Victorian True Crime

From the acclaimed biographer - the fascinating, little-known story of a Victorian-era murder that rocked literary London, leading Charles Dickens, William Thackeray, and Queen Victoria herself to wonder: Can a novel kill?

In the summer of 1889, young Southern belle Florence Maybrick stood trial for the alleged arsenic poisoning of her much older husband, Liverpool cotton merchant James Maybrick. The ‘Maybrick Mystery’ had all the makings of a sensation and cracked the varnish of Victorian respectability. Florence’s fate was fiercely debated on the front pages of the newspapers and in parlours and backyards across the country.

In 1898, a group of schoolboys in Bridgeport, Connecticut, discovered gruesome packages under a bridge holding the dismembered remains of a young woman. Finding that the dead woman had just undergone an abortion, prosecutors raced to establish her identity and fix blame for her death. Suspicion fell on Nancy Guilford, half of a married pair of “doctors” well known to police throughout New England. A fascinated public followed the suspect’s flight from justice, as many rooted for the fugitive.

One sunlit evening, May 6, 1882, Lord Frederick Cavendish and Thomas Burke, Chief Secretary and Undersecretary for Ireland, were ambushed and stabbed to death while strolling through Phoenix Park in Dublin. The murders were funded by American supporters of Irish independence and carried out by the Invincibles, a militant faction of republicans.

Number 4 Euston Square was a respectable boardinghouse, like many others in Victorian London. But beneath this ordinary veneer lurked a murderous darkness. On 8th May 1879, the corpse of former resident Matilda Hacker was uncovered in the coal cellar. The investigation that followed stripped bare the shadow-side of Victorian domesticity, throwing the lives of everyone within into an extraordinary maelstrom.

It took three tortured days in 1876 for Charles Bravo to die from the poison that burned its way through his body. The subsequent investigation revealed many people with a grudge against the young barrister. The dramatic inquest was covered in sensational detail by the press, but no one was convicted of his murder. Over a century later, James Ruddick draws on new evidence to solve one of the most famous murders in criminal history.

When one hears the term “Victorian”, many images come to mind. For some, the term conjures up visions of lace and gloves and delicate fans. Others think of tight corsets and even tighter morals. Others, swayed perhaps by one too many British costume dramas, envision gentle elegance and long-lost beauty. Naturally, few people think of multiple dead bodies cast about in the streets or dark bedrooms, most mutilated to a shocking degree, and yet, those tragic images played a significant role not only in late Victorian London, but ever since.