Women Memoirs

At once incendiary and icy, mischievous and provocative, celebratory and elegiac - here is a deeply felt meditation on race, sex, and American culture through the prism of Margo Jefferson's rarefied upbringing and education among a Black elite concerned with distancing itself from Whites and the Black generality while tirelessly measuring itself against both.

The year was 1917. As a war raged across the world, young American women flocked to work, painting watches, clocks, and military dials with a special luminous substance made from radium. It was a fun job, lucrative and glamorous - the girls themselves shone brightly in the dark, covered head to toe in the dust from the paint. They were the radium girls. As the years passed, the women began to suffer from mysterious and crippling illnesses.

«Sì, la guerra avanza rombando verso Berlino. Ciò che ieri era ancora un brontolio lontano, oggi è un tambureggiare continuo... Viviamo dentro un cerchio di bocche di fuoco che si restringe di ora in ora». L'autrice ha voluto restare anonima da quando il libro vide per la prima volta la luce negli anni Cinquanta e fu accolto, soprattutto in Germania, con un senso di fastidio, anzi, di esplicito rifiuto. Decise allora di vietarne ogni riedizione finché fosse rimasta in vita. Solo dopo la sua morte, avvenuta nel 2001, Hans M. Enzensberger ebbe l'autorizzazione a riproporlo.

"Je m'appelle Nina, j'ai 16 ans, et je reviens de l'enfer. Pendant plus d'un an, je me suis vendue à des inconnus. Mon corps, mon sexe, mon sourire, j'ai tout offert... Pour de l'argent, oui. Mais moi, je me racontais que c'était pour conquérir ce dont je rêvais depuis mes 13 ans : la liberté. Au moment où j'entreprends ce récit, je ne suis rentrée de fugue que depuis six semaines. Je ne partirai plus."

For eight weeks in 1945, as Berlin fell to the Russian army, a young woman kept a daily record of life in her apartment building and among its residents. The anonymous author depicts her fellow Berliners in all their humanity, as well as their cravenness, corrupted first by hunger and then by the Russians. A Woman in Berlin tells of the complex World War II relationship between civilians and an occupying army and the shameful indignities to which women in a conquered city are always subject—the mass rape suffered by all, regardless of age or infirmity.

Girl in the Woods is Aspen Matis' exhilarating true-life adventure of hiking from Mexico to Canada - a coming of age story, a survival story, and a triumphant story of overcoming emotional devastation. On her second night of college, Aspen was raped by a fellow student. Overprotected by her parents who discouraged her from telling of the attack, Aspen was confused and ashamed.

Before John Glenn orbited the Earth or Neil Armstrong walked on the moon, a group of dedicated female mathematicians known as "human computers" used pencils, slide rules, and adding machines to calculate the numbers that would launch rockets and astronauts into space. Among these problem solvers were a group of exceptionally talented African American women, some of the brightest minds of their generation.

As an apple-cheeked bubbly child, Julianna was bestowed with the family nickname “Sunshine Girl”. Shuttled back and forth between her divorced parents, often on different continents, she quickly learned how to be of value to her eccentric mother and her absent father.

Le destin extraordinaire d'une orpheline qui devint, par la force de sa passion, la cuisinière des Kennedy. Le portrait plein de vie d'une femme déterminée et attachante. 1999. Dans un petit cimetière du Vaucluse, sur la tombe d'une certaine Andrée Imbert, une couronne de fleurs et un mot : " To Andrée, with love and gratitude. The Kennedy Family. " Quel est donc le lien entre cette femme et l'illustre famille ? Pupille de la nation, Andrée grandit dans l'arrière-pays drômois.

It’s the middle of the summer before her fiftieth birthday and Alexandra is just barely hanging on. Grieving her father and pining for her home country of Zimbabwe, chafing and straining against the stresses and strictures of midlife as a mother and ex-wife, and piecing her way through a disastrous relationship with a younger woman that lurches and buckles, but never quite breaks. And then—suddenly and incomprehensibly—her son Fi, at 21 years old, dies in his sleep. What happens next is what Alexandra details in this book.

