Television Science

Female writers, directors, and producers have radically transformed the television industry in recent years. Shonda Rhimes, Lena Dunham, Tina Fey, Amy Schumer, Mindy Kaling: These extraordinary women have shaken up the entertainment landscape, making it look like an equal opportunity dream factory. But things weren't always this rosy. It took decades of determination in the face of preconceived ideas and outright prejudice to reach this new era.

In Sit Down and Cheer, Martin Kelner traces the development of this relationship from its humble origins in the 1960 Olympics, by way of the first-ever Match of the Day in 1964, through to the financial impact of Sky, right up to the high-tech gadgetry of our present-day viewing. Insightful and very funny, this is an entertaining exploration of two major national pastimes and not to be missed.

Reality TV's influence is seismic: twenty-five years ago, the concept didn't exist. Yet today, it is one of the most powerful cultural forces on earth; a multi-billion-dollar machine. Despite that, it is often derided as "trash"; a cultural McDonalds not worthy of examination. The truth is that reality TV offers a profound insight into who we are as human beings, questioning the very nature of what we deem to be entertaining. Writer, broadcaster and reality TV-obsessive Jacques Peretti goes behind the scenes of a world that has entranced and consumed him for two decades.

Was It Yesterday? explores the impact of nostalgia in 21st-century American film and television. Cultural nostalgia, in both real and imagined forms, is dominant today, but what does the concentration on bringing back the past mean for an understanding of our cultural moment, and what are the consequences for viewers? This book questions the nature of this nostalgic phenomenon, the politics associated with it, and the significance of the different periods, in addition to offering counterarguments that see nostalgia as prevalent throughout film and television history.

How many meteorologists have ever gone viral for doing something positive? Not many, but Alan Sealls did! He was proclaimed “Best Weatherman Ever” by ‘the Internet’ in 2017 for his concise, coherent, enlightening and informative forecasts of Hurricane Irma, viewed millions of times around the world.

Despite the high number of programs and their evident popularity, paranormal reality television has to date received little critical attention. Ghost Channels provides an overview of the paranormal reality television genre, its development, and its place in television history. Conducting in-depth analyses of over thirty paranormal television series, author Amy Lawrence suggests these programs reveal much about Americans' contemporary fears.

引退を機に明かす、人気番組の舞台裏「これは僕の、テレビ界への遺言です」全て実名で綴る、テレビへの愛と提言

Travel back in time to Southern California, where live TV coverage of breaking news was born. Thrilling true stories from the pages of Los Angeles history, in the words of people who were there. Written and narrated by former KTLA News at Ten anchor Terry Anzur.

In a story that is both of its time and timeless, Evan I. Schwartz tells a tale of genius versus greed, innocence versus deceit, and independent brilliance versus corporate arrogance. Many men have laid claim to the title "father of television," but Philo T. Farnsworth is the true genius behind what may be the most influential invention of our time. Driven by his obsession to demonstrate his idea, by the age of 20 Farnsworth was operating his own laboratory above a garage in San Francisco and filing for patents. The resulting publicity caught the attention of RCA tycoon David Sarnoff, who became determined to control television in the same way he monopolized radio.

Walter Veltroni denuncia la debolezza della politica di fronte al ricatto dell'opinione pubblica, il cedimento dell'etica e del pudore sotto i colpi della società delle immagini e della comunicazione totale, riportandoci con la memoria al giorno in cui il nostro sguardo perse l'innocenza. L'11 giugno del 1981, un grido disperato paralizza l'Italia davanti ai teleschermi. Alfredino Rampi, sei anni, è precipitato in un pozzo e sta chiamando disperatamente sua madre. Gli italiani ascoltano agghiacciati il suo lamento, mentre iniziano i tentativi di salvataggio.

