Victorian Gothic

Three novellas to expand and enrich the world of Victorian Gothic: A Spurned Woman follows a reclusive old woman, tired of life. When she is surprised by a young mother, begging help for her stricken child, the old woman reluctantly agrees to return to the village which once wanted to burn her for witchcraft. Bedlam is set between Victorian Gothic Volumes 2 and 3.

Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family—Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze.

1899. Ten long years since the shocking events that led to Constance Bentwith’s incarceration in Bedlam. The Hermetic Order of the Golden Dawn has split asunder, becoming a hotbed for dangerous minds. 10 years ago, Richard and Lily Kramer left the trauma of London behind them for the tranquil town of Ryde on the Isle of Wight. When an unexpected visitor from their past arrives, they are once again reluctantly drawn into the esoteric world of rituals and monsters. Only this time, the monsters are more human than they bargained for. And infinitely more dangerous.

Arthur Conan Doyle was the greatest genre writer Britain has ever produced. Throughout a long writing career, he drew on his own medical background, his travels, and his increasing interest in spiritualism and the occult to produce a spectacular array of Gothic tales. Many of Doyle's writings are recognized as the very greatest tales of terror. They range from hauntings in the polar wasteland to evil surgeons and malevolent jungle landscapes. This collection brings together over 30 of Conan Doyle's best Gothic tales

It is December 1888. Jack the Ripper has not killed for over a month and London is beginning to relax as Christmas approaches. When Katherine Kramer cuts herself on a strange book at a dinner party, she quickly falls ill. Her husband Richard is a professor of medicine, but even his efforts are futile as the mysterious illness blazes through her. As Katherine dies, she gives birth to something nightmarish. Something which should not exist. Something which spurs Richard to embark on a terrifying journey of discovery as he chases the answer to one question: who or what killed his wife?

On his 59th birthday, Tyson Parks—a famous, but struggling, horror writer—receives an ornate antiquarian desk in the hopes it will rekindle his creative juices. Perhaps inspire him to write another best-selling book and prove his best years aren’t behind him… As Tyson begins to use the new desk, he finds himself writing copy at an unfathomable speed, becomes so focused on writing that he binges on all-night, all-day sessions that take a serious physical and psychological toll. Soon, Tyson begins acting strange. Violent.

“Julia Whelan skillfully narrates Sabine's story of bloodlust and decay…Katie Leung's soft Scottish accent suits the grieving Alice…Lottie is portrayed by Marisa Calin, whose crisp English accent reminds listeners of Lottie's high-society past.”—AudioFile “Julia Whelan, Katie Leung...

A dark sorcerer. His widowed apprentice. A Victorian gothic romance for all time. In the midnight fog of Victorian London, the young widow Elizabeth Buckingham was destitute and alone, sustained only by her vow of revenge against whoever—or whatever—caused her Egyptologist husband’s uncanny demise. Everything changes when a mysterious encounter at a fortuneteller shop leads Elizabeth to join the Esoteric Order of Magisophists, a secret society and college of magic.

Richard Kramer, still nursing his injuries, is on his way to Germany with Lily Lefèvre to find his sister Anne and her children. Charlie Bentwith is struggling to overcome the trauma of recent events, and the enigmatic Dr. Westcott seems to be distracted by problems of his own. When a new threat arises from an unexpected source, the group of friends who had been bound together by Katherine's death are scattered and still reeling from their recent ordeal.

In the wake of a scandal, the Montrose family and their three daughters - Catherine, Lydia and Emeline - flee Boston for their new country home, Willow Hall. The estate seems sleepy and idyllic. But a subtle menace creeps into the atmosphere, remnants of a dark history that call to Lydia, and to the youngest, Emeline. All three daughters will be irrevocably changed by what follows, but none more than Lydia, who must draw on a power she never knew she possessed if she wants to protect those she loves. For Willow Hall’s secrets will rise, in the end....

Adelaide Hampton Parke's world is shattered after the loss of her father and a perilous sea journey. Facing a dire ultimatum from her stepmother, she finds refuge in an unexpected marriage proposal from Eldren Llewellyn, a Welsh lord. But as she steps into his remote estate, Cysgod Lys, Adelaide uncovers chilling secrets lurking within its walls. Is her new husband a savior or a harbinger of doom?

Mary Elizabeth Braddon (1835-1915), little known now, but a renowned writer in her time, gives us five tales of the "weird" as she might herself have said. Here we have five of her better known stories, peopled with jilted lovers, blood thirsty old ladies, and grand, old houses whose restless ancestors refuse to abandon them! The five tales: "The Cold Embrace", "The Shadow in the Corner", "At Chrighton Abbey", "Good Lady Ducayne", and "Eveline's Visitant".

Elizabeth Gaskell's chilling Gothic Tales blends the real and the supernatural to eerie, compelling effect. 'Disappearances', inspired by local legends of mysterious vanishings, mixes gossip and fact; Lois the Witch, a novella based on an account of the Salem witch hunts, shows how sexual desire and jealousy lead to hysteria; while in 'The Old Nurse's Story' a mysterious child roams the freezing Northumberland moors.

London, 1852. Genevieve Timmons has made her living posing as a spiritualist to swindle wealthy believers, until one misstep lands her in a jail cell awaiting the noose. Then a stranger, Mr. Lockhart, arrives to make her a peculiar offer. The lord he serves, Mr. Pemberton, has been grieving the mysterious death of his beautiful bride-to-be for six months. Although no foul play was ever uncovered, the young lord is convinced that she was murdered.

The primal image of the black-caped vampire Dracula has become an indelible fixture of the modern imagination. It's recognition factor rivals, in its own perverse way, the familiarity of Santa Claus. In this critically acclaimed excursion through the life of a cultural icon, David Skal maps out the archetypal vampire's relentless trajectory from Victorian literary oddity to movie idol to cultural commodity, digging through the populist veneer to reveal what the prince of darkness says about us all.

As the age of the photograph dawns in Victorian Bath, silhouette artist Agnes is struggling to keep her business afloat. Still recovering from a serious illness herself, making enough money to support her elderly mother and her orphaned nephew Cedric has never been easy, but then one of her clients is murdered shortly after sitting for Agnes, and then another, and another. Why is the killer seemingly targeting her business?

Beneath the brilliance that was behind The Age of Innocence and Ethan Frome was a dark side. A dark side which produced magnificent tales of the unseen influences in our lives, such as "Mr. Jones", "The Eyes", "Kerfol", "The Ladie's Maid's Bell", and "The Looking Glass".

On December 19th, 1851, a crime took place in the center of London. One of the few who knows what truly happened is Countess Alina Bronskaya. But she will never speak of it. The crime is her curse and her salvation.

This story of raging comedy and despair centers on the tempestuous marriage of an heiress and a Vietnam veteran. From their "carpenter Gothic" rented house, Paul sets himself up as a media consultant for Reverend Ude, an evangelist mounting a grand crusade that conveniently suits a mining combine bidding to take over an ore strike on the site of Ude's African mission.

"For the love of God, cut off my head." The last request in Uncle Silas's will shocks everyone speechless, everyone except his favorite niece, Anna. More than death itself, the claustrophobic Silas fears a premature burial. Will her elders carry out his request? Anna is certain they will not. It's up to her to do the right thing, even if it is a bit grisly. Armed with butcher knife and candle, Anna heads for the crypt underneath the church in the dead of night. All does not go according to Anna's careful planning.