True Crime Writing

A major literary figure tells “a searching tale of loss, recovery, and déja vu that is part memoir and what-if speculation, part polemic and exposé” (The Washington Post) about two generations of one family - civil rights martyr Emmett Till and his father, Louis - shortlisted for the National Book Critics Circle Award.

In the haunting tradition of Joe McGinniss's Fatal Vision and Mikal Gilmore's Shot in the Heart, True Story: Murder, Memoir, Mea Culpa weaves a spellbinding tale of murder, love, and deceit with a deeply personal inquiry into the slippery nature of truth.

Peter Jukes, an award-winning TV crime writer, starts at the beginning: October 2013 and the Old Bailey is gearing up for an eight-month courtroom clash. It's a showdown that will pit tabloid newspaper executives in Rupert Murdoch's News International against the British state. The journalists are accused of phone hacking, corrupting public officials, and conspiracy to pervert the course of justice. After years of cover up involving News International, the Metropolitan Police, and the government, the judge tells the jury, "British justice is on trial."

The biggest crime story in American history began on the night of March 1, 1932, when the 20-month-old son of Charles and Anne Lindbergh was snatched from his crib in Hopewell, New Jersey. The news shocked a nation enthralled with the aviator, the first person to fly solo nonstop across the Atlantic. American law enforcement marshalled all its resources to return “Little Lindy” to the arms of his parents - and perhaps even more energized were the legions of journalists catering to a public whose appetite for Lindbergh news was insatiable.

This true story begins on Valentine's Day, 1961. Fourteen years old, Claudette Carolyn Covey went missing from Hondo, Texas. On Halloween evening, 1961, Claudette's remains were discovered eight miles from town in a field. She had been shot twice in the head. From the beginning, town folks believed that she was murdered by the corrupt sheriff or his 18-year-old son, whom she was dating. Because of the corrupt sheriff's influence, no one was ever charged with the murder.

Media and law enforcement work at cross-purposes. Law enforcement wants to solve a case as fast as possible and put the guilty behind bars. The media wants a case to drag on as long as humanly possible and do all they can to extricate every last bit of drama—drop by bloody drop—in order to hold the attention of the millions of viewers who have gotten hooked. Law enforcement must abide by rules. The media make their own rules, or break them, or find loopholes to work around them.

Thanks to one reporter's skill, we can fix the exact moment on November 22, 1963 when the world stopped and held its breath: At 12:34 p.m. Central Time, UPI White House reporter Merriman Smith broke the news that shots had been fired at President Kennedy's motorcade. Most people think Walter Cronkite was the first to tell America about the assassination. But when Cronkite broke the news on TV, he read from one of Smith's dispatches.

In a world where tales are brought to life not only through words on paper but by the very voices that weave them, the art of audio book narration has taken center stage. As an author, you've crafted a masterpiece, and poured your heart and soul into every word, and now is the time to bring your story to life! That's precisely where The Author's Guide to Narrating Your Own Audiobooks by Michael Goodrick steps in as the shining beacon in this endeavor.

This classic essay from Jon Krakauer is now available as an unabridged audiobook download. This essay is also included in the Classic Krakauer collection. From the best-selling author of Missoula and Into the Wild: a selection of the singular investigative journalism that made Krakauer famous, covering topics from avalanches on Mt. Everest to a volcano in Washington state; from a wilderness therapy program for teens to an extraordinary cave in New Mexico so unearthly that is used by NASA to better understand Mars.