Survival Film

When my best friend and the only person who knows who - and what - I really am gets selected for the Mating Games, I know the only way to save her is to try and win her for myself. All I need to do is navigate three trials while not letting anyone know I'm a woman, or, and this might be even more important, that I have magic. Easy, right? Easier than slaving away for all hours of the day swinging an ax in the mines. Or so I thought. I certainly didn't count on the one man I've longed for, the one man who stirs feelings of femininity and desire within me, to enter the games as well.

When a human team is sent to scout a few hundred light-years in front of the death wave, it encounters a civilization far in advance of our own, a civilization of machine intelligences.These sentient, intelligent machines have existed for eons and have survived earlier "death waves" - gamma-ray bursts from the core of the galaxy. They are totally self-sufficient, completely certain that the death wave cannot harm them, and utterly uninterested in helping to save other civilizations.

The Raider clans have been defeated, and their planet is under the supervision of the Riss, with Captain Reese the station commander. But while Reese sees the Raider clans as on probation, many in the SAS task force she commands perceive them as prisoners and hope to break the Treaty and get revenge. As Nadya attempts to maintain the fragile peace, the three empires are being invaded. They know the invading force is far more technologically advanced than the SAS. But who are they, where did they come from, and what do they want?

Of the animals in North America, none commands such dread, awe, and interest as the bear. Creatures that fear little, bears compete for survival with the only other animals that can threaten their existence: Humans. Bear Attacks is a thorough and unflinching study of attacks made on humans. This is the sometimes horrific, yet always instructive, story of Bear and Human, written by the leading scientific authority in the field. This book is for everyone who camps, hikes, or visits bear country - and for anyone who wants to learn more about these fearsome but always fascinating wild creatures.

From the award-winning author of We Ride Upon Sticks and When I’m Gone, Look for Me in the East, a genre-bending novel of literary horror set in Antarctica that explores abandonment, guilt, and survival in the shadow of America’s racial legacy. Striker isn’t entirely sure she should be on...

Writers’ rooms can be a heaven or hell, depending on a few things. The best rooms foster inclusive and productive creative flow. The worst create a toxic stew of bad feelings and doubt. Both kinds, and all the ones in between, require basic knowledge of how the room works. These fundamentals are best learned before you go in. The mystery box of the writers’ room need not stay sealed shut forever. Consider this audiobook your crowbar.

For famed cinematographer, adventurer, and mountaineer David Breashears, the terrifying experiences on Mount Everest during the deadly 1996 season became the defining moment of his life. By 1995, Breashears had already twice reached Mt. Everest's summit. Then he faced the greatest challenge of his life: to scale the 29,028-foot peak while hauling a giant IMAX camera to film the documentary Everest.

Virtue of Honor: Acquiring Truth is my unfiltered memoir of resilience, corporate betrayal, and the battle to rise from the ashes. This is an unflinching trauma survivor story that pulls no punches—naming the abuse, the silence, and the psychological cost of living with Complex PTSD. It’s a raw mental health memoir that goes beyond theory into the lived reality of fighting for self-worth, breaking trauma cycles, and leading yourself when no one else believes in you. If you’ve ever been underestimated, dismissed, or told to stay quiet, this is the blueprint for turning pain into power.

Kelley Baker is the Angry Filmmaker. But his independent films are not angry - they're honest. He's angry at the state of independent film. For Baker, it's about telling the story, not what actors are starring in it. Here, with all his attitude, is the wisdom of an Angry Filmmaker, gained the hard way, through experience.

Jim and Elaine Larison spent years studying, exploring, and living in wild places, making more than 30 environmental films, most for the National Geographic Society. These films won more than 40 international awards from leading environmental and broadcast organizations. This memoir tells the story behind the adventure and describes the rather substantial personal costs of this career.

My Journey Through War and Peace: Explorations of a Young Filmmaker, Feminist and Spiritual Seeker is based on Melissa Burch's experiences as a war journalist for BBC, CBS, and other networks. Her team was one of the first documentary crews allowed in the Soviet Union at the height of the Cold War, and she was featured in a New York Times story about her time in Afghanistan. She was just in her 20s when she traveled with the moujahedeen, filmed an attack on a Soviet convoy, slept with an Afghan commander, and climbed 14,000-foot mountains in the Hindu Kush.

Filmmaker Tom Opre spent over three years documenting a remote Zambian community led by a woman chief who took bold action against wildlife poaching to break the cycle of poverty. For generations, the people lived off the land and partnered with the safari hunting industry, which funded wildlife protection and brought income. But after a hunting ban in 2001–2002, poaching gangs took over. In just 15 years, once-abundant wildlife—including Africa’s Big Five—was decimated. No outfitter would invest in an empty concession. The people faced hopelessness.

"Horror Movie. A Short Scary Story" isn’t just an audiobook–it’s a NIGHTMARE YOU’LL NEVER ESCAPE! Step into the shoes of five desperate filmmakers chasing their big break… and follow them straight into a theater that doesn’t screen horror–it creates it. Prepare to be SWALLOWED by a cinematic hellscape where the script writes you, the projector is alive, and your worst fears are the main feature. As each frame unfolds, you’ll FEEL the dread tighten around your chest, HEAR the whispers of past victims, and SEE the grotesque truth behind ambition gone mad.

It turns out Addison was right: The world as he knew it did come to an end by means of a killer virus. He’s by himself now, near what was Sicily, Oklahoma, tending to a wilted vegetable garden, foraging for rabbits, and eking out not quite enough water from a dried-up well. It’s time to move. Uncle Izzy, whom he’s decided to seek out in his survivalist cabin hundreds of miles away, had prepared him well for an apocalypse - all but for the loneliness. But the virus didn’t quite kill everybody. And humanity isn't all that humane anymore.