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1Q84

Length: 46 hrs and 45 mins
4.5 out of 5 stars (150 ratings)

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Publisher's Summary

The year is 1984 and the city is Tokyo.

A young woman named Aomame follows a taxi driver's enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 - "Q" is for "question mark". A world that bears a question.

Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.

As Aomame's and Tengo's narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.

A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell's, 1Q84 is Haruki Murakami's most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.

BONUS AUDIO: Audible interviews the translators of 1Q84, Jay Rubin and Philip Gabriel.

©2011 Haruki Murakami (P)2011 Audible, Inc.

What the critics say

"Murakami is like a magician who explains what he's doing as he performs the trick and still makes you believe he has supernatural powers.... But while anyone can tell a story that resembles a dream, it's the rare artist, like this one, who can make us feel that we are dreaming it ourselves." ( The New York Times Book Review)
“Profound . . . A multilayered narrative of loyalty and loss . . . A fully articulated vision of a not-quite-nightmare world . . . A big sprawling novel [that] achieves what is perhaps the primary function of literature: to reimagine, to reframe, the world . . . At the center of [ 1Q84’s] reality . . . is the question of love, of how we find it and how we hold it, and the small fragile connections that sustain us, even (or especially) despite the odds . . . This is a major development in Murakami’s writing . . . A vision, and an act of the imagination.” (David L. Ulin, Los Angeles Times)
1Q84 is one of those books that disappear in your hands, pulling you into its mysteries with such speed and skill that you don’t even notice as the hours tick by and the mountain of pages quietly shrinks . . . I finished 1Q84 one fall evening, and when I set it down, baffled and in awe, I couldn’t help looking out the window to see if just the usual moon hung there or if a second orb had somehow joined it. It turned out that this magical novel did not actually alter reality. Even so, its enigmatic glow makes the world seem a little strange long after you turn the last page. Grade: A.” (Rob Brunner, Entertainment Weekly)

What members say

Average Customer Ratings

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    5 out of 5 stars
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Weird and Wonderful

I couldn't begin to describe this book to someone, but the sheer completeness of this story is beautiful. At times it is thrilling, at times it is boring yet still it keeps me glued to my headphones, at time intriguing and weird, it feels like going down the rabbit hole and you can't put it down because you need to see where it leads.

Not only the story, but the narration is a treasure, the narrators have naturally calming tones that bring a sense of peace to my daily commutes.

4 of 4 people found this review helpful

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Lovely story

Simply amazing, I throughly enjoyed every moment.
I hope to listen to more works by Murakami

4 of 4 people found this review helpful

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if you have the time, do it

I would recommend this book to anyone who enjoys the experience of an audiobook. It is quite long, but I never got bored.
The narrators are excellent, portraying several characters at a time. The story is thought-provoking and quite beautiful.

2 of 2 people found this review helpful

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    5 out of 5 stars
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A must read!

I have read this incredible book before and listening to it now is sheer delight. Did I mention its phenomenal narration?? Murakami's storytelling is like no one else.

2 of 2 people found this review helpful

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    5 out of 5 stars
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My new gold standard for audio book performance.

I had read some other reviews prior to listening the 1Q84 and all I can say is, grossly under-rated! Outstanding story with best in class narration all around. I loved this audio book!

2 of 2 people found this review helpful

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    5 out of 5 stars
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a glimpse of another world

accepting without understanding is sometimes necessary, it creates this powerful form of trust and will - the author created this incredibly different yet similar world for me to wonder in, and I've learnt this with an incredible tour in his world. I've been reading this book everyday in the transportation in between locations, and time passed by like an instant.

2 of 2 people found this review helpful

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    3 out of 5 stars
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Fantastical Story

I really enjoyed the plot and character development as much as I did the creative ideas in the plot. The suspension from reality reminds me of the Miyazaki movies like Spirited Away, Ponyo, Castle In The Sky, etc. but it left me feeling a bit empty by the end.