In Fooling with the Amish, Dirk Eitzen examines the fakery in Amish Mafia and how actual viewers of the show responded to it to discover answers to two questions that have long puzzled media scholars: What is it about the so-called reality of reality shows that appeals to and gratifies viewers? How and why are people taken in by falsehoods in the media? Eitzen's ultimate answer to these questions is that, in taking liberties with facts, Amish Mafia works very much like gossip.

This audiobook consists of 30 separate bumper quizzes that will test your knowledge of the hit TV show Friends, both on and off the show! Each quiz has 20 questions covering a full range of trivia, quotes, cameos, and hilarious situations, both on and off set. The first 10 quizzes are season specific. The following 20 quizzes comprise a mixture of questions across all seasons and less context is set to make it more challenging.

When The Flip Wilson Show debuted in 1970, Black faces were still rare on television, Black hosts nonexistent. So how did Clerow “Flip” Wilson go from Jersey City grade-school dropout to national celebrity, heralded on the cover of Time as “TV’s first black superstar”? Flip is a candid, entertaining biography of a consummate comedian who changed the face of American popular culture.

Der Wirecard-Skandal ist einmalig in der deutschen Wirtschaftsgeschichte - ein einziger großer Fake. Wie konnte es zu diesem filmreifen Bankrott eines Dax-Konzerns kommen? Wer sind die Köpfe hinter dem Betrug? Wer muss dafür büßen? Und warum ist das weltumspannende kriminelle Netzwerk erst nach so langer Zeit aufgeflogen? Die Journalisten Bettina Weiguny und Georg Meck - beide federführend an der UFA-Verfilmung des Wirecard-Skandals beteiligt - entwerfen das Psychogramm eines Jahrhundertskandals.

A Culturematic is a little machine for making culture. It’s an ingenuity engine. The Culturematic acts as a probe into the often-alien world of contemporary culture, to test the atmosphere, to see what life it can sustain, to see who responds and how. Culturematics start small but can scale up ferociously, bootstrapping themselves as they go. Because they are so inexpensive, we can afford to fire off a multitude of them simultaneously. This is evolutionary strategy, iterative innovation, and rapid prototyping all at once.

The Sopranos. Oz. The Wire. Deadwood. The Shield. Lost. Buffy the Vampire Slayer. 24. Battlestar Galactica. Friday Night Lights. Mad Men. Breaking Bad. These 12 shows, and the many more they made possible, ushered in a new golden age of television, one that made people take the medium more seriously than ever before. Alan Sepinwall became a TV critic right before this creative revolution began, was there to chronicle this incredible moment in pop culture history, and along the way changed the nature of television criticism.

First scientists thought it was for balance, but the tail helps the kangaroo to be able to move the fore and hind legs together. Trivia helps to inform and educate people. Experts say trivia aids to keep the mind sharp and engaged, a plus for all occupations and people from all walks of life that require no amount of energy. Knowing Obscure Facts Is Good for Our Mental Health.

As a child in racially turbulent Detroit, Mort Meisner witnessed an attack on a Black boy as White parents shouted the n-word and threw rocks to protest bussing to integrate his elementary school in 1960. This - and the vicious beatings that his father inflicted on Mort inside their run-down home - instilled in him a deep disdain for hatred, violence, and discrimination. Enough to Be Dangerous chronicles Mort's against-the-odds success and his courageous quest to call out sexism and racism in newsrooms in St. Louis, Chicago, and Detroit throughout the 1980s and 1990s.

Ruben Soto gives us an insightful and informative history of the leading Spanish-language television network in the United States. This book will show you how Univision changed American television from an all English-format to one that includes Spanish. You will also hear how Univision convinced advertisers that Hispanics had huge purchasing power.

In this remarkably prescient audiobook, Gilder predicts how television will merge with other technologies and evolve into the telecomputer, a personal computer adapted for video processing and connected by fiber-optic threads to other personal computers around the world. This interactive system will change how we do business, educate our children, and spend our leisure time. It will imperil all large, centralized organizations, including broadcasting and cable networks, phone companies, government bureaucracies, and multinational corporations.