Urban Horror

What do you do after you’ve escaped Hell, gone back, uncovered the true nature of God, and then managed to become the new Lucifer? Well, if you’re James Stark, you have to figure out how to run Hell while also trying to get back out of it... again. Plus there’s the small matter of surviving. Because everyone in Heaven, Hell, and in between wants to be the fastest gun in the universe, and the best way to do so is to take down Lucifer, a.k.a. James Stark.

After our recent victory against Queen Titania’s forces, I thought my harem and I would get some time to relax. Maybe throw a few parties in my subspace and invite the finest from the Celestial and Infernal Academies. Turns out that the Beast of Revelation is on the loose, and it wants to eat the entire universe, starting with Hell itself. Someone needs to defeat the beast and put it back in its cage. And the Prince of Darkness has come to me for help.

Since half-vampire Cat Crawfield and her undead lover Bones met six years ago, they’ve fought against the rogue undead, battled a vengeful Master vampire, and pledged their devotion with a blood bond. Now it’s time for a vacation. But their hopes for a perfect Paris holiday are dashed when Cat awakes one night in terror. She’s having visions of a vampire named Gregor, who’s more powerful than Bones and has ties to her past that even Cat herself didn’t know about.

In 525 BC, the Persian king Cambyses sent 50,000 soldiers across the conquered Egyptian desert to take an oasis city not far from where the Libyan border stands today. According to Greek history, a hurricane-force sandstorm struck near the end of their 600-mile trek. The army - all 50,000 men - vanished without a single trace. Fast forward to 1986. A British archaeological team, sent to the edge of the Great Sand Sea to exhume evidence of the incident, has also gone missing.

With Declan O'Carroll on Fairie and Chris Gordon on Earth, what could go wrong? Try everything. Scheming elves, deadly zombies, killer goblins, flaming dragons, and dirty diapers. With a growing, insidious threat to Earth, Chris and Tanya race to save lives while Declan, Stacia, and friends work just as hard to save their own lives on an alien world, far removed from the comforts and safety of home. Only together will they overcome the odds. But, come on, with this team, maybe the odds should look out.

It is the spring of 1895, and more than a decade of combating eldritch entities has cost Dr. John Watson his beloved wife Mary, and has nearly broken the health of Sherlock Holmes. Yet the companions do not hesitate when they are called to the infamous Bedlam lunatic asylum, where they find an inmate speaking in R’lyehian, the language of the Old Ones. Moreover, the man is horribly scarred and has no memory of who he is. The detectives discover that he was once a scientist, a student of Miskatonic University, and one of two survivors of a doomed voyage down the Miskatonic River.

Harrison is the Monster Detective, a storybook hero. Now he’s in his mid-30s and spends most of his time not sleeping. Stan became a minor celebrity after being partially eaten by cannibals. Barbara is haunted by the messages carved upon her bones. Greta may or may not be a mass-murdering arsonist. And for some reason, Martin never takes off his sunglasses.

Joe Pitt's life sucks. He hasn't had a case or a job in God knows how long, and his stashes are running on empty. What stashes? The only ones that count to a guy like Joe: blood and money. The money he uses to buy blood; the blood he drinks. Hey, it's that or your neck, buddy.

Recently named the world's chief clairvoyant, Cassandra Palmer still has a thorn in her side. As long as Cassie and a certain master vampire---the sizzling-hot Mircea---are magically bound to each other, her life will never be her own. The spell that binds them can only be broken with an incantation found in the Codex Merlini, an ancient grimoire. The Codex's location has been lost in the present day, so Cassie will have to seek it out in the only place it can still be found---the past.

Twenty-something Harper Connelly has a gift. After being struck by lighting as a child, she discovered an eerie ability to locate the deceased. In Memphis, skeptical Professor Nunley wants her to demonstrate that skill at an ancient cemetery. There, Harper stands atop a grave and says there are two bodies entombed: one centuries old, but the other, a young girl named Tabitha.

A collection of thrilling tales from H. P. Lovecraft's Cthulhu Mythos by one of horror's biggest legends, this volume contains the very best of Brian Lumley's Mythos short stories.

Freya Beauchamp has been kidnapped and sucked into the past, forced to relive the horrors of Salem and return to the witch-burning hysteria that gripped the small Massachusetts town. Freya's family is determined to save her, but the Passages of Time are closed to the Beauchamp family, leaving them stuck in the present. Joanna, Freddie, and Ingrid must find another way back to save Freya before it's too late. Because this time, when Freya is hanged, she's not coming back...ever.

As the daughter of Dracula, you would think I’d be born the perfect monster. You couldn’t be more wrong. As far as monsters go, I’m a screw up—if I’m not tripping over my own feet, I’m accidentally murdering someone (it’s a real issue, guys). Left with no choice, Dad decides to send me to Prodigium—otherwise known as Monster Academy—to train me on how to be a better monster. When bodies turn up on campus, I’m the prime suspect (not that I can blame them).

Juniper should have known better after her last foray into the otherworld. But when she’s asked to look into a mysterious box full of poltergeists she ends up making a promise to seven teenage ghosts that puts here directly in the crosshairs of a blood witch’s deadly ire.

Jack Corman is haunted by his father’s failure. Director Bob Corman poured his heart and soul into The Shadow Glass, a mesmeric fantasy film populated by puppets. It flopped, turning Bob into a selfpitying alcoholic. Jobless and mourning his late father, Jack returns home, a place overflowing with movie memorabilia and painful memories. But Jack’s world is thrown into chaos when the puppets in the attic start talking. So begins a desperate quest to save London from the evil creatures of his childhood stories.

Chris Gordon has never had an easy relationship with the White House. Now, after rescuing his goddaughter from a secret base in New Hampshire, it’s reached a new low. You drop one little asteroid onto the continental United States and the entire government goes crazy. On top of that Halloween is fast approaching and demons are popping through into our world every which way.

It’s been 12 years since Jack Masterson last set foot on Lestaron Island. Fresh out of college and lacking a clear direction in life, he’s been asked by his aunt and uncle to travel back to the place he once called home to settle his recently deceased grandfather’s estate. Jack has little to look forward to in regard to his return, outside of a chance to reacquaint himself with Katie, his childhood friend and former crush.

Chris and Tanya have been assigned as Coven Rovers, travelling the country and troubleshooting the supernatural community. It's a job that's part cop and part auditor, one that should be long periods of boredom mixed with small parts of action. But this is Chris and Tanya, so a sudden assignment to check on a rogue vampire leads to a run-in with a hostile master vampire, a hit squad, monsters straight out of Native American folklore, black ops teams, and, worst of all, vampire politics.

John Birmingham is the master of alternate history adventure - and now he's mastered a new genre with the volcanically fast-paced and wildly inventive Dave Hooper urban fantasy series. The series is anchored by a thrilling high concept: An oil rig opens a deep ocean rift that unleashes terrifying monsters into the world.

Since the day they unwittingly found themselves in the horror show of Carousel, Riley (the Film Buff), Antoine (the Athlete), Kimberly (the Eye Candy), Camden (the Scholar), and Anna (the Final Girl) have learned the rules of their horror-movie world. They've fought through story after story and come out alive—or at least preserved the storyline enough to come back to life. But their biggest challenge yet lies ahead.