Women Sleuths Detective

Gabriel Kensington and his wife, Lydia, have been brutally slain in their luxurious home in New Mexico. A frantic, whispered phone call from their teenage daughter, Addis, and her best friend, Emerson, quickly alerts the authorities to the killings. But when detective Alyssa Wyatt and the squad appear at the house, the unthinkable has happened. The girls are nowhere to be found...and neither is the killer. In a race against time, it's up to Alyssa Wyatt and her partner, Cord, to find the missing girls - and discover just why the Kensingtons have been targeted.

When a call comes in about a young girl found dead at a high school prom—her life drained away from a fatal stab wound—Detective Josie Quinn drops everything to attend the scene. Taking in the girl’s neatly braided hair, Josie feels a flicker of recognition. But no one comes forward to identify this innocent child, murdered on what should have been the happiest night of her life. Trawling missing-persons files, Josie realizes where she has seen the girl before. Gemma Farmer disappeared a few months ago. But why would her body appear now, on her 16th birthday?

From the bestselling author of The Life We Bury comes a "riveting, hold-your-breath" new mystery in which a woman finds herself in a race not only for justice—but for her life (Karin Slaughter, New York Times bestselling author of The Silent Wife). Lila Nash is on the verge of landing her...

Agatha Raisin and the Quiche of Death: Putting all her eggs in one basket, Agatha Raisin gives up her successful PR firm, sells her London flat, and samples a taste of early retirement in the quiet village of Carsely and enters a local baking contest. But her recipe for social advancement sours when the judge not only snubs her entry―but falls over dead! Agatha Raisin and the Vicious Vet: Agatha Raisin hasn't quite adjusted to the slow pace of village life, or to the failure of her overtures to her handsome neighbor, James Lacey.

When homeless man Bobby Stover insists his friend’s suicide was really murder, DI Sheridan Holler is sceptical—until she uncovers a series of deaths, all of them in Liverpool, all ruled as suicides, that suddenly look like anything but. The killings span years, each one chillingly staged, the truth buried beneath an illusion of despair. This murderer is following a mysterious pattern—and there seems to be no end in sight.

On Boxing Day a mystery woman’s body is found washed up under Teignmouth Pier. She has no ID but is wearing a wetsuit. When the post-mortem shows heavy metal poisoning, DI Jan Talantire is called in. Talantire herself is caught in an ongoing game of cat-and-mouse against her nemesis Commander Brent West. Her complaint against him for abusive behaviour foundered when she was accused by the investigating panel of collusion with another complainant, PC Nadine Lister, to bring West down.

Helena Lanark is an elderly woman, living in a luxurious care home. The heiress of an immense family fortune, she keeps the secret to the horror which once occurred within the Lanark family house. Jane Tennison is leading a murder investigation into the recent brutal death of a young girl, her decomposed starved body discovered in an old air raid shelter in the garden of the Lanark's now derelict house. Initially the focus is on identifying the victim, until another body is found, hidden in the walls of the shelter.

Amelia and Emerson leave the calm of Victorian England in search of an estranged father's son and a lost kingdom buried deep in Sudan.

In Shoot the Breeze, the first book of the series, a young woman turns up dead along the Mississippi River, and rising-star Detective Kate Rosetti quickly realizes it’s the work of a notorious cross-country serial killer. In the next book, Riddle Me This, Kate gets the news that infamous serial killer Ramone Wilkes has escaped from prison, and she knows that he's on his way to her.

Scotland, 1912: When Maud and Daisy travel to Clachan Castle on the Isle of Mull to investigate the theft of a valuable statuette, at first the case seems straightforward. But when their prime suspect, bad-tempered fellow guest Mr Tremain, is found dead in his bed, the detective duo realise the castle is under attack… At first, it appears the murder is impossible. All the doors and windows to the room were locked from the inside, and there was no way for the killer to escape.

When Dr. Gul Delani receives a call in the middle of the night from the Sindh police, she thinks they may have finally found her niece, Mahnaz—a precocious, politically conscious teenage girl who went missing three years prior. Gul has been racked with grief since Mahnaz’s disappearance, and distracts herself through work: she’s a talented curator at the Museum of Heritage and History in Karachi, one of the country’s leading experts in archaeology and ancient civilizations, a hard-won position for a woman.

November 1911. Lady Emily Hardcastle is celebrating her birthday by seeing a play at the Duke’s Theatre in Bristol with her maid and confidante, the inimitable Flo. Act One is a triumph. Then Act Two opens with a body on stage—a real one. One of the cast has been brutally murdered during the interval. When other matters get in the way of Inspector Sunderland overseeing the case himself, he asks the ever-resourceful Lady H to keep a watchful eye on the suspects—and his police colleagues.

Just as patients are about to be released with a clean bill of health, their conditions take a devastating turn for the worse. Accompanied by the newest member of the Women's Murder Club, Yuki Castellano, Lieutenant Lindsay Boxer probes deeper into the incidents. Could these cases just be appalling coincidences? Or is a maniac playing God with people's lives? When someone close to the Women's Murder Club begins to exhibit the same frightening symptoms, Lindsay fears no one is safe.

Winner of the Nero Wolfe Award Mary Russell and Sherlock Holmes return in a series the Chicago Tribune calls "as audacious as it is entertaining and moving." It is 1921 and Mary Russell--Sherlock Holmes's brilliant apprentice, now an Oxford graduate with a degree in theology--is on the verge of...

- Trois morts, c'est exact, dit Danglard. Mais cela regarde les médecins, les épidémiologistes, les zoologues. Nous, en aucun cas. Ce n'est pas de notre compétence. - Ce qu'il serait bon de vérifier, dit Adamsberg. J'ai donc rendez-vous demain au Muséum d'Histoire naturelle. - Je ne veux pas y croire, je ne veux pas y croire. Revenez-nous, commissaire. Bon sang mais dans quelles brumes avez-vous perdu la vue? - Je vois très bien dans les brumes, dit Adamsberg un peu sèchement.

Readers will flock to NYT bestselling author Donna Andrews' latest installment in the award-winning Meg Langslow series. Two of Meg’s cousins, members of Mother’s vast Hollingsworth clan, are getting married, and both have chosen Caerphilly for their Christmas destination wedding . . on the...

Detective Josie Quinn lifts the baby from the pram, holding her close and gently soothing her. Josie scours the scene for the sweet little girl’s mother, but the park is deserted. Glancing down, something catches her eye. Nestled amongst the child’s soft pink blankets is a polaroid photo, the corner smudged with blood. The search for Cleo Tate has Josie and her team in a chokehold; the abandoned newborn needs her mother, and every second counts now lab results show the blood belongs to her. The blurred photo of a body of water is Josie’s only lead. But what does it mean?

A safari expedition in Zambia is the disguise Emily employs in order to locate a professional assassin among her fellow explorers. Along the way, she meets an extraordinary man named Cyrus.

When 12-year-old Holly Mitchell’s fragile little body is found on the steps of a mountainside church in the small town of Denton, a doll made from pine cones clasped tightly to her chest, Detective Josie Quinn rushes to attend the scene. She knows this little girl’s angelic face; her mother had offered Josie help when she’d needed it most. Searching the girl’s house, Josie is devastated to find that Holly’s mother is dead, too, and her little sister is missing.

Even though Agatha Raisin loathes amateur dramatics, her friend Mrs. Bloxby, the vicar's wife, has persuaded her to support the local pantomime. Stifling a yawn at the production of Babes in the Woods, Agatha watches as the baker, playing an ogre, struts and threatens on the stage. Then a trapdoor opens… followed by a scream and then silence. Surely, this isn't the way the scene was rehearsed?