Tudor History

Jane Grey was queen of England for nine days. Her father and his allies crowned her instead of the dead king's half sister, Mary Tudor, who quickly mustered an army, claimed her throne, and locked Jane in the Tower of London. When Jane refused to betray her Protestant faith, Mary sent her to the executioner's block, where Jane transformed her father's greedy power grab into tragic martyrdom.

Every Tudor Queen had ladies-in-waiting. They were her confidantes and her chaperones. Only the Queen's ladies had the right to enter her most private chambers, spending hours helping her to get dressed and undressed, caring for her clothes and jewels, listening to her secrets. But they also held a unique power. A quiet word behind the scenes, an appropriately timed gift, a well-negotiated marriage alliance were all forms of political agency wielded expertly by women.

Jane Boleyn watches from the shadows of the Tudor court, where secrets are currency, every choice is dangerous, and even the faintest whisper can seal the fate of queens. For Jane, survival demands playing every role required of her: a loving wife who conceals her doubts, a devoted sister to Anne Boleyn at the height of her power, and an obedient spy who carefully wields her words. But in a court ruled by ambition and a tyrant’s sword, Jane must rely on her sharp wit and skillful maneuvering to outthink those around her, knowing that one wrong move could cost her everything.

Architecturally breathtaking and rich in splendid art and décor, Hampton Court Palace has been the stage of some of the most important events in British history, such as the commissioning of King James’s version of the Bible, the staging of many of Shakespeare’s plays, and Queen Elizabeth II’s coronation ball. The Palace takes us on “an entertaining journey into the past” (Kirkus Reviews) as it reveals the ups and downs of royal history and illustrates what was at play politically, socially, and economically at the time.

The Tudor dynasty died out because there was no heir of Elizabeth I's body to succeed her. Henry VIII, despite his six marriages, had produced no legitimate son who would live into old age. Three of the reigning Tudors (Edward VI, Mary I, and Elizabeth I) died without heirs apparent, the most tragic case being that of Mary Tudor, who went through two recorded cases of phantom pregnancy. If it were not for physical frailty and the lack of reproductive health among the Tudors, the course of history might have been different.

Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realized portraiture, which includes representations of Henry VIII, his advisors Thomas More and Thomas Cromwell, his wives Jane Seymour and Anne of Cleves, and an array of the Tudor lords and ladies encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the age, Holbein was a multifaceted genius: a humanist, satirist, and political propagandist, and a deft man whose work was rich in layers of symbolism and allusion.

A young pretender raises an army to take the throne. Learning of his father’s death, the adolescent, dashing and charismatic and descended from the old kings of the North, vows to avenge him. He is supported in this war by his mother, who has spirited away her two younger sons to safety. Against them is the queen, passionate, proud, and strong-willed and with more of the masculine virtues of the time than most men. She too is battling for the inheritance of her young son, not yet fully grown but already a sadist who takes delight in watching executions.

The Brothers York is the story of three remarkable brothers, two of whom were crowned kings of England and the other an heir presumptive, whose antagonism was fueled by the mistrust and vendettas of the age that brought their family to power. The house of York should have been the dynasty that the Tudors became. Its tragedy was that it devoured itself.

“Compelling and brilliant—don’t miss it!” —Alison Weir From the acclaimed royal historian, the dramatic and untold story of the lie about the controversial succession that ended the Tudor era and changed the course of British history. In the long and dramatic annals of British history...

At her execution Mary, Queen of Scots wore red. Widely known as the colour of strength and passion, it was in fact worn by Mary as the Catholic symbol of martyrdom. In 16th-century Europe, women's voices were suppressed and silenced. Even for a queen like Mary, her prime duty was to bear sons. In an age when textiles expressed power, Mary exploited them to emphasise her female agency.

History has lied. Anne Boleyn has been sold to us as a dark figure, a scheming seductress who bewitched Henry VIII into divorcing his queen and his church in an unprecedented display of passion. Quite the tragic love story, right? Wrong. In this electrifying exposé, Hayley Nolan explores for the first time the full, uncensored evidence of Anne Boleyn’s life and relationship with Henry VIII, revealing the shocking suppression of a powerful woman.

This is the story of two women struggling for supremacy in a man's world, when no one thought a woman could govern. They both had to negotiate with men - those who wanted their power and those who wanted their bodies - who were determined to best them. In their worlds, female friendship and alliances were unheard of, but for many years theirs was the only friendship that endured. They were as fascinated by each other as lovers; until they became enemies. Enemies so angry and broken that one of them had to die, and so Elizabeth ordered the execution of Mary.

Since the 16th century we have been fascinated by Henry VIII and the man who stood beside him, guiding him, enriching him, and enduring the king's insatiable appetites and violent outbursts until Henry ordered his beheading in July 1540. After a decade of sleuthing in the royal archives, Diarmaid MacCulloch has emerged with a tantalizing new understanding of Henry's mercurial chief minister, the inscrutable and utterly compelling Thomas Cromwell.

A powerful ruler, an alluring young woman, a scandal that would rock the nation: Anne Boleyn’s life story sounds more like a juicy TV docu-drama than a chapter of English history. Although she is not of noble birth or even especially beautiful, Anne Boleyn manages to rise to the very pinnacle of the English aristocracy. Renowned for her extraordinarily vivid recreations of historical events, Carolly Erickson brings out the full fascinating story of the enigmatic Anne Boleyn.

London, 1558. Queen Mary is dead, and twenty-five-year-old Elizabeth ascends the throne. Summoned to court from exile abroad, Elizabeth's intimate spy, Brendan Prescott, is reunited with the young queen, as well as his beloved Kate, scheming William Cecil, and archrival Robert Dudley.

Drawing on the records of national and regional archives as well as archaeological remains, James Clark explores the little-known lives of the last men and women who lived in England's monasteries before the Reformation. Clark challenges received wisdom, showing that buildings were not immediately demolished and Henry VIII's subjects were so attached to the religious houses that they kept fixtures and fittings as souvenirs. This rich, vivid history brings back into focus the prominent place of abbeys, priories, and friaries in the lives of the English people.

This magnificent biography of Henry VIII is set against the cultural, social and political background of his court - the most spectacular court ever seen in England - and the splendour of his many sumptuous palaces. An entertaining narrative packed with colourful description and a wealth of anecdotal evidence, but also a comprehensive analytical study of the development of both monarch and court during a crucial period in English history.

Sixteenth-century Europe was a time of destabilization of age-old norms and the waging of religious wars - yet it also witnessed the remarkable flowering of a pacific culture cultivated by a cohort of extraordinary women rulers who sat on Europe's thrones, most notably Mary Tudor; Elizabeth I; Mary, Queen of Scots; and Catherine de' Medici.

C. S. Lewis offers a magisterial take on the literature and poetry of one of the most consequential periods in world history, providing deep insight into some of the greatest writers of the age, including Edmund Spenser, William Shakespeare, William Tyndale, John Knox, Dr. Johnson, Richard Hooker, Hugh Latimer, Christopher Marlowe, John Donne, and Thomas Cranmer.

Every age and social strata has its bad eggs, rule-breakers, and nose-thumbers. As acclaimed popular historian and author of How to Be a Victorian Ruth Goodman reveals in her madcap chronicle, Elizabethan England was particularly rank with troublemakers, from snooty needlers who took aim with a cutting "thee" to lowbrow drunkards with revolting table manners. Goodman draws on advice manuals, court cases, and sermons to offer this colorfully crude portrait of offenses most foul.