West African Culture

For too long, Africa’s history has been dominated by western narratives of slavery and colonialism, or simply ignored. Now, Zeinab Badawi sets the record straight. In this fascinating book, Badawi guides us through Africa’s spectacular history—from the very origins of our species, through ancient civilizations and medieval empires with remarkable queens and kings, to the miseries of conquest and the elation of independence.

Beginning in prehistoric times, West Africa has always been an incredible region. Early nomadic tribes settled into some of the earliest communities on Earth and learned how to work with metal. Various West African tribes then became adept at working with metal and were some of the most skilled artisans in the world. As civilizations developed in West Africa, nomadic tribes turned into urban societies that built kingdoms. Eventually, some of the greatest leaders in the world created mighty West African empires.

The compelling account of how two heritages united in their struggle to gain freedom and equality in America. The first paths to freedom taken by runaway slaves led to Native American villages. There, black men and women found acceptance and friendship among our country's original inhabitants. Though they seldom appear in textbooks and movies, the children of Native and African American marriages helped shape the early days of the fur trade, added a new dimension to frontier diplomacy, and made a daring contribution to the fight for American liberty.

Africa has been known as "the cradle of mankind", and its recoverable history stretches back to the Pharaohs. But the idea of studying African history is itself new, and the authors show why it is still contested and controversial. This VSI, the first concise work of its kind, will prove essential for anyone interested in the African continent and the diversity of human history.

Beginning with pre-Revolutionary America and moving into the movement for Black lives and contemporary Indigenous activism, Afro-Indigenous historian Kyle T. Mays argues that the foundations of the US are rooted in anti-Blackness and settler colonialism, and that these parallel oppressions continue into the present. He explores how Black and Indigenous peoples have always resisted and struggled for freedom, sometimes together, and sometimes apart.

Corinne LaMer defeated the wicked jumbie Severine months ago, but things haven't exactly gone back to normal in her Caribbean island home. Everyone knows Corinne is half-jumbie, and many of her neighbors treat her with mistrust. When local children begin to go missing, snatched from the beach and vanishing into wells, suspicious eyes turn to Corinne. To rescue the missing children and clear her own name, Corinne goes deep into the ocean to find Mama D'Leau, the dangerous jumbie who rules the sea.

The Africans have a long history, although not everything has been preserved in writing. And many folklore stories have been passed on through generations. The African tribes vary as much as the colors of the rainbow. It is for these reasons, and entertainment as well, that this book has been put together. It entails several mythological tales that refer to African gods, creatures, and entities. Some of these have morals. Others are symbolic of one thing or another.

I Hear My People Singing shines a light on a small but historic black neighborhood at the heart of one of the most elite and internationally renowned Ivy League towns - Princeton, New Jersey. The vivid first-person accounts of more than 50 black residents detail aspects of African American life throughout the 20th century.

President Lyndon B. Johnson’s War on Poverty did more than offer aid to needy Americans; in some cities, it also sparked both racial conflict and cooperation. Race and the War on Poverty examines the African American and Mexican American community organizations in Los Angeles that emerged to implement War on Poverty programs. It explores how organizers applied democratic vision and political savvy to community action, and how the ongoing African American, Chicano, and feminist movements in turn shaped the contours of the War on Poverty’s goals, programs, and cultural identity.