being a writer years ago and now lives for a steady paycheck as the security chief for America's Finest Comic Book Expo. Enter Velma, an obsessed fan with some disturbing questions about Lionel's series The Enduring. When her righteous plan to gather answers backfires, the two men are swept into a dangerous world where heroes and villains don't come from spider bites or alien planets and don't have simple back stories.

Superhero fiction has been with us for almost a century; high-octane tales crammed with concepts and contrasting themes, from superpowers and the post-human, to masked vigilantes and immortality. In that time, superwomen have evolved from comic book caricatures (created by men, for men) to stronger representations of female power. The Science of Superwomen looks at this evolution, from its hypersexualized origins to today’s more nuanced diversity.

We're currently in the golden age of superhero blockbusters. Movies like Black Panther, Wonder Woman, Joker, and Avengers: Endgame routinely break box office records and compete for Oscars. Yet, Zack Snyder's 2017 behemoth Justice League - a veritable sure bet at the Hollywood casino - tanked miserably, and the behind-the-scenes reasons for the movie's demise are fascinating.

After he and his wife are murdered, Marine Ray Garrison is resurrected by a secret team of scientists. Enhanced with nanotechnology, he becomes a superhuman, biotech killing machine - “Bloodshot” - without any memory of his previous life. But some things can’t stay buried, and Ray refuses to back down when his memories begin to surface. Haunted by the face of his family’s killer, he will stop at nothing to take his revenge. And he discovers a conspiracy going deeper than he could have possibly imagined.

The world is still reeling from the devastation of the final battle between the world’s strongest metahumans. Empire City has been left in shambles as it struggles to rebuild. Overnight, the world’s metabands, mysterious bracelets that offer their owner’s superhuman powers and abilities, have all ceased working. Guilt ridden over his possible hand in all of this, the masked vigilante Midnight has hung up his cowl.

The lives of six female superheroes and the girlfriends of superheroes. A ferocious riff on women in superhero comics. From the New York Times best-selling author Catherynne Valente comes a series of linked stories from the points of view of the wives and girlfriends of superheroes, female heroes, and anyone who's ever been "refrigerated": comic book women who are killed, raped, brainwashed, driven mad, disabled, or had their powers taken so that a male superhero's storyline will progress.

Victimized by a psychic teenage prankster, Flash Gordon, Dale Arden, and Dr. Zarkov find themselves instantly transported to the planet of Mongo, where Flash is captured and drugged by the ravishing witch Queen Azura and her evil cohort - none other than Ming the Merchiless, Jr! But Zarkov and Dale escape to Arboria, and enlist the aid of Prince Barin, who, by use of a brilliant ruse, sets in motion a series of violent encounters and hair's breadth escapes that place Flash's life in imminent peril.

Enter our heroes. Dark Guardian chases off an angry drug dealer in Manhattan. Mr. Xtreme charges in and breaks up a San Diego bar brawl. T. O. Ronin hugs a homeless man on the snowy streets of Toronto. These aren't the big-screen or comic-book heroes that have been increasingly dominating pop culture. They're real-life superheroes: individuals who take on masked personae to fight crime and help the helpless. They don't have superpowers, but they do try to make the world a better place.

For more than 75 years, Catwoman has forged her own path in a clear-cut world of stalwart heroes, diabolical villains, and damsels in distress. Her relentless independence across comic books, television, and film set her apart from the rest of the superhero world. When female-led comics were few and far between, Catwoman headlined her own series for over 20 years. But her unique path had its downsides as well.