Violence Girl

They call it The Violence: a strange epidemic that causes the infected to experience sudden bursts of animalistic rage, with no provocation and no memory of their crimes. While it tears the nation apart, one woman sees something unlikely in the chaos—an opportunity.

In Hunting Girls, Kelly Oliver examines popular culture's fixation on representing young women as predators and prey and the implication that violence - especially sexual violence - is an inevitable, perhaps even celebrated, part of a woman's maturity. In such films as Kick-Ass (2010), The Girl with the Dragon Tattoo (2011), and Maleficent (2014), power, control, and danger drive the story, but traditional relationships of care constrict the narrative. Even the protagonist's love interest adds to her suffering.

The Violence Project is about an examination of the phenomenon of mass shootings in America and an urgent call to implement evidence-based strategies to stop these tragedies. Using first-person accounts from the perpetrators themselves, along with data from the writers’ groundbreaking research on mass shooters, The Violence Project charts new pathways to prevention and innovative ways to stop the social contagion of violence.

Here's a tip: when you fall into Hell, seduce the devil. Not that the devil needs much seducing. He's seen all the twisted, blood-soaked things I've done on Earth, and he's already obsessed with me. A little too obsessed, if you ask me. I already have four mates, and they're more than enough trouble. But when the devil—I'm calling him Dev—gives me a chance to hit my psychopath father where it hurts and take out some of his minions, I jump at the chance. I'm not an assassin-for-hire, but if Eidolon keeps amassing power, he'll be even more dangerous.

He was supposed to die. But now I have him where I want him, I can’t help but taste him a little. All of them. They've gotten under my skin. These Sacred Heart boys.

Lerette, a private contractor employed by the notorious Blackwater in the early days of the Iraq War, pulls no punches in calling out the incompetence of both the US military and the Department of State during the collapse of Iraq. You can decide if the insertion of private contractors in Iraq assisted or detracted from the war effort and if the costs in blood and treasure were worth the carnage.

Eleven-year-old Parvana lives with her family in one room of a bombed-out apartment building in Kabul, Afghanistan's capital city during the Taliban rule. Parvana's father- a history teacher until his school was bombed and his health destroyed- works from a blanket on the ground in the marketplace, reading letters for people who cannot read or write. One day he is arrested for the crime of having a foreign education, and the family is left without someone who can earn money or even shop for food.

When Alice was 10, Ray took her away from her family, her friends - her life. She learned to give up all power, to endure pain. She waited for the nightmare to be over. Now Alice is 15 and Ray still has her, but he speaks more and more of her death. He does not know it is what she longs for. She does not know he has something more terrifying than death in mind for her. This is Alice's story. It is one you have never heard, and one you will never, ever forget.

A deadly virus killed every adult on Earth, leaving only the kids behind. With her parents gone, Lisa is responsible for her little brother, Todd. She has to make sure they stay alive. Many kids are sick or starving, and fierce gangs are stealing and destroying everything they find. Lots of people have given up, but on Grand Avenue, some kids are surviving. Because of Lisa. Lisa figured out how to give the kids on Grand Avenue food, homes, and protection against the gangs.

In 2012, in Paris, the novelist Édouard Louis was raped and almost murdered by a man he had just met. This act of violence left Louis shattered; its aftermath made him a stranger to himself and sent him back to the past he had sworn to leave behind. A best seller in France, History of Violence is a short nonfiction account with the victim as its subject. Moving seamlessly between past and present, between Louis’s voice and the voice of an imagined narrator, History of Violence has the exactness of a police report and the unflinching curiosity of memoir at its best.

The girl does not respond to questions in any language and remains silent, even when she is threatened, harassed, and mistreated over several days. The only clue to her identity is a tattered shoulder bag containing papers that refer to people named Shauzia, Nooria, Leila, Asif, Hassan - and Parvana. As she waits for foreign military forces to determine her fate, she remembers the past four years of her life. Reunited with her mother and sisters, she has been living in a village where her mother managed to open a school for girls.

In the thick of lockdown, 2020, poet, critic, and memoirist Jamie Hood published her debut, how to be a good girl, an interrogation of modern femininity and the narratives of love, desire, and violence yoked to it. The Rumpus praised Hood’s “bold vulnerability,” and Vogue named it a Best Book of 2020. In Trauma Plot, Hood draws on disparate literary forms to tell the story that lurked in good girl’s margins—of three decades marred by sexual violence and the wreckage left behind.

Foster carer Maggie Hartley is finally enjoying a well-earned holiday from fostering, savouring time with her brand-new baby granddaughter. One night, though, the peace and quiet is interrupted by an urgent call from Social Services. A man has been stabbed, and Social Services need to find an emergency placement for his little girl. Maggie is used to children arriving on her doorstep at all times of the day and night, but nothing can prepare her for the sight of 11-year-old Nancy.

Ferguson might be the worst, but it is not the first. Ferguson is just the latest of hundreds of examples of Black mob violence around the country. White Girl Bleed a Lot: The Return of Racial Violence to America and How the Media Ignore It was written for the deniers: reporters and public officials and others who deny Black mob violence has reached epidemic levels.

Twenty-five years ago, a young girl left home to walk to school. Her younger sister soon followed. But one of them arrived, and one of them didn’t. Her sister’s disappearance has defined Willa’s life. Everyone thinks her sister is dead, but Willa knows she isn’t. Because there are some things that only sisters know about each other—and some bonds only sisters can break. When Willa is invited to a party thrown by her first love, she has no reason to expect it will be anything other than an ordinary evening But nothing about Willa’s life has been ordinary since the day her sister disappeared.

One year after a random shooting changed their family forever, Nora and her father are exploring a slot canyon deep in the Arizona desert, hoping it will help them find peace. Nora longs for things to go back to normal, like they were when her mother was still alive, while her father keeps them isolated in fear of other people. But when they reach the bottom of the canyon, the unthinkable happens: A flash flood rips across their path, sweeping away Nora's father and all of their supplies.

Best friends Tamanna and Yasmine cannot believe their good fortune when a school is set up in their Afghan village; however, their dreams for the future are shattered when the Taliban burn down the school and threaten the teacher and students with death. As Tamanna faces an arranged marriage to an older man, and the Taliban target Yasmine’s Western-educated family, the girls realize they must flee.

Sixteen-year-old Beau Willet has dreams of being an artist and one day leaving the Chicago projects she’s grown up in. But after her older sister, Katia, is killed by an off-duty police officer, Beau knows she has to clear her sister’s name by finding the only witness to the murder; Katia’s no-good boyfriend, Jordan, who has gone missing. If she doesn't find him and tell the world what really happened, Katia's death will be ignored, like the deaths of so many other Black women who are wrongfully killed.

Kelly Sundberg’s husband, Caleb, was a funny, warm, supportive man and a wonderful father to their little boy Reed. He was also vengeful and violent. But Sundberg did not know that when she fell in love, and for years told herself he would get better. It took a decade for her to ultimately accept that the partnership she desired could not work with such a broken man. In her remarkable book, she offers an intimate record of the joys and terrors that accompanied her long, difficult awakening, and presents a haunting, heartbreaking glimpse into why women remain too long in dangerous relationships.

Ava Thomas knew leaving was the right decision. Trapped and manipulated in her relationship, and after yet another violent beating whilst she was pregnant, Ava was helped to a women's refuge with her children. Listening to the stories of other women there, Ava began thinking back to where it all started to go wrong. Brought up by a mother who never loved her, Ava sought that missing care and warmth elsewhere. Running away to her father's home as a teenager, she thought she might finally be safe. But after being abused by her own brother, she was thrown out onto the streets.