The lead up to the climax was good but the denouement was rapid and short.

Overall, I liked the book but by the end it left me feeling lacklustre.

1 of 1 people found this review helpful

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    3 out of 5 stars
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Soft porn pretentiousness

Wow, couldn't get beyond the first few chapters. After wading through tedious descriptions of nothing much, I hoped that the story was building to something worth the anticipation, but found instead, to my great disappointment, that it was just leading to the author's creepy sexual fantasies and obsessions. After listening to get another description of breasts and older men lusting after teenage girls, I'd had quite enough. Our female protagonist suddenly asks a much older man if he has a large cock and wants to see it. For goodness sake, if this isn't the self-indulgent fantasy of an aging male author, I don't know what is! I was expecting something more cerebral than this garbage.

2 of 3 people found this review helpful

  • Overall
    4 out of 5 stars
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    4 out of 5 stars

I read "War and Peace", so...

This book is long. Exceedingly long. But not painfully so.There are only a couple of plot threads that seem unnecessary, and the flow between the two main storylines is great. At the perfect moment, it switches to the other story. Performances by the readers in these separate plotlines is very good.

A couple of people have mentioned they were turned off by some of the sexuality. To them I say "Come on, people. This is Japan, the birthplace of Hentai"! Pretty tame actually.
I've read this book described as "weird" and it is. Murakami almost seems to be following a "free association" method. Did he plan out the next part of the story, or just go with it, making it up as he went along?
BIT OF A SPOILER BELOW:











In the end he ties most of the loose ends, but it's a Deus Ex Machina resolution. They just leave. A little unsatisfying given the quality of the character development and the feeling of "What is going on here?"

Despite a couple of small issues, I really liked it. 4.5 out of 5 stars

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Classic Murakami

Takes you to a different world. Your perception of reality might shift and you might wonder if your dreaming.

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  • Joey
  • 2012-04-23

I've never read a book quite like this one

I'm always in search of the longest audiobooks I can find, since I usually read both my credits' worth before the end of the month. At almost 47 hours, this one fit the bill and had excellent reviews so I gave it a shot even though I wasn't familiar with the author or book. I'm glad I did. The book (I think it was originally 3 books in Japan) kept me absorbed from beginning to end. It's a very unique idea and I loved the story-within-a-story aspect. Interestingly, nearly all the characters are kind of one-dimensional, from a traditional literary point of view. The characters don't change much from the beginning to the end, which is something I was always taught to avoid in writing, but it works here because (without giving spoilers) the story itself changes around the characters. Instead of the world being stable and the characters moving through it, the characters are the fixed point of reference. Because it's just a little off traditional storytelling techniques, it makes the story feel unique above and beyond the plot itself.

The writing is also vivid and excellent. It's the type of writing where you have to pause occasionally and really take in a phrase that hits you just the right way. Another reviewer commented on the phrase "shaken his heart from a strange angle," which is one that I loved, too. I was also very taken with the phrase "Bright words make the eardrums vibrate brightly." It's such an odd phrase, when looked at literally, but you instinctively know what it means. The whole book is peppered with that kind of language. The author, obviously, takes primary responsibility for this, but the translators also did a great job. I'm not really sure how the translation process works, but I suspect there were spots where they added small explanations to ease the reading of unfamiliar concepts. They also did a great job with the occasional idiom or slang word. It was so well-done that I felt less culture-shock than I have with some books that are written in English to begin with. (There's a bonus interview with the narrators at the end if you want to hear their perspective.)

