Women Horror

After the devastating events of the past few months, the last thing Melanie Trenholm wants is to think about the future. Why, when her husband, Jack, has asked for a separation - a separation that might have been her fault? Nevertheless, with twin toddlers, a stepdaughter leaving for college soon, a real estate career to resume and a historic home that is still being restored, Melanie doesn’t have much time to wonder where it all went wrong - but that doesn’t stop her from trying to win her husband back.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

A new husband and a new house. Just as well, because Zoe doesn't like old. Back in the 1960s, this house was built to look ultra-modern, with lots of glass and sharp angles. And it was going cheap, perhaps because of the self-inflicted death of a previous owner – notoriously bloody and prolonged.

When Lily arrives at an antique jewelry fair, her bargain sensors go off left and right - but she also picks up a faint vibration of magic. Could the hard-bargaining merchant Griselda be a fellow practitioner? It certainly seems that way when a sudden fire sends panic through the crowd, and Lily discovers Griselda murdered in a way that nods to an old-fashioned witch hunt. A crime that hits close to home turns into an unwelcome flash from the past when the police bring in their lead suspect - Lily's estranged father.

Joyce Carol Oates assembles an outstanding cast of authors—including Margaret Atwood, Tananarive Due, and Megan Abbott—to explore, subvert, and reinvent one of the most vital subgenres of horror.

Elise and her boyfriend, Tom, set off for Minnesota, hoping the paycheck from the sugar beet harvest will cover the rent on their Brooklyn apartment. Amidst the grueling work and familiar anxieties about her finances, Elise starts noticing strange things: threatening phone calls, a mysterious rash, and snatches of an ominous voice coming from the beet pile. When Tom and other coworkers begin to vanish, Elise is left alone to confront the weight of her past, the horrors of her uncertain future, and the menacing but enticing siren song of the beets.

All Susannah Simon wants is to make a good impression at her first job since graduating from college (and since becoming engaged to Dr. Jesse de Silva). But when she's hired as a guidance counselor at her alma mater, she stumbles across a decade-old murder, and soon ancient history isn't all that's coming back to haunt her. Old ghosts as well as new ones are coming out of the woodwork, some to test her, some to vex her, and it isn't only because she's a mediator gifted with second sight.

Melanie is only going through the motions of living since refusing Jack Trenholm’s marriage proposal. When she is roused one night by the sound of a ghostly infant crying, she chooses to ignore it. She simply does not have the energy to deal with one more crisis. That is, until the remains of a newborn buried in an old christening gown are found hidden in the foundation of her house. As the hauntings on Tradd Street slowly become more violent, Melanie decides to find out what caused the baby’s untimely death.

Tourists visit to see the legendary falls along with the blazing colors of the Appalachian forests in autumn. The rustic, antiquated Highwater Inn welcomes them, but specters from the past haunt the halls and terrify the guests and staff. Paranormal investigator Ellie Jordan arrives to help the owners, who are desperate to clear away the evil influences before they're forced to close down and abandon the struggling hotel.

The elite warriors of the Hereford-based SAS know all about pain and the enduring of it. Syd Spicer, ex-SAS trooper, has found himself back in the regiment - this time as its chaplain, responsible for the spiritual welfare of the hardest men in or out of uniform. Faced with a case which would normally be passed discreetly to Hereford diocesan exorcist Merrily Watkins, Spicer is forced, for security reasons, to try and handle it himself - and is coming close to a breakdown.

Mrs. Violet Wood is London’s premier medium, a woman of supreme ambition whose unique abilities have earned her the admiration and trust of London’s elite. Mrs. Wood is indeed a clever and gifted seer—her skill is unmatched in predicting exactly what her wealthy patrons want to hear from the beyond. But times are changing. First, a nosey newspaperman has begun working to expose false mediums across London. Many of Mrs. Wood’s friends—and, yes, some of her foes—have fallen to his merciless accusations.

A man's body is found below a waterfall. It looks like suicide or an accidental drowning – until DI Frannie Bliss enters the dead man's home. What he finds there has him consulting Merrily Watkins, the Diocese of Hereford's official advisor on the paranormal.

In the wake of a disastrous affair with her married archeology professor, brilliant Wilhelmina Cooper arrives back at the doorstep of her hippie mother-turned-born-again-Christian's house in Templeton, New York - a storybook town her ancestors founded on the shores of Lake Glimmerglass. Upon her arrival, a prehistoric monster surfaces in the lake, bringing a feeding frenzy to the quiet town. And Willie learns she has a mystery father her mother has kept secret for Willie's entire life.

On a well-deserved hiatus from the ghoulish grind of their TV show, Ghoul Getters, psychic medium M. J. Holliday, her boyfriend, Heath, and her best friend, Gilley, are back home in Boston. But there’s no rest for the weary ghost busters. M. J.’s ex comes to her for help - his fiance’s brother Luke seems haunted by a sinister spirit.

Lily would like nothing better than to relax, enjoy her friends, and take care of business at her store, which is booming thanks to San Francisco's upcoming Summer of Love Festival. But as the unofficial witchy consultant to the SFPD, she is pulled into yet another case.

Psychic M.J. Holliday finds herself in a witchy situation. When M.J. and her friends travel to a small town near Edinburgh, Scotland, to film the first installment of their new cable TV show Ghoul Getters, they find plenty of spooky action in a series of supposedly haunted caverns. But when they discover the body of a maintenance worker, the cause of death is reminiscent of an old legend involving a witch's wrath.

The last place Suze Simon expects to find herself during Valentine's Day is a cemetery. But that's what happens when you're a mediator—cursed with the "gift" of communicating with the dead. That's how Suze has ended up at the graves of a pair of tragic young lovers. They're NCDPs—Non-Compliant Deceased Persons—whose drama didn't end with death. It's Suze's job to make sure they move on—for good.

Four bodies have been discovered along Europe’s riverbanks, placed with care—and completely drained of blood. Pinpricks on their throats indicate a slender murder weapon, but DNA found in the wounds suggests something far more sinister. Tasked with investigating, the FBI recruits Agents Della Hamilton and Mason Carter to Blackbird, an international offshoot of the Krewe of Hunters. If you want to catch a vampire killer, you need agents who can speak with the dead.

With her relationship with writer Jack Treholm as shaky as the foundation of her family home, Melanie’s juggling a number of problems. Like restoring her Tradd Street house...and resisting her mother’s pressure to "go public" with her talent - a sixth sense that unites them to the lost souls of the dead. But Melanie never anticipated her new problem. Her name is Nola, Jack’s estranged young daughter who appears on their doorstep, damaged, lonely and defiantly immune to her father’s attempts to reconnect. Melanie understands the emotional chasm all too well.

Ada Baker, a medium, shares her home with three bored ghosts. Spending their days roaming around Ada’s house offers little amusement for the trio, and so the three of them convince Ada to help them investigate the mysterious death of local beauty Mary Watts, who is found naked and strangled in her bathtub. This begins a series of exciting adventures for Ada, as she draws on her unique skills to help solve this heinous crime.