Western Crime

In a land scorched by sun and stained by secrets, one man walks a path below the reach of law, hope, or mercy. William Cash—once sheriff, now a ghost in his own story—emerges from the ashes of Johnson’s Corner to confront the evil that festers beneath the soil. But the devil wears many faces, and redemption runs as dry as the riverbeds. In the aftermath of fire and betrayal, a new darkness takes root. Children vanish, shadows whisper in the trees, and a woman with no past holds the key to an ancient curse.

Jeb Miller is one of those Texans this vigilante saves after Jeb’s parents are slaughtered by Spotted Horse and his ruthless son Nacoma. Jeb goes on a mission to bring the renegade Comanche’s to justice and is so doing crosses paths with the Laramie Kid and the lone cowboy...with deadly results. Indeed, who is this lone cowboy in the dirty white Stetson and why does he risk his life so freely? How does the Laramie Kid bring him to justice? And what role does the Laramie Kid’s love for Annie Oakley play?

He is looking for a little bit of peace and trying to start a new life, but everywhere he goes, trouble seems to find him. This time, it comes in the form of a beautiful woman.

Texas Ranger Freddie Espinoza is center stage in pursuit of the drug-smuggling county sheriff. Freddie discovers an old friend—and DEA agent—has the sheriff in his crosshairs. Their former Army buddy, a Benedictine monk in his final days, is also on the case in a very unusual way.

It’s 1975, and cowboy Johnny Riles is a headcase. He’s depressed, he’s drunk, and he’s lonesome as hell. Left by his family to care for the ranch on his own, Johnny manages to keep the cattle alive while struggling to justify his own existence. Embittered by the success of his younger brother, Kitch, a professional basketball player, it is only thanks to a salt-dry sense of humor and a plentiful supply of whiskey that Johnny keeps himself aboveground.

Cash McLendon has always had an instinct for self-preservation, one that was honed by an impoverished childhood and life with an alcoholic father barely scraping by on the streets of Saint Louis in 1872. He’s always had a knack for finding and capitalizing on the slightest opportunities, choosing the path of financial security over happiness or real friends. He eventually builds himself up from a Saint Louis street urchin to the son-in-law and heir apparent to industrial mogul Rupert Douglass. Though it lacks passion, his life seems securely set: a wife, a career, property, standing.

Nerio Winch, P.-D.G. du puissant Groupe W, meurt dans de mystérieuses circonstances. Alors que les dirigeants rêvent de mettre la main sur son empire, on découvre que Winch avait un fils, adopté un quart de siècle auparavant : Largo. Âgé de vingt-six ans, ce dernier hérite donc de toute sa fortune et se retrouve à la tête de l'énorme empire financier qu'est le Groupe W. Tractations, coups montés, magouilles, meurtres, sexe, humour et action sont les ingrédients de sa nouvelle vie dans l'univers de la haute finance.

A rogue vigilante seeks redemption in a lawless, near-future America that fully protects the rights of armed citizens to stand their ground against mass shooters and motorcycle gangs. When a marksman known as the Wanderer opens war against injustice in the state of Arizona, his violent actions attract the attention of journalist Rosa Veras, writer of a subversive blog about America's return to the Wild West.

After fastball phenom Prospero Stark's baseball career craters in a Mexican jail, he retreats to a trailer park in the scorching Arizona desert. He lives in peaceful anonymity with a collection of colorful outcasts until someone leaves his former catcher's severed hand on his doorstep. Beautiful, hard-living reporter Roxanne Santa Cruz, who keeps a .380 Colt and a bottle of Chivas in her car, joins Stark to help him uncover his friend's fate, a dangerous pursuit that pits them against a ruthless gang of drug-dealing killers.

Big for his age, young and impressionable drifter Charlie Chilton is taken in by the gruff leader of a gang of small-time crooks and ne'er do wells who sees something of himself in kindly, wayward Charlie. But Grady Haskell, ambitious ruffian with a shady past, soon joins the gang, convincing Charlie's friends to pursue a big score. Charlie fails to thwart the crime, and the heist turns bloody. As the only gang member caught alive, Big Charlie will soon swing for the crimes. He makes a daring escape, determined to track down Haskell and the gang and prove his innocence.

