Victorian Horror

Captain Stuart Monroe returns home from the Revolutionary War to find Thornton Hall threatened by a peacetime foe: debt. He knows the location of a treasure amassed to pay for the capture of Benedict Arnold that would restore his manor to its former glory. The catch: It's hidden in the graveyard and coveted by old enemies. Hettie Fairfax inherited the Sight from her Cherokee ancestors, and her otherworldly visitors warn her, and Stuart, away from the buried treasure. Half-dead from fever, she delivers a message: The treasure is cursed.

Love can never die. Love conquers all, so they say. But can Cupid’s arrow pierce the hearts of the living and the dead—or rather, the undead? Can a proper young Victorian lady find true love in the arms of a dashing zombie? The year is 2195. The place is New Victoria—a high-tech nation...

Although Ophelia Garrett loved Cade Scott first, it was her sister he married and took home to his plantation. When Ophelia receives word of her sister's murder and Cade's arrest, she travels there on a mission to learn the truth. She soon finds the halls of Almenara are haunted by secrets, peril, and quite possibly her sister's ghost. Despite the cold, angry man Cade has become, Ophelia's heart refuses to believe he is a murderer. Vowing to do everything she can to prove his innocence, Ophelia must open wounds she'd hoped were long healed.

Disowned by the cruel father who has always despised her, she has nowhere to turn until she is taken under the wing of a glamorous relative she never knew: the former Duchess of Ellsworth, who has scandalized society by remarrying soon after her first husband's death. At the opulent seaside estate of Ellsmere, Oriel thinks she has found a safe haven - but the darkly handsome young duke, Herron, believes otherwise. Haunted by the death of his father, he suspects that Ellsmere is sheltering a murderer.

Can a curse strike twice in a woman's life? In 1854, 17-year-old chambermaid Clara Crofton was dismissed from Gravesend Hall for having fallen in love with Richard Blackwood, the younger son of the house. Alone in the world, Clara found a tenuous position as a seamstress, but she always blamed the Gravesend curse for the disaster that had befallen her - and for Richard's death soon after in the Crimean War.

For most of her life, Juliet Emerline has subsisted, isolated by deafness, making hats in the solitude of her home. Now she's at risk of losing her sanctuary to Lord Nicolas Thornton, a mysterious and eccentric architect with designs on her humble estate. When she secretly witnesses him raging beside a grave, Juliet investigates, finding the name "Hawk" on the headstone and an unusual flower at the base. The moment Juliet touches the petals, a young English nobleman appears in ghostly form.

Il capolavoro della scrittrice inglese. Un romanzo che getta le basi della lotta femminile per il proprio diritto all'autodeterminazione. Rappresenta il ritratto di un’epoca ed il percorso di una donna. Musiche originali di Ivan Genesio.

Victorian England, 1891. The escape of reading had saved the pathetic life of the orphaned Naomi Gladwyn. However, when she learns of books that are responsible for taking lives, everything she knows changes. Approaching her 18th birthday with only the grim prospect of living out her days in a workhouse, Naomi makes the boldest decision of her life and runs away. With only the whisper of a plan, she soon finds herself swept up into the dark world of The Book Reapers - a secret society that knows there is more to some books than meets the eye.

Before Twilight and True Blood, even before Buffy and Anne Rice and Bela Lugosi, vampires haunted the 19th century, when brilliant writers everywhere indulged their bloodthirsty imaginations, culminating in Bram Stoker's legendary 1897 novel, Dracula. Michael Sims brings together the very best vampire stories of the Victorian era - from England, America, France, Germany, Transylvania, and even Japan - into a unique collection that highlights their cultural variety.

Iseult Wince is a Victorian woman perilously close to spinsterhood whose distinctly unpleasant father is trying to marry her off. She is awkward, plain, and most pertinently, believes that her mother, who died in childbirth, lives in the scar on her neck. Iseult’s father parades a host of unsuitable candidates before her, the majority of whom Iseult wastes no time frightening away. When at last her father finds a suitor desperate enough to take Iseult off his hands - a man whose medical treatments have turned his skin silver - a true comedy of errors ensues.

In the year 1843, embittered Afghan War veteran John Sparrowhawk is released from the debtors’ prison by the beautiful and enigmatic Miss Evangeline. Penniless and alone in the world, he takes employment with his mysterious benefactor, agreeing to stand guard over a house in Bloomsbury for the duration of that December. The task sounds simple, but in fact is anything but.

Clara grew up believing that her mother's family had disowned them. But the grandmother Clara never knew is now entreating her to visit Thurnley Hall, the family seat in Yorkshire. The old lady is on her deathbed and anxious to disclose vital family secrets before it's too late - for Clara's unborn child may be cursed with a horrible fate.

In the first of a brand-new series set in Victorian England, a young woman returns home from India after the death of her family to discover her identity and inheritance are challenged by the man who holds her future in his hands.

Celia Renton, a poor relation, is summoned to Sorrowmoor, a gloomy estate owned by her cousin, Connall Rothwell. But all is not well at the house. A mysterious death of the master's brother, a master with demons, and a deadly enemy await Celia. Even as her heart is torn with mistrust of the master of the house, danger lurks behind handmade dolls and treacherous smiles. Will Celia live to learn the secrets of Sorrowmoor?

Mary Shelley's Frankenstein, the book that changed the world. Published to coincide with the 200th anniversary of the publication of Mary Shelley’s Frankenstein and a movie starring Elle Fanning as Mary Shelley, Monster is a brilliant fictionalized biography akin to The Other Boleyn Girl. Two centuries ago this year, the young woman who invented science fiction was only 20 when she wrote the book that became Frankenstein. Mary Shelley said, “People ask how I, then a young girl, could think of, and dilate upon, so hideous subject?”

From the author of the Amazon best-seller The Soul Collector comes a real life story of terror and intrigue. When Edwin Gonzalez and Lillian Otero purchased the historic S.K. Pierce Victorian Mansion in Gardner, Massachusetts, in 2009, they scoffed at the ghostly legends surrounding the house. They didn't believe in ghosts. The house soon proved them wrong. By the fall of 2011, they were forced from their house, narrowly escaping with their lives.

Clayton Barbour, the narrator, is a protected bourgeois son just weak enough to allow himself to be overwhelmed by a sly, dissembling force of evil, just strong enough to be constantly tormented by his weakness. Invited to a séance by a casual acquaintance, Moore, who sees in him a psychic force, he becomes the inadvertent victim of Moore's wife's contact with a channeled malignant force.

Katherine O'Donnell was born with a disfiguring strawberry birthmark across the bottom of her face. In 1880s London, that was enough to discourage suitors. Love was something for which she yearned, but never found within her reach. Out of necessity, she became adept at hiding inside her home and behind makeups she formulated and applied herself. When tragedy upended her modest life and dumped her out onto the streets, she was bereft of options. She answered an advertisement for a mortuary assistant.

"For the love of God, cut off my head." The last request in Uncle Silas's will shocks everyone speechless, everyone except his favorite niece, Anna. More than death itself, the claustrophobic Silas fears a premature burial. Will her elders carry out his request? Anna is certain they will not. It's up to her to do the right thing, even if it is a bit grisly. Armed with butcher knife and candle, Anna heads for the crypt underneath the church in the dead of night. All does not go according to Anna's careful planning.

A Polish historian visiting Italy falls in love with a 16th-century femme fatale, who murdered a series of enthralled husbands and lovers. When he experiences visions of the beautiful Medea Da Carpi, it slowly turns his scholarly fascination into a fatal obsession.