Victorian Horror

Sullo sfondo della brughiera battuta dai venti, una ragazza umile ma volitiva trova lavoro come istitutrice nella casa di un uomo aspro e malinconico. Tra di loro nascerà inaspettata una grande passione, che dovrà però fare i conti con un segreto scabroso. Un capolavoro di una modernità dirompente, un cult che continua ad affascinare generazione dopo generazione.

Victorian England, 1891. The escape of reading had saved the pathetic life of the orphaned Naomi Gladwyn. However, when she learns of books that are responsible for taking lives, everything she knows changes. Approaching her 18th birthday with only the grim prospect of living out her days in a workhouse, Naomi makes the boldest decision of her life and runs away. With only the whisper of a plan, she soon finds herself swept up into the dark world of The Book Reapers - a secret society that knows there is more to some books than meets the eye.

Before Twilight and True Blood, even before Buffy and Anne Rice and Bela Lugosi, vampires haunted the 19th century, when brilliant writers everywhere indulged their bloodthirsty imaginations, culminating in Bram Stoker's legendary 1897 novel, Dracula. Michael Sims brings together the very best vampire stories of the Victorian era - from England, America, France, Germany, Transylvania, and even Japan - into a unique collection that highlights their cultural variety.

A duke who has imprisoned himself in an attic for nine years is in need of a wife...Evander Meyrick, the Duke of Sutherton, has lived the past 13 years under a curse. He didn’t know just how bad the curse was until every lady he married died within a year of their wedding day. Now he has a step-daughter, Tabitha, who is ready for her first Season, and he longs to give her something he can’t have for himself: A normal life. A spinster who thought her best years were behind her may find a second chance so long as the curse doesn’t touch her...

Iseult Wince is a Victorian woman perilously close to spinsterhood whose distinctly unpleasant father is trying to marry her off. She is awkward, plain, and most pertinently, believes that her mother, who died in childbirth, lives in the scar on her neck. Iseult’s father parades a host of unsuitable candidates before her, the majority of whom Iseult wastes no time frightening away. When at last her father finds a suitor desperate enough to take Iseult off his hands - a man whose medical treatments have turned his skin silver - a true comedy of errors ensues.

Mary Shelley's Frankenstein, the book that changed the world. Published to coincide with the 200th anniversary of the publication of Mary Shelley’s Frankenstein and a movie starring Elle Fanning as Mary Shelley, Monster is a brilliant fictionalized biography akin to The Other Boleyn Girl. Two centuries ago this year, the young woman who invented science fiction was only 20 when she wrote the book that became Frankenstein. Mary Shelley said, “People ask how I, then a young girl, could think of, and dilate upon, so hideous subject?”

Captain Stuart Monroe returns home from the Revolutionary War to find Thornton Hall threatened by a peacetime foe: debt. He knows the location of a treasure amassed to pay for the capture of Benedict Arnold that would restore his manor to its former glory. The catch: It's hidden in the graveyard and coveted by old enemies. Hettie Fairfax inherited the Sight from her Cherokee ancestors, and her otherworldly visitors warn her, and Stuart, away from the buried treasure. Half-dead from fever, she delivers a message: The treasure is cursed.

In the year 1843, embittered Afghan War veteran John Sparrowhawk is released from the debtors’ prison by the beautiful and enigmatic Miss Evangeline. Penniless and alone in the world, he takes employment with his mysterious benefactor, agreeing to stand guard over a house in Bloomsbury for the duration of that December. The task sounds simple, but in fact is anything but.

Although Ophelia Garrett loved Cade Scott first, it was her sister he married and took home to his plantation. When Ophelia receives word of her sister's murder and Cade's arrest, she travels there on a mission to learn the truth. She soon finds the halls of Almenara are haunted by secrets, peril, and quite possibly her sister's ghost. Despite the cold, angry man Cade has become, Ophelia's heart refuses to believe he is a murderer. Vowing to do everything she can to prove his innocence, Ophelia must open wounds she'd hoped were long healed.

In Victorian London, a select group of writers, led by Arthur Conan Doyle, Bram Stoker, and Henry James, held an informal dining club, the price of entry to which was the telling of a story by each invited guest. These are their stories, containing tales of revenant loved ones, lost cities, weird science, spectral appearances, and mysteries in the fog of the old city, all told by some of the foremost writers of the day. In here you'll find Verne and Wells, Tolstoy and Checkov, Stevenson and Oliphant, Kipling, Twain, Haggard, and Blavatsky alongside their hosts.