When Deputy Sheriff Royce McCall responds to a break-in at his family's cabin, he doesn't expect the intruder to be beautiful Sophie Conway - in her nightgown! The last time he saw her, she wasn't wearing much else, although the details of their New Year's Eve encounter are sketchy at best. Then she admits that not only has she become a killer's target, but she also lied about carrying Royce's baby in order to escape an arranged marriage. With too many unanswered questions surrounding this woman he barely knows, Royce still vows to protect Sophie when the bullets start flying.

Outlaw Wes Cavanaugh knows that crime doesn't always pay - at least not much. That's why he and his partner, Mose, are willing to pay Jimmy Stock for information on a job that's guaranteed to pay off big. Jimmy's made a career of selling tips to bandits, but the job he sells Wes - a payroll train about to leave Omaha - requires more than information.

Years ago Marshal Asher Thrall had shot mad-dog killer Ben Sharkey. And Sharkey has just repaid the favor in spades. With a bullet still in his chest, Ash knows he's a walking dead man. But he's going to make sure Sharkey is one step ahead of him.

David Robbins continues the proud tradition of Ralph Compton's Western novels with enough hardscrabble heroes, blazing gun fights, and twisted villains to fill a corral. Bluff City is a booming silver mining town full of pigeons to pluck. When two of its wealthiest citizens devise plans to rob their neighbors legally and illegally, only Clay Adams stands in their way.

At the center of this searing fever-dream of a novel are two men - a killer awaiting trial and a troubled young deputy - sitting across fromeach other in the dark, talking through the bars of a county jail cell: JohnGload, so brutally adept at his craft that only now, at the age of 77, has he faced the prospect of long-term incarceration; and Valentine Millimaki, low man in the Copper County sheriff's department, who draws the overnight shift after Gload's arrest.

A questo autore dall'inconfondibile vena pessimista e cruda, dall'originale scrittura raffinata e apparentemente naturale, tratta dal linguaggio parlato, ma piena di intrusioni e slanci d'autore, appartiene una serie di romanzi dimenticati, a metà tra il romanzo criminale e il western. A questo filone, quasi sfociante nel dramma antirazzista, che allora furoreggiava in certo cinema e in certo teatro americano alla Tennessee Williams, appartiene "Rossa".

Arizona Ranger Sam Burrack is a predator lying in wait. He's undercover as an outlaw to infiltrate a pair of vicious border gangs and bring them down. This mission has already had its share of casualties, and if Burrack has his say, there will be more. A cloud of dust rises as four men ride toward the Twisted Hills. The only thing between them and certain death at the hands of the Apaches is Sam, who also wants those men dead.

Small ranchers in Harmony, Oregon, are up against it with the price of cattle down and Skull Ranch, owned by a syndicate, trying to buy them out. Dan Riley spends a month trying to find a bank to help them, but he fails. When the editor of The Clarion is shot, the ranchers blame Black Mike Sand, the manager of Skull, in spite of the circumstances of the shooting. As pressure mounts, Riley is determined to find out who is really in charge of the syndicate, and the only man willing to help him is Andrew Daniels, a former newspaper man whose courage comes from a bottle.

Con lo pseudonimo di John Colemoore, e con i quattro romanzi del cosiddetto "Ciclo del Nuovo Messico", Giorgio Scerbanenco sceneggiava, per i lettori assetati di sogni e di evasioni, le immagini del deserto americano con i suoi pistoleri solitari e i desperados, venuti dai western più in voga e certamente dal cow boy più malinconico di tutti, Gregory Peck.

On a cold November day in Amsterdam in 2004, the celebrated and controversial Dutch filmmaker Theo van Gogh was shot and killed by an Islamic extremist for making a movie that "insulted the prophet Mohammed." The murder sent shock waves across Europe and around the world. Shortly thereafter, Ian Buruma returned to his native land to investigate the event and its larger meaning as part of the great dilemma of our time.