Western Crime

Railroad worker Woodson Fulk wants nothing more than to keep his head down, do his job, and live out his days in peace. However, when his sister comes to him covered in bruises that her husband gave her, Fulk’s rage drives him to murder the wife-beater. With his brother-in-law’s blood on his hands, Fulk goes on the run, looking for a place that he can lay low and wait out the law. He soon finds an old shepherd and his grandson who are being harassed by local cattlemen. Fulk offers to scare off the ruffians in exchange for room and board.

Jeb Miller is one of those Texans this vigilante saves after Jeb’s parents are slaughtered by Spotted Horse and his ruthless son Nacoma. Jeb goes on a mission to bring the renegade Comanche’s to justice and is so doing crosses paths with the Laramie Kid and the lone cowboy...with deadly results. Indeed, who is this lone cowboy in the dirty white Stetson and why does he risk his life so freely? How does the Laramie Kid bring him to justice? And what role does the Laramie Kid’s love for Annie Oakley play?

In the rugged terrain of late 1800s Texas, where justice is as untamed as the land, one man stands against the chaos. Pharaoh Smith, a seasoned Texas Ranger with a no-nonsense approach, embarks on a relentless mission in this heart-pounding installment of the Pharaoh Smith, Texas Ranger series. The very air around them carries the weight of desperation as 16-year-old Anna Hinch is kidnapped by the ruthless Comanche warrior, Blood Eye. With a gang comprising Mexicans, Blacks, and Whites, Blood Eye is a force to be reckoned with.

Hopalong Cassidy, the iconic western cowboy hero conceived by Clarence Mulford, was immortalized in a highly popular film series starring William Boyd from 1935-1948. A tough-talking and violent character in print, Hopalong Cassidy was remade into a clean-cut screen hero who roamed the West with his sidekicks and fought villains who took advantage of the weak. Here Cassidy is drawn as Mulford originally conceived; rough-and-tumble, foul-mouthed, and thriving on brawls and gunplay.

He is looking for a little bit of peace and trying to start a new life, but everywhere he goes, trouble seems to find him. This time, it comes in the form of a beautiful woman.

Texas Ranger Freddie Espinoza is center stage in pursuit of the drug-smuggling county sheriff. Freddie discovers an old friend—and DEA agent—has the sheriff in his crosshairs. Their former Army buddy, a Benedictine monk in his final days, is also on the case in a very unusual way.

Woodson Fulk rides with Abigail Friedan's posse once again, this time to rescue a kidnapped young woman. They soon discover that their quarry has been taken to the town of Devil's Gate, which is inhabited entirely by outlaws of many different gangs, all engaged in a tenuous truce to keep the peace.

A rogue vigilante seeks redemption in a lawless, near-future America that fully protects the rights of armed citizens to stand their ground against mass shooters and motorcycle gangs. When a marksman known as the Wanderer opens war against injustice in the state of Arizona, his violent actions attract the attention of journalist Rosa Veras, writer of a subversive blog about America's return to the Wild West.

Big for his age, young and impressionable drifter Charlie Chilton is taken in by the gruff leader of a gang of small-time crooks and ne'er do wells who sees something of himself in kindly, wayward Charlie. But Grady Haskell, ambitious ruffian with a shady past, soon joins the gang, convincing Charlie's friends to pursue a big score. Charlie fails to thwart the crime, and the heist turns bloody. As the only gang member caught alive, Big Charlie will soon swing for the crimes. He makes a daring escape, determined to track down Haskell and the gang and prove his innocence.

Tales is a collection of six short stories by Montana author Dave Lloyd.

When Deputy Sheriff Royce McCall responds to a break-in at his family's cabin, he doesn't expect the intruder to be beautiful Sophie Conway - in her nightgown! The last time he saw her, she wasn't wearing much else, although the details of their New Year's Eve encounter are sketchy at best. Then she admits that not only has she become a killer's target, but she also lied about carrying Royce's baby in order to escape an arranged marriage. With too many unanswered questions surrounding this woman he barely knows, Royce still vows to protect Sophie when the bullets start flying.

Outlaw Wes Cavanaugh knows that crime doesn't always pay - at least not much. That's why he and his partner, Mose, are willing to pay Jimmy Stock for information on a job that's guaranteed to pay off big. Jimmy's made a career of selling tips to bandits, but the job he sells Wes - a payroll train about to leave Omaha - requires more than information.

Years ago Marshal Asher Thrall had shot mad-dog killer Ben Sharkey. And Sharkey has just repaid the favor in spades. With a bullet still in his chest, Ash knows he's a walking dead man. But he's going to make sure Sharkey is one step ahead of him.

David Robbins continues the proud tradition of Ralph Compton's Western novels with enough hardscrabble heroes, blazing gun fights, and twisted villains to fill a corral. Bluff City is a booming silver mining town full of pigeons to pluck. When two of its wealthiest citizens devise plans to rob their neighbors legally and illegally, only Clay Adams stands in their way.

At the center of this searing fever-dream of a novel are two men - a killer awaiting trial and a troubled young deputy - sitting across fromeach other in the dark, talking through the bars of a county jail cell: JohnGload, so brutally adept at his craft that only now, at the age of 77, has he faced the prospect of long-term incarceration; and Valentine Millimaki, low man in the Copper County sheriff's department, who draws the overnight shift after Gload's arrest.

A questo autore dall'inconfondibile vena pessimista e cruda, dall'originale scrittura raffinata e apparentemente naturale, tratta dal linguaggio parlato, ma piena di intrusioni e slanci d'autore, appartiene una serie di romanzi dimenticati, a metà tra il romanzo criminale e il western. A questo filone, quasi sfociante nel dramma antirazzista, che allora furoreggiava in certo cinema e in certo teatro americano alla Tennessee Williams, appartiene "Rossa".

Ted Sweeney. Affable everyman in small-town Montana. Tailgate hung on with baling wire, owner of his own business. Ten minutes ago, his biggest worry had been how to pay for the engagement ring rattling around in his pocket. But that was before he came home to find a corpse tidily arranged in his favorite recliner, his "old pal of a piece of furniture". Is it a warning or a setup or what? Sweeney can't help but admire the efficiency of the work, the slice deep across the guy's throat. Somebody knew what they were doing.

Small ranchers in Harmony, Oregon, are up against it with the price of cattle down and Skull Ranch, owned by a syndicate, trying to buy them out. Dan Riley spends a month trying to find a bank to help them, but he fails. When the editor of The Clarion is shot, the ranchers blame Black Mike Sand, the manager of Skull, in spite of the circumstances of the shooting. As pressure mounts, Riley is determined to find out who is really in charge of the syndicate, and the only man willing to help him is Andrew Daniels, a former newspaper man whose courage comes from a bottle.

Con lo pseudonimo di John Colemoore, e con i quattro romanzi del cosiddetto "Ciclo del Nuovo Messico", Giorgio Scerbanenco sceneggiava, per i lettori assetati di sogni e di evasioni, le immagini del deserto americano con i suoi pistoleri solitari e i desperados, venuti dai western più in voga e certamente dal cow boy più malinconico di tutti, Gregory Peck.

On a cold November day in Amsterdam in 2004, the celebrated and controversial Dutch filmmaker Theo van Gogh was shot and killed by an Islamic extremist for making a movie that "insulted the prophet Mohammed." The murder sent shock waves across Europe and around the world. Shortly thereafter, Ian Buruma returned to his native land to investigate the event and its larger meaning as part of the great dilemma of our time.