There are a couple of things that I disliked. The first was, as others have mentioned, the female narrator. It was kind of bizarre - when she is voicing the main character she does fine. She has a pleasant voice that effectively conveyed emotion. When she was voicing some of the other characters, however, it's almost like instead of changing the timbre of her voice she just changed how slowly she talked. The elderly dowager, in particular, sounded similar to a computer reading text. Her speech was very slow, oddly emphasized, and emotionless. In some books with a narrator that talks too slowly I just speed up the playback, but it wasn't possible since the slow alternated with normal speech. My other complaint is that I would have liked it to be about 30 minutes longer and tell us what happened concerning a few supporting plotlines. I'm not saying that every loose end needs to be tied up - I think this is a cultural thing because I've noticed that American books and movies tend to completely resolve all stories and foreign ones don't... I ordinarily accept it as part of the style. But the way it was written, several secondary storylines were building towards a climax and then just disappeared. It felt like when you think you're going to sneeze and then you don't. I don't want to give anything away, so I'll give a made up example: It would be like saying that someone's dog had run away and they got a call from the pound saying there was a dog that might be theirs so they get in the car and go to the pound, and then the story switches to another character and never comes back to tell you if the dog was theirs or not.

Despite my two small complaints, the book is undoubtedly one of the best I've listened to recently and (especially if you like long books) you should not hesitate before getting and reading this book!

69 of 73 people found this review helpful

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    5 out of 5 stars
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  • Amanda
  • Phoenix, AZ, United States
  • 2011-11-06

WOW, WOW, WOW.

This was my first book by Haruki Murakami, and it was an extraordinary experience. At one point in the book, while discussing one of the main characters, it states that something "Had shaken his heart from a strange angle". And I think that's a good description of how this book affected me. It shook my heart from a strange angle.

I've never read a book quite like this one; it was unique. It has a certain moral ambiguity to it, especially in the first half. This caught me off guard and was unsettling, but it did fade to a much lesser issue as the story progressed.

The story weaves common threads throughout the book; opening up questions on themes of loneliness, the vacuums left by people or loss (and whether these can or should be filled), both the damage and comfort of religion, how our childhood scars affect us as adults (and how much power we should allow them to have) and the very thin line - the delicate balance - between Right and Wrong, Good and Bad.

Mostly, however, the book is a deep mystery that pulls you into it's dark running current and carries you along. I know some of the other reviews did not appreciate or enjoy Ms. Hiroto's narration, but I loved it and couldn't imagine the story without it. I thought it was exquisite, as was the performance of the other narrators as well.

The stunning, stark, simple honesty that was the hallmark of any conversation held by the character of Tengo was my favorite aspect of the book. It's hard to describe, but the character always speaks and replies to questions with no pretense, no pride... it really impacted me.

Especially towards the second half of the book, there were sudden twists of humor that were a welcome gift; inspiring short, unexpected guffaws.

Yes, the book can be unsettling on many levels; but it's also very impactful. I'll never forget my time in 1Q84, under the two moons.

199 of 218 people found this review helpful

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    5 out of 5 stars
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  • Grant
  • NANTUCKET, MA, United States
  • 2012-03-29

This again???

If you've read one story about a female exercise therapist/hitman, looking for random casual sex while searching for the man of her dreams, who enters a parallel existence with two moons in the sky only to kill the leader of a religious cult that hears voices from little people who come out of a dead goat's mouth and make duplicate copies of people, you've read them all.

Seriously, if you like weird, and I do, you'll like this.

135 of 153 people found this review helpful

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    3 out of 5 stars
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  • Dr.
  • Lake Oswego, OR, United States
  • 2012-05-21

Slow, Strange, and (ultimately) Satisfying

I have been a Murakami fan for years and I have listened to many of his other titles. I waited months before listening to 1Q84 because I was reluctant to spend weeks listening to a single book. When I did listen to it I often questioned my judgment because the story is SO SLOW. When you have over 46 hours to tell a story, an author has a lot of time on his hands. In spite of this reservation, I want to acknowledge that Murakami is such a gifted writer that he uses that time to richly develop and explore the lives of the two main characters.

True to form, Murakami works his magic and finds a way to draw the listener in to his strange world. By the end of this book I was finally intrigued and I looked forward to the last 8 hours (!). Ultimately, it was satisfying. I must admit, however, when I turned off this book for the last time, I asked myself if this was the best use of my 46 hours, 50 minutes. Interestingly, since I finished this book weeks ago, I have thought about it very little.

