World Art History

It is a historical peculiarity of landscape painting that it begins with the artificial, and only after that proceeds towards the natural. For example, landscape paintings, and especially fanciful Nilotic panoramas, were one of the genres produced by artists in Pompeii. When, with the Renaissance, landscape painting once again started to establish itself after a long interval, the representations of the surrounding world that artists began to produce as a separate and independent genre, rather than simply as a background for human figures, were usually more fanciful than real.

This book is intended as a survey of pyramids and possible pyramids worldwide. There are more than 50 different pyramids and sites reviewed.

Margery Allingham, already a successful crime writer, was living quietly in the Essex village of Tolleshunt D’Arcy ("Auburn") when the Second World War broke out. Her house became an Air Raid Wardens’ post and a First Aid centre, and Allingham herself became responsible for 275 East London evacuees in a rural community of just over 600.

Here can be no doubt that the Chinese exhibition at the Royal Academy in London is more than a merely artistic event. It represents a new stage in the burgeoning relationship between contemporary China and the West. The opening, originally scheduled for January, was brought forward to coincide with a State Visit to Britain by the Chinese president, Hu Jintao. The "Three Emperors" of the title were the second, third, and fourth rulers of the Qing Dynasty, and their period in power spanned nearly a century-and-a-half, from the mid-17th century until the end of the 18th.

Britain’s Culture Minister, David Lammy, recently suggested that the history of slavery should be made a compulsory part of the nation’s school curriculum. Mick Hume, a columnist in The Times, promptly retorted, “Slavery and the Holocaust are now likely to be taught as little chunks of history, removed from any proper context. They become simplistic parables of good and evil, over which children are encouraged to emote and empathise...." How well founded was this criticism?

Going to the Frida Kahlo exhibition current at Tate Modern in London is like entering the shrine of a secular saint. The rooms are thronged. People peer closely at the paintings, many of them very small. They seem afraid to talk much above a whisper. There are a number of reasons for this reaction. One is Hayden Herrera’s highly readable biography of the artist, first published in 1983, and now established as a classic feminist text. Another is the feminist movement’s general need for heroines, which has had a similar effect on the posthumous reputation of Georgia O’Keeffe. A third, probably the most powerful, reason is Kahlo’s own personality, which combined self-assertion, defiance and masochism in almost equal proportions. In this respect Kahlo can be compared with a slightly later generation of English-language poets, male and female. Prominent among them are Robert Lowell, John Berryman, Sylvia Plath and Anne Sexton.

Fonts surround us every day, on street signs and buildings, on movie posters and books, and on just about every product that we buy. But where do they come from, and why do we need so many? Who is responsible for the staid practicality of Times New Roman, the cool anonymity of Arial, or the irritating levity of Comic Sans (and the movement to ban it)?

One Marine's Passion for Ancient Civilizations and the Journey to Recover the World's Greatest Stolen Treasures. A blend of treasure hunt, police procedural, war-time thriller, and exposé of the international black-market in stolen art, told in the voice of a truly remarkable man: a soldier, a...

The book reveals the creative and innovative discoveries made as a result of in depth research, and years of Graduate studies, beginning at the Villa Schifanoia, and Villa I Tatti on Renaissance Art in Florence, Italy. The Metropolitan Museum of Art in New York City with Maria Theresa Duncan and La Bibliothèque Château de Versailles. The Renaissance Culture known as Humanistic, Humanitus, as depicted in the Sculpting and Paintings of Michelangelo, Sandro Boticelli, Raphael, Da Vinci and others. Man was in balance with the Greater Universe, Art and Architecture.

Svizzera, 2010. Cornelius Gurlitt, cittadino tedesco di 79 anni, sta viaggiando su un treno diretto a Monaco quando viene fermato per un controllo di routine. Agli occhi degli agenti l'uomo non è che un innocuo vecchietto, ma un'ispezione rivela che, cuciti nel risvolto della sua giacca, ci sono ben novemila euro in contanti. Una cifra importante per un pensionato, che porta la polizia ad approfondire le indagini.

New York Times bestselling author and illustrator of Subpar Parks Amber Share takes us around the globe to celebrate the world’s greatest wonders alongside hysterical reviews from their harshest critics. In this follow-up to Subpar Parks, which featured one-star reviews of US National Parks...

A deep exploration of the intersection of faith, creativity, and justice from acclaimed hip-hop artist and creative polymath Sho Baraka “Sho has the courage to say what many are thinking and the candor to say what many are not. His words have positively influenced me for years—now this...

The fascinating, untold story of how British intelligence secretly used homing pigeons as part of a clandestine espionage operation to gather information, communicate, and coordinate with members of the Resistance to defeat the Nazis in occupied Europe during World War II. Between 1941 and 1944...

Fruto de três anos de profundas pesquisas, História do cinema mundial traz um viés inédito para o estudo do tema: o enfoque geográfico e cultural da sétima arte.

The violin has formed an important aspect of Jewish culture for centuries, both as a popular instrument with classical Jewish musicians—Jascha Heifetz, Yehudi Menuhin, Itzhak Perlman—and also a central factor of social life as part of the enduring Klezmer tradition. But during the Holocaust, the violin assumed extraordinary new roles within the Jewish community. For some musicians, the instrument was a liberator; for others, it was a savior that spared their lives. Music historian James A. Grymes tells the amazing, horrifying, and inspiring story of the violins of the Holocaust.

Lucky soldiers who could sing a song, perform a skit or pass as a “lady” were taken from the line and put onstage for the benefit of their soldier-audiences. The intent was to bolster morale and thereby help soldiers survive the war. The Dumbells’ popularity was not limited to troop shows along the trenches. The group also managed a run in London’s West End and became the first ever Canadian production to score a hit on Broadway. Touring Canada for some 12 years after the war, the Dumbells became a household name and made more than 25 audio recordings.

There are 83 copies of the First Folio in a vault beneath Capitol Hill - the world's largest collection. Well over 150 Indian movies are based on Shakespeare's plays - more than in any other nation. If current trends continue, there will soon be more high school students reading The Merchant of Venice in Mandarin Chinese than in early modern English. Why did this happen, and how? Ranging ambitiously across four continents and 400 years, Worlds Elsewhere is an eye-opening account of how Shakespeare went global.

From the beginning of time, music has been used to build community and empower people. Music is a strong force that has led movements; marched influential changemakers and innovators to rhythms that have shaped the world. In the 21st century, music continues to play a pivotal role in inspiring positive change and moving people to tackle some of the biggest social issues of our times.

A presence in Third Reich cinema, Adolf Hitler also personally financed, ordered, and censored films and newsreels and engaged in complex relationships with their stars and directors. Here, Bill Niven offers a powerful argument for reconsidering Hitler's fascination with film as a means to further the Nazi agenda. In this first English-language work to fully explore Hitler's influence on and relationship with film in Nazi Germany, the author calls on a broad array of archival sources. Niven also explores Hitler's representation in Third Reich cinema, personally and through films focusing on historical figures with whom he was associated

When Anna Broinowski learned that fracking had invaded downtown Sydney, she had a brilliant idea: she would seek guidance for a kryptonite-powerful, anti-fracking movie from the world's greatest propaganda factory - apart from Hollywood. After two years of trying, she was allowed to make her case in Pyongyang and was granted full permission to film. She worked closely with the leading lights of North Korean cinema, even playing an American in a military thriller.