Fifteen million Americans a year are plagued with alcoholism. Five million of them are women. Many of them, like Caroline Knapp, started in their early teens and began to use alcohol as "liquid armor", a way to protect themselves against the difficult realities of life. In this extraordinarily candid and revealing memoir, Knapp offers important insights not only about alcoholism, but about life itself and how we learn to cope with it.

In When Women Ran Fifth Avenue, journalist Julie Satow draws back the curtain on three visionaries who took great risks, forging new paths for the women who followed in their footsteps. This stylish account, rich with personal drama and trade secrets, captures the department store in all its glitz, decadence, and fun, and showcases the women who made that beautifully curated world go round.

This extraordinary account, originally published in 1973, bravely explores the poverty, oppression, alcoholism, addiction, and tragedy Maria endured throughout her childhood and into her early adult life, underscored by living in the margins of a country pervaded by hatred, discrimination, and mistrust. Laced with spare moments of love and joy, this is a memoir of family ties and finding an identity in a heritage that is neither wholly Indigenous or Anglo; of strength and resilience; of indomitable spirit.

Tras el fallecimiento de su padre, Rodrigo González, en el terremoto de 1985, Amanda Lalena Escalante, de seis años, se embarca junto con su madre en un avión con destino a la Ciudad de México, dando inicio a esta narración autobiográfica en la que Amanda, desde una profunda intimidad y honestidad, comparte su vida en momentos conmovedora y en otros dolorosa. En estas páginas, recorreremos su infancia marcada por la muerte de su padre y la compleja relación con su madre; las carencias económicas y emocionales que padeció.

The long-awaited memoir of her tumultuous year in office, A Woman First: First Woman is an intimate first-person account of the public and private lives of Selina Meyer, America's first woman president.

Acclaimed scientist Hope Jahren has built three laboratories in which she's studied trees, flowers, seeds, and soil. Her first book might have been a revelatory treatise on plant life. Lab Girl is that, but it is also so much more. Because in it, Jahren also shares with us her inspiring life story, in prose that takes your breath away.

After a brutal breakup, Cyn spirals into emotional chaos and flees to San Miguel de Allende, Mexico in search of a sexy Latin distraction. But instead of finding the cure for her broken heart, she’s forced to confront the messy, tequila-soaked reality of who she’s become. In a town bursting with mariachis, cheap tacos, bad decisions, and unexpected magic, Cyn begins her wild, unfiltered journey of self-discovery.

Eva Hagberg Fisher spent her lonely youth looking everywhere for connection: drugs, alcohol, therapists, boyfriends, girlfriends. Sometimes she found it, but always temporarily. Then, at age 30, an undiscovered mass in her brain ruptured. So did her life. A brain surgery marked only the beginning of a long journey, and when her illness hit a critical stage, it forced her to finally admit the long suppressed truth: she was vulnerable, she needed help, and she longed to grow. She needed true friendship for the first time.

Following his mother's death, in 2004, Tyler Trafford discovers an album of old letters and creased photographs that reveal a mother he never knew, a man he's never heard of, and a love affair doomed by class and circumstance. The letters are from Jens Mller, a Norwegian pilot who trained in Canada during the early days of World War II, one of only three prisoners who would make it home after The Great Escape.

Polly, Annie, Elizabeth, Catherine, and Mary-Jane are famous for the same thing, though they never met. What they had in common was the year of their murders: 1888. The person responsible was never identified, but the character created by the press to fill that gap has become far more famous than any of these five women. For more than a century, newspapers have been keen to tell us that "the Ripper" preyed on prostitutes. Not only is this untrue, as historian Hallie Rubenhold has discovered, but it has prevented the real stories of these fascinating women from being told.