For those who are curious about Murakami but are reluctant to start a book of this length, I would recommend some of this other titles - especially Kafka by the Shore or Norwegian Wood.

46 of 52 people found this review helpful

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    5 out of 5 stars
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  • Theodore
  • Kingston, Jamaica
  • 2013-06-13

Hard to Find Fault

This is one of those books that have been getting rave reviews from bibliophile or rather anyone who is a fan of modern literature. The book appealed to me for a number of reasons but for some strange reason I never got around to give it a try until recently. I wasn't disappointed...

The first thing you find right off the bat is how well Haruki Murakami is able to use words to paint a picture. And I am no referring to a half baked imagery that leaves you to fill in the blanks but he fully attempts to describe the scenery in such a way that your entire senses seem to be a part of it. This can cause someone to get impatient and skip past these moments and lose one of the things that make this novel really special.... that amazing attention to detail.

Keep in mind whilst going through this novel that originally this was actually three books. 1Q84 was actually released as three separate books (Book 1, Book 2 and Book 3) and so while it might seem really long, keeping in mind that it originally was three separate books it's actually pretty normal in terms of length (and also bang for your buck seeing that you're buying three books in one). This is one of those books where patience is a good thing, just sit back and enjoy the ride, don't watch the hours spent going through the book just enjoy the actual journey. I can assure you by the time the book actually ends you will be begging for more once you really allow yourself to enjoy it.

1Q84 is, at worst, one of the most imaginative story lines I have ever really come across. Haruki Murakami weaves an elaborate and immaculate storyline with interesting, flawed characters each with their own back story. Even these minor characters are developed in a way that leaves you feeling satisfied in the end. I am seriously impressed as to how Haruki Murakami came up with the storyline and the time and energy that was invested in creating this piece of work, if this is the style of Japanese writers I would hope that more can be translated to English.

The narration in this book takes some getting used to, especially the voice of Allison Hiroto which can quite literally put you to sleep with how soft and gentle it comes off. After an hour or two though all the voices just seem to lay on you like high quality satin sheets (another sleep reference but without it actually putting you to sleep). Once the story picks up you get gripped and caught up with the way the narrators still seem to be so patient in their delivery but yet somewhat wishing they would pick up the pace. Truth be told though, you likely won't increase the tempo at this point because you would have gotten so used to the pace you won't mind it at all.

I truly can just go on and on about this book for the mere fact that it was done so exceptionally well. When I can write a review this long it means I either really enjoyed or really disliked it... and this book.... I LOVED!

59 of 67 people found this review helpful

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    4 out of 5 stars
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  • Ted
  • Lancaster, PA, United States
  • 2012-09-27

Er.... Unusual

1Q84 lives along the thin line between mysticism and spiritualism. It is a fantastical adventure through the author's musings about how emotions create reality. I don't know if it is the translators or the author but I did not get the sense that I was allowed to sink into the Japanese culture, but rather cruise a Europeanized/Americanized filtered vision of what might be Japan. It's disconcerting enough to break the reader's mood as are the too frequent allusions and name droppings of stuff the author's read. A couple of times I wondered if perhaps there was a bit of pretension here and there.

Now, do I recommend 1Q84... Well, yeah, I guess. But more for the plot than the blizzard of symbols and allegorical references. The story's compelling... haunting... hypnotic. And well... unusual. You know what? This very long novel is worth the time. I'll think about it... and perhaps feel about it... for a good long time. Which is what I'm thinking this whole experience was :-)

10 of 11 people found this review helpful

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    5 out of 5 stars
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  • Donna
  • United States
  • 2011-11-10

Interesting, worthwhile read

If you could sum up 1Q84 in three words, what would they be?

Surreal. Interesting. Long.

What other book might you compare 1Q84 to and why?

I've never read any other book like this.

What does the narrators bring to the story that you wouldn’t experience if you just read the book?