Branded an outcast by the noble branch of his werewolf clan, Cort Renier had come to San Francisco seeking fortune—and revenge. What he found was a mysterious beauty who could not—or would not—reveal who she truly was. At first glance she seemed vulnerable and afraid, like so many girls caught up in the debauchery of the city's whiskey-soaked gambling dens. But one look into her stunning turquoise eyes and he knew he'd found the winning hand.

Clara grew up believing that her mother's family had disowned them. But the grandmother Clara never knew is now entreating her to visit Thurnley Hall, the family seat in Yorkshire. The old lady is on her deathbed and anxious to disclose vital family secrets before it's too late - for Clara's unborn child may be cursed with a horrible fate.

Welcome to the Gothic London of the 1800s. These saucy tales quicken the pulse, thrill the mind, and excite parts of the body that other, lesser books fail to reach. Short stories featured in this sweet confection of blood, sex, and Gothic melodrama include "Holmes of the Baskervilles", "Miss Katie Bell - Victorian Vampire", "Joan Dark Is Lost", and "The Vampire Alice Through the Looking Glass". Here, vampires walk the streets and your favorite characters from Victorian literature are twisted until they snap.

Ghost stories date back centuries, but those written in the Victorian era have a unique atmosphere and dark beauty. Michael Sims, whose previous Victorian collections Dracula’s Guest (vampires) and The Dead Witness (detectives) have been widely praised, has gathered twelve of the best stories about humanity’s oldest supernatural obsession. The Phantom Coach includes tales by a surprising and often legendary cast, including Charles Dickens, Margaret Oliphant, Henry James, Rudyard Kipling, and Arthur Conan Doyle, as well as lost gems by forgotten masters such as Mary E. Wilkins Freeman and W. F. Harvey. Amelia B. Edwards’s chilling story gives the collection its title, while Ambrose Bierce ("The Moonlit Road"), Elizabeth Gaskell ("The Old Nurse’s Story"), and W. W. Jacobs ("The Monkey’s Paw") will turn you white as a sheet. With a skillful introduction to the genre and notes on each story by Sims, The Phantom Coach is a spectacular collection of ghostly Victorian thrills.

Celia Renton, a poor relation, is summoned to Sorrowmoor, a gloomy estate owned by her cousin, Connall Rothwell. But all is not well at the house. A mysterious death of the master's brother, a master with demons, and a deadly enemy await Celia. Even as her heart is torn with mistrust of the master of the house, danger lurks behind handmade dolls and treacherous smiles. Will Celia live to learn the secrets of Sorrowmoor?

From the author of the Amazon best-seller The Soul Collector comes a real life story of terror and intrigue. When Edwin Gonzalez and Lillian Otero purchased the historic S.K. Pierce Victorian Mansion in Gardner, Massachusetts, in 2009, they scoffed at the ghostly legends surrounding the house. They didn't believe in ghosts. The house soon proved them wrong. By the fall of 2011, they were forced from their house, narrowly escaping with their lives.

Clayton Barbour, the narrator, is a protected bourgeois son just weak enough to allow himself to be overwhelmed by a sly, dissembling force of evil, just strong enough to be constantly tormented by his weakness. Invited to a séance by a casual acquaintance, Moore, who sees in him a psychic force, he becomes the inadvertent victim of Moore's wife's contact with a channeled malignant force.

An old man lives in a Victorian house alone. Or so he thinks. When he visits his basement, he is literally haunted by his past.

Katherine O'Donnell was born with a disfiguring strawberry birthmark across the bottom of her face. In 1880s London, that was enough to discourage suitors. Love was something for which she yearned, but never found within her reach. Out of necessity, she became adept at hiding inside her home and behind makeups she formulated and applied herself. When tragedy upended her modest life and dumped her out onto the streets, she was bereft of options. She answered an advertisement for a mortuary assistant.

Whatever you do, don't go on to the beaches at dusk, or the Sand-Walker will come to your window at night. Such is the sinister warning given to the new lodger at the Beach Farm, a lonely house on the North Sea coast of England. But who, or what, is the Sand-Walker?