Victorian Suspense

Bath, England, 1892. Celebrated mystery author Lady Amy Lovell is set to tie the knot with Lord William Wethington, a fellow member of the Mystery Book Club of Bath. Amy's great-aunt, Lady Priscilla Granville, has offered to host their wedding at her stately Derby Manor House.

Annie has a problem: She has a beautiful child, a loving husband, a well-run boardinghouse with a supportive circle of friends and family, but she’s feeling restless and unhappy. Dr. Charlotte Brown, the doctor who delivered Annie’s baby, has a different problem. The Pacific Dispensary for Women and Children, the clinic and hospital she co-founded, is being threatened by financial and legal difficulties caused by the mysterious illness of a former patient.

The sole survivor of his family’s gruesome murder years earlier, poor little Ned Lawton has struggled to put the dark events behind him. So, when a brash New York detective darkens his doorway demanding an interview, the wealthy young gentleman immediately shuts him out. But a rash of murders in America are mirroring of the London killings, and Patrick Kelly knows Ned might be the key to stopping the bloodshed.

When her soulmate, Jonathan August-Trelawney jilts her at the altar, Lily Pond is determined to live life on her own terms. Her friends aren’t afraid of giving their opinions, encouraging her to find someone else to marry, and swiftly. Lily has other ideas.

England, 1883. Recovering from a devastating loss, Evelyn has become determined to use her powers to save other gifted people from those who would study and oppress them. But when her rescue of a young telekinetic girl goes terribly wrong, Evelyn finds herself involved with a secret society devoted to recruiting and protecting people like Evelyn and her friends. Like magic, Evelyn's problems start to disappear. Her reputation is repaired, her friends are provided for, and her parents are thrilled at all her new suitors.

Gideon Waverley, heir to the Duke of Townsend, had everything a young man could need, a promising future, a title, charming good looks, great friends, and a family who adored him. Until his body turned him into a monster. He had no choice but to separate himself from the world, to hide his monstrous self from society, to cast away his future. But the brilliant and beautiful Eve Cornwell refused to believe he could not be saved, even as she refused to guard her heart.

London, 1851, and the Great Exhibition is on. A soaring success despite months of dour predictions, it is the event of the year, on front pages and wagging tongues the world over—and Miss Kara Levett is thrilled to be in the middle of it. The daughter of a baron and an exhibitor herself, she happily demonstrates her elaborate automatons and case clocks to the crowds. But her situation grows perilous when a man is murdered in the Crystal Palace and she becomes the prime suspect.

A village in Cornwall is thrown into turmoil after a young girl falls from a train to her death. Was this an accident? Or murder? The mystery deepens when clues link the girl to a double homicide committed ten years earlier. Braddon's sensational novel takes us to the estates of aristocrats, the haunts of tabloid writers, the homes of Bohemian artists, and the dark alleyways of Paris. Braddon, one of Victorian England's best-selling novelists, is at the height of her powers in Wyllard's Weird.

Lucy Ashton had long ago given up her quest for true love. In the rarified society of Victorian England, Lucy plays the game—flirting, dancing and dabbling in the newly fashionable spiritualism. Even marrying when—and who—she’s supposed to. If the stuffy Duke of Sussex cannot spark the passion she craves, he can at least give her a family, a home of her own, and a place to belong. But when her polite marriage reveals a caring and sensual man, Lucy begins to wonder if she can indeed have it all.

Manchester, England, 1857. When the largest art exhibition ever to be held in Manchester opens, Rosanna Hawkins—one of Manchester’s finest artists to reproduce “parlor versions” of classic masterpieces with near-perfect precision—attends, excited by the chance to sketch such famous works. When she meets the handsome Detective Martin Harrison, who is head of security for the exhibition, she is immediately intrigued. But the couple’s blossoming summer romance takes a strange turn when Rosanna recognizes her own works on display in the exhibition hall.

During the last part of the nineteenth century, the detective story took off as a popular genre as literary magazines vied with each other to draw in readers with gripping page-turners by the likes of Arthur Conan Doyle, G. K. Chesterton, Guy Boothby and Wilkie Collins. This collection brings together some of the great detectives of the Victorian era, from the master sleuth himself, Sherlock Holmes, to the mild mannered Father Brown, to the feisty J. G. Reeder.

After almost a year of marriage, amateur sleuths Lord William and Lady Amy have put aside their investigating skills to prepare for their first child. It would be an easy thing, except dead bodies are once again popping up.

Steamy regency romance. Redeeming a rake can be so satisfying. Four complete novels. Each filled with intrigue, danger, and true love.

It is San Francisco in the summer of 1882, and Annie and Nate Dawson have finally found a good balance between the demands of family and work. Nate has an interesting legal case defending a young woman who has been left out of her mother’s will. Annie is looking into whether the financial difficulties facing the Potrero Woolen Mills are caused by bad management or bad luck.

In Scholarly Pursuits, the sixth full-length book in the USA Today best-selling Victorian San Francisco mystery series, Locke explores life in University of California, Berkeley campus, in 1881. Laura and her friends face the remarkably modern problems of fraternity hazings, fraught romantic relationships, and fractious faculty politics.

It’s the summer of 1879, and Annie Fuller, a young San Francisco widow, is in trouble. Annie’s husband squandered her fortune before committing suicide five years earlier, and one of his creditors is now threatening to take the boardinghouse she owns to pay off a debt. Annie Fuller also possesses a secret. She supplements her income by giving domestic and business advice as Madam Sibyl, one of San Francisco’s most exclusive clairvoyants, and one of Madam Sibyl’s clients, Matthew Voss, has died.

An ill-fated grave-robbery unearths a corpse with a most disturbing symbol on it. The very same sign is daubed in blood on the walls of Edinburgh's lunatic asylum, on the night that one of the patients is murdered. The mark in question? The mark of the devil. The prime suspect: Amy McGray, the asylum's most infamous inmate, a young woman who has grown up behind bars after she killed her parents many years ago. Her brother, Detective 'Nine-Nails' McGray, knows the evidence is stacked against her. To prove her innocence, he needs the help of an old friend.

It's 1911, and war is brewing across Europe. However, Melody Chesterton, an independent young woman with her own fortune, has more important things on her mind. Melody is determined to do more with her life than marry well; she wants exciting escapades with perhaps some romance sprinkled in along the way. Chaperoned by her older brother, Rat, who secretly works for Britain's newly formed Secret Service Bureau, Melody sets off for the first stop on her Grand Tour of Europe, Venice.

Ariana Caldwell has grown up in the shadow of a secret family tragedy, at the heart of which lay Trenton Kingsley. Forced to marry a man she had been led to hate-and fear-Ariana is helplessly caught in the renewed fury of an ancient feud. But despite the danger, her husband's unaccountable torment only draws Ariana closer, and her instincts will not allow her to retreat. Caught between Trenton's brooding desire and her brother's imperious demands, Ariana is on an odyssey for the truth . . . consumed by the promise of a passionate, overwhelming love.

Someone, somewhere, had been strangled. Psychic Jenny Watkins' second vision comes through the eyes of the victim. While she doesn't know when or where the strangulation took place, she does get a good look at the killer. With little else to go on besides an image in her mind, Jenny races to put a name to the face before he strikes again.