The narrator spoke Wayyyyy too slowly. I wanted to yell,

If you were to make a film of this book, what would be the tag line be?

There's really only one reality...but what is it?

Any additional comments?

I would recommend this book to someone who has patience and is not looking for a fast-paced or suspense -filled story. It was very long but I finished it without regret.

41 of 48 people found this review helpful

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    1 out of 5 stars
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  • P. J. Benyei
  • 2011-12-11

excrutiating

This is the most monotonous work I have ever encountered. The slooooow reading of the female narrator who pauses to OVER stress every descriptive word in the book makes you feel like the print she read must have CA..PI..TAL..IZED each one. Like listening to a teacher read out loud to a preschool class, where each syllable is stressed separately to help the kids "sound out" the words on the page in front of them. The male narrator is actually good and that is the only nice thing I can say about this book.

The story itself doesn't help. Nothing ever happens. Or something very interesting happens, but the author skims over it with one brief comment and then goes into excruciating detail about some other minutia, like what they ate, how it was prepared, what was on the side, what spice was used to season it, how much was used, and how was it chopped, course or fine, and then lists a metaphor about how course or fine, why it was chopped that way...blah blah blah. Even the rare event that can not be classified as day to day minutia is interesting at best- like a dream that doesn't make sense, but is so odd that it makes an impression anyway, even if it is disjointed and has no real meaning.

It is so insanely verbose... I just listened to a 15 minute passage about Aomami considering buying a goldfish and deciding on a rubber tree instead (which we already know is the outcome), I fast forwarded 10 minutes and she was still thinking about it when i resumed. That's where I quit the book after about 30 hours. The author repeats everything and repeats it and repeats it. It makes me want to scream. Every time he mentions the fish- its not just "fish" it is the gold fish that she saw on this date that she considered buying after she saw someone else's goldfish, in this particular store, in this location, next to that other place, where she eventually bought a rubber tree, which was a sad specimen- as if you could possibly have forgotten what fish he was talking about a half sentence ago, and the state of the rubber tree has anything to do with the stupid fish! At one point he describes Leader breathing deeply - it takes him over 10 minutes to do it- and the word deeply must be repeated 20 times. Reading this book is like grading a whole 6th grade classes' answers to a vocabulary test- he gives you a word; list a simile, a metaphor, a synonym, use it in a sentence, then repeat 28 times. I'm not kidding. He goes so far that in all of the dialog between Tengo and Fukaeri, Tengo literally repeats verbatim every word Fukaeri just finished saying before adding his comment. All of the other dialog is like this to a slightly lesser, but no less irritating, extent.

Not only does the author describe what IS there with every possible word that might be applicable - but he then proceeds list everything it can not be... There IS a second moon. It could not be a plane. It could not be a star, it could not be a comet, it could not be his imagination, it could not be a trick of the light... I GET IT ALREADY! MOVE ON! like some twisted 50 hour non-rhyming version of green eggs and ham.

It should have been a 200 page book. Seems like in the process of editing the author wrote each word, each sentence, each thought a dozen different ways and couldn't decide which he liked best, so just left them all- just in case you are a complete nincompoop and didn't understand the first 11 times he described it.

In addition, I can't relate to any of the characters. It may be a cultural thing, but their behavior, thought process, acceptance or disbelief, none of it makes any sense to me.

I really suffered during the 30 hours I stuck with this book becasue of the positive reviews. I hope I can save someone else the same suffering.

120 of 143 people found this review helpful

  • Overall
    3 out of 5 stars
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  • Cage
  • 2012-12-19

Surreal. In other words...

This was a strange one. I was never bored, but the ending was not very compelling. A bit anti-climactic. There is a bit of sex throughout the book, so listen responsibly, kiddies!
I really enjoyed the narration. Both of the main narrators were soothing and gentle, and the third introduced late in the book was also very good.
Now, on to the biggest problem with this book. As many reviewers have pointed out, this book is repetitive. Here is an example (don't worry, it's not actual dialogue, just my impression of a typical conversation)
A: Are you hungry?
B: No, I already ate.
A: You already ate.
B: Yes
A:In other words, you put something in your mouth, chewed and swallowed?
B:That's right.
A: Was it good?
B: It was good.
A: In other words, You enjoyed it?
B: Yes.
A:Yes?
B: Yes.
A. In other words, you are stating an affirmative?
B:Yes.

This kind of conversation happened so many times, it may be responsible for an eighth of this book's length.
Though the story had some extremely moving moments, they were few and far between. It was different, though, that's for sure. My final analysis, the long journey is better than the destination.

4 of 4 people found this review helpful

  • Overall
    4 out of 5 stars
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    4 out of 5 stars
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    4 out of 5 stars
  • Kathleen
  • Minneapolis, MN, USA
  • 2012-09-29

Intriguing novel sort of a 1984 plot.

This is a very long book that took me months to read, but was worth it.
The year is 1984 and the city is Tokyo.A young woman named Aomame follows a taxi driver's enigmatic suggestion and begins to notice puzzling discrepancies
in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 - "Q" is for "question mark". A world that bears a question.
Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that,
soon, his previously placid life begins to come unraveled. As Aomame's and Tengo's narratives converge over the course of this single year, we learn of
the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that
instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator;
a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector. A love story, a mystery, a fantasy, a novel of
self-discovery, a dystopia to rival George Orwell's, 1Q84 is Haruki Murakami's most ambitious undertaking yet: an instant best seller in his native Japan,
and a tremendous feat of imagination from one of our most revered contemporary writers. BONUS AUDIO: Audible interviews the translators of 1Q84, Jay Rubin
and Philip Gabriel.

4 of 4 people found this review helpful

Sort by:
  • Overall
    5 out of 5 stars
  • Lea67
  • 2012-06-03

One of the best Murakami novels!

This book is a page-turner, I wish I'd never had to press the pause
button. If it's long (almost 47 hours) it never seems to be and once
finished you'll think: "What, already?" One precision : this recording in English includes all 3 books of the 1Q84 trilogy, as well as a very
interesting interview with the translators (Japanese to English). Now I
wish I'd speak Japanese to be able to read the original and understand
all the subtleties.
In book 1 and 2, chapters alternate between Tengo's and Aomame's
stories. In book 3 there's a third one added, Ushikawa. In the
beginning, you'll probably think there are two parallel stories told,
but as always in Murakami's novels they'll meet in the end. In addition
to different points of view, you'll float between two worlds: the real
world 1984 and the imaginary/parallel world 1Q84 (a tribute to George
Orwell). It's pretty hard to fit this book into a genre category. It's
as much a love story as a detective novel. It moves slowly, especially
during the first part, with many detailed descriptions: as well everyday scenes from the life of a NHK fees collector, as creepy ones of corpses, as deeply poetic ones with the two moons for instance and a couple of highly erotic scenes. But with the amount of questions you'll want to know the answer to, the vivid descriptions are not a problem at all.
Finally I'm taking my hat off to the narrators: all three of them were
pleasant to listen to and did an outstanding job !

3 of 3 people found this review helpful

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    4 out of 5 stars
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    4 out of 5 stars
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    4 out of 5 stars
  • nreyes
  • 2019-06-10

Entertaining, if a little sprawling

There are times when the story’s pace drops off and you are left pondering whether it is worth taking a detour only to end up back in the main plot once again. Nevertheless, a great read / listen for fans of Murakami, but probably not a recommended way to discover the author for newcomers. Could be a bit on the long side for the uninitiated. The split of chapters between the different characters works well but the ending was a bit flat - after many chapters slowly unravelling twists and turns and seemingly impossible connections it just sorts of fades out.

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    5 out of 5 stars
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  • Alexei Tcherkassov
  • 2016-11-07

amazing story

the best Murakami I've read/heard so far! the story is complex, surprising and super capturing. the quality of this audiobook